one-eyed monster

Cyclops camera and binoculars

Toronto. Our PHSC News for April, 2020 (issue 19-10) features the odd looking Cyclops camera of the mid 1950s. Editor Sonja Pushchak and her team put out another tasty issue in spite of the nasty COVID-19 virus affecting countries world wide at the moment.

Page one addresses the very interesting  and colourful Polymath Birds of Columbia. Next in lieu of our none presentation, Sonja links to Doon Arbus talking about her famous mother, Diane.  Page three covers the Cycle Diary by Lorne Shields and our editor (Lorne was to be our guest speaker last month).

On page four, AD-ING IT UP covers author Chip Kidd which is promptly followed by page five and the TORONTO FILE on contagion. David Bridge leaps in with his Equipment Review, this time showing ways to avoid touching your digital camera (software for PC and MAC); and Web Links o behalf of his better half, Louise.

PHSC Presents shows the impact of COVID-19 as does the CLASSIFIEDS while Vi and Dot discuss another kind of Royal collection. Click here or the Cyclops icon to see this edition of PHSC News.

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doing it in the dark

Darkroom. California

Toronto. Snapshots from the PHS of NE via my friend and editor of the internationally famous Photographic Canadiana journal pointed out a couple of links to me Wednesday last. The Darkroom over in California is interesting. While we have local film processing by Downtown Camera (Mike once sold me a rare Leitz Thambar lens), this California shop lists all currently available film and does a review on each type”

Worth a close look, all you film aficionados.

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not this year

59th Bièvres Cancelled

Toronto. More impact from the COVID-19 pandemic. Anne Quémy of France writes, “Hello, I am very sorry to announce the cancellation of the 57th Bièvres International Photo Fair due to the global health situation caused by the Covid-19.

“We look forward to seeing you in June 2021. Meanwhile, take care of yourself.”

Some members have attended this famous event in years past, but not this year …

 

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Henri does Havana

Cuba by Bresson for LIFE March 15, 1963 issue

Toronto. On page 28 of the March 15, 1963 issue of LIFE magazine begins an article on Cuba after the revolution featuring the words and photos of the great French photographer Henri Cartier-Bresson. Bresson is usually thought of in terms of his Leica and Decisive Moment photograph in France.

Take a gander at the photos and prose in this LIFE article from over 60 years ago. Castro had taken over Cuba in a world famous revolution. Worsening relations with America had his country black-balled by the mighty USA.

My thanks to good friend George Dunbar for unearthing this bit of history on the famous French photographer.

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way too much, way too late

Contarex cut-away from Larry Gubas’s massive “Zeiss and Photography”

Toronto. The Contarex was Zeiss-Ikon’s SLR flagship. With some 1,100 plus precision measured components, it was an engineer’s dream – and a repairman’s nightmare. The $500 US  “Bulls-eye” Contarex was announced at the 1958 Photokina but didn’t hit the shelves until 1960 – a year after the vastly less expensive and famously popular Nikon F.

The Contarex, built like a tank, was very complex by design. It was heavy, fragile, expensive and had to be used following a specific sequence of actions – not simple to use by any means! The camera and lenses were far better than those of any competitor, but took a very competent and skilled repairman to accomplish even the simplest task. It was designed for professionals with very deep pockets to buy extra bodies to use when the inevitable trip to the repair shop occurred and repairs took so long.  In contrast, other professional 35mm cameras were smaller, lighter, cheaper and faster to repair when necessary.

In Larry Gubas’s massive 2015 book on “Zeiss and Photography”, 36 pages are devoted to the Contarex family of cameras (check out Petra Kellers and the Camerabooks website when the COVID-19 pandemic is over). The camera design was externally very rugged. Even when the internal mechanism was badly worn by heavy use, the exterior often looked as if the camera had been barely used. Sadly, the Contarex was thought to be one of the reasons for the demise of Zeiss-Ikon as a camera manufacturing innovator and power house. Contarex was a retail failure, far too complex and expensive to make and repair compared to the competition.

 

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imagine! colour in 60 seconds!

revolutionary Polaroid color 1963

Toronto. With smartphones, FaceTime, Skype, etc all using full time live video today, a still colour print in 60 seconds is a big yawn. But, picture photography in early 1963: To see any  photograph – colour or black and white, the photographer had to wait for negative development, print development, and mailing to and from the processor (unless you were skilled at work or home).  Slides skipped the print processing but still took days  – two weeks up here for Kodachrome.

Polaroid shocked the world with its astonishing 60 second process that worked in all its cameras made since the 1948 introduction of its black and white process. LIFE magazine on page 74 of its January 25, 1963 issue devoted a ten page article to the amazing process. The film used was initially sold in Florida and by summer, throughout the States.  A six shot roll was projected to sell for $3 to $5 US in the States. No mention of print life or scheduled sales outside the USA.

Regardless, it was astonishing back in 1963 to see results so quickly! My thanks to PHSC member and good friend George Dunbar for suggesting this article and the astonishing accomplishment of the Polaroid labs down in Massachusetts long before the digital wave replaced film as the main stream process and smart phones replaced the majority of film cameras.

 

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megal what??

Megalethoscope slide of the Palais et place d’armes, Versailles, 1870s by Carlo Ponti

Toronto.  We have featured essays from the”Fans in a Flashbulb” site from time to time. This essay is entitled, “A Time Travelling Magical Megalethoscope View of the Palace of Versailles” and was published at the end of last month.

If like me, you have never heard of the “Megalethoscope“, click the above link and read the essay by Christopher George. A thank you and tip of the hat goes to our friend and fellow PHSC member, George Dunbar, for pointing out this unusual essay on a Victorian viewer and process invented in 1860 by Carlo Ponti.

 

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clowning around

Weary Willy and his Brownie

Toronto. Remember Emmett Kelley and these others? In this strip are many famous folk each with a camera of choice.

My Friend George Dunbar asks, “The famous with cameras … Who are they?”

Food for thought back in the days of mechanical marvels for film burners. These span the decades from glass to film; from stills to movies.

 

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once a century is enough!


Toronto
. In 1918 the world suffered a pandemic called the Spanish Flu of 1918. It lasted into 1920 and proved to be very contagious and very deadly. Here we are, a century later, and the world is hit by another influenza-like virus – the COVID-19 pandemic, also highly contagious and potentially deadly especially for those with compromised immune systems.

 

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what’s in your wallet?

Argus Contest in LIFE Nov 1962

Toronto. Not to be out done by Airequipt, Argus posted a two page spread (pp 10, 11) in the November 30, 1962 issue of LIFE magazine offering 10,ooo free prizes in the “ARGUS HOLIDAY GIVEAWAY”. The offer was limited to dealers in the American mid west. We did get a call out in fine print with the note “prices higher in Canada” below the list of participating American dealers.

I could not find a number anywhere for this contest (perhaps it was only printed on an insert). 1,000 of the winners got their choice of advertised camera or projector free – the other 9,000  winners got a child’s movie viewer and a Mr McGoo cartoon movie. All other early shoppers also got one free too (with the same cartoon movie) if they bought any of the advertised items on or before December 10, 1962 from the listed dealers.

As they say, “only in America“. Thanks to George Dunbar for pointing out this Argus contest to me. In fairness, photography products were often imported to Canada by third party wholesale firms who may not have shared the advertising costs in LIFE or the prizes.

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