look-a-like-a-leica

Leica copy cats

Toronto. After WW2, the world was inundated with Leica lookalikes. Some were  flat out copies like the Russian FED and Zorki models; some were copies of Leica features like Canon; and some were marketed as improvements on Leica like the Kardon, or the very expensive Foton. Others used a similar sounding name like Nicca.

To try counteracting this deluge of cameras, the American subsidiary of Leitz took out ads like this one on page 7 of the April, 1949 issue of Popular Photography. A few years later, Leitz introduced the famous M series and ended this wave of ‘me too’ cameras based on the screw mount series of Leicas.

Over the years, I handled cameras made by Leica, Exakta, Minolta and many others. None seemed as well built or as sturdy as the Leica models, especially the famous M series.

My thanks to good friend and fellow PHSC member, George Dunbar, for suggesting this advertisement. The link also appears elsewhere on this site but is copied here for the convenience of the viewer.

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no wonder compact digital cameras disappeared

cherry tomatoes using the Samsung A32 5g camera via the iPod Touch camera

Toronto. The other day, Carol and I decided to trade in our ancient Samsung smartphone. We opted for a cheap cell phone and an equally cheap plan. One of the cheaper phones was the Samsung A32 5g model. It was black with 64Gb of memory built in and another massive amount optional by plugging in a microSD card at any time.

It had not two cameras, but FOUR. The main camera is a 48Mpx beast that makes optical zoom practical (the cherry tomatoes at top left from our garden are an example of optical zoom before and after exposure). This makes it the camera with the highest resolution in the house! A second camera gives ultra wide shots; the third close – very close – macro shots and the forth is the usual front facing camera for ‘selfies’.

An iPhone would have been more to my liking but the choices were too expensive or a bit dated now. Samsung uses the Android OS, and while it often mimics iOS, there are enough differences to be puzzling to this old Apple fancier.  Nevertheless, a cheap cell phone uses a camera far better than any compact digital. Plus it has the editing software built-in and can save images and send them (if you know how) world wide. Of course, you can also use it to text or telephone …

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genealogy and photography

Julia Austin on stage in a Shakespeare play

Toronto. Have you ever wondered about your ancestors? The American company  Ancestry (with the Canadian link shown here), does a wonderful job of indexing an astonishing number of genealogical databases.

Before Ancestry, one had to visit city directories, or government archives and weed through addresses and census records on microfiche. I did both some 30 to 40 years ago. Census records where a challenge. You had to know who, when, and where to even ask for a possible reel of records. The records were not indexed and were often by street with some addresses skipped and recorded later.

But no records included photographs! Fortunately, family records often include photographs showing many of our ancestors well after they have passed on to heaven or hell or whatever. Photographs, often annotated or the people shown recognized by family members and friends, gave us insight into where we came from. Fascinating.

Years later, before her husband’s death in 1900, Julia and Henry Peneycad took a ride in this two wheel wagon propelled by a pony (automobiles were still in experimental stages and very, very expensive). The couple remained in England in and around London.

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silent movies and colour!

A frame from Ben-Hur (1925) using Technicolor Process 2

Toronto.  I usually think black and white when I think silent movies but it was not so! The movie, “Ben-Hur” released in 1925 was the most expensive silent movie ever made. Much of it was shot “on location” in Rome and key segments used colour – yes colour! The colour was Technicolor Process 2 using red and green so the ‘colour’ looks weird to a modern eye used to tri-colour processes and auto white balance.

It wasn’t until the late 1950s (as I recall) that colour films replaced most of the black white films in the movie houses. By then, a three colour process made colours closer to those in nature, perhaps more saturated.

Some of the movies made in the 1950s and 60s seem to have faded badly today – especially yellows. They also seem to have had difficulty with white balance (at least on TV). For example, a grey suit or wall shifts before your eyes momentarily gaining a blue or brownish cast.

We live in exciting times with this digital perfection. Looking back to the early years of the last century, colour films, sold films were simply amazing for the time.

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PHSC News newsletter for September 2021

Ensign Box Camera c1927

Toronto. At right top of page 1 in the latest PHSC News newsletter is a British box camera c1927 made by Houghton-Butcher. This 120 size roll film model has two lens-focussing settings (one for 10 or more feet and one for 10 or less feet). A three stop waterhouse  setting can be adjusted for the amount of light (outdoors).

September, 2021 is underway, and our editor, Sonja and her team, have produced an eleven page, thought-provoking edition to distract you from the current pandemic. Speaking of which, COVID-19 has entered its fourth wave, driven mostly by the vaccination-deniers amongst us although a disturbing number of those hospitalized were fully vaccinated. Nonetheless, vaccines and close adherence to common sense guidelines seem to be affecting new cases in a positive way.

This latest issue of PHSC News (21-03) has many thought provoking articles – short, crisp, and provocative. Take a few moments and read them to ease your personal cares (and boredom)!

The page 1 article, ‘Which Twenties‘ covers the suggestion that the 2020s are like the 1920s.  Page 2 is a poster for our new Outdoor Fall Camera Fair, a poster that I borrowed for a post.  On page 3, under PHSC Presents is, “For Love of Bob and Hokusai’s ‘Great Wave’“,  an homage to our late editor, Bob Lansdale, and his love of Japanese art such as Hokusai’s works . Continuing on with a Japanese theme, page 4’s, LONG-DISTANCE LAB column celebrates the New York work of Japanese-born photographer, Hiro.; while page 5 remembers our two executive members, editor Bob Lansdale and auction director John Kantymir who shrugged off their ‘mortal coil’ this past July.

Page 6 addresses “Willful Wonks and the Erin O’Toole Campaign Factory?” in the “MEDIA-ROLOGY” column’s tongue-in-cheek take on an O’Toole campaign. This column will likely raise some controversy as did the draft version (especially those with less of a sense of humour). Then David does his usual saucy Equipment Review, and the “I was Going for  Gold, Then I Opened the Box“ article about a missing one millionth Sekonic meter. John Morden steps in to select the trio of WEB LINKS shown on page 7 as Louise handles the Journal editor tasks.

And, page 9 features a poster on our forth-coming ZOOM event  “Generation Homeless: Impact of the Unhoused Crises(a poster that I also borrowed for a post). On page 10, our friends, Ivy & Izzy, trade quips on “The Hidden Potential of the Kruger Effect” followed by John’s compilation page of shows, events, and exhibitions of interest to photographers everywhere (and PHSC members).

P.S. As usual, every link shown in the newsletter is a hot link just waiting for your click!

P.P.S. You can visit this issue by clicking here, or by g0ing to the menu item NEWSLETTER at the top of the page. There is a drop down menu that takes you to older issues dating back a couple of decades to the very beginning.

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… under the sun.

PHSC OUTDOOR FALL CAMERA FAIR – SAT. Oct 2nd, 2021. Trident Hall

Toronto. I grew up with the King James version of the Bible. Ecclesiastes 1:9 says in part, “… there is no new thing under the sun.”. I was reminded of this a few weeks ago when our indoor Fall Fair became seriously doubtful due to COVID restrictions.  Since we had a good Trunk Sale, we decided an outdoor fair at the same location would work. Our newsletter editor agreed, but suggested a name change and the PHSC “Outdoor Fall Camera Fair” was born.

Come out and join the festivities. We moved up the start and end time from the Trunk Sale times in recognition of the traditionally cooler weather. The date, as shown on the poster is SATURDAY, October 2nd, 2021.  Email fair@phsc.ca for reservations. Attendance for buyers and browsers is free – Beverages and food will be available too! Need directions? Use those shown here on an old Fall Fair book mark. TTC access and Free Parking!

 

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Oh, to be in Montreal in the fall …

Montreal Camera Show this fall

Toronto. When I was at University “dans la belle province“, fall was a delightful time of the year. Studies began anew; weather was warm; skies were sunny; and an afternoon walk up Peel street to Mount Royal was bracing. But see for yourself this month on the 19th.

PHSC member Sol writes about his Montreal Camera Show as follows. “Le Montreal Camera Show aura lieu dimanche 19 septembre entre 9:30 h et 14:30h au Marriott Courtyard Montreal Airport, situé au 7000 Place Robert-Joncas, Montreal, H4M 2Z5.

“Achat, vente et échange de tout matériaux photographiques, numeriques , neufs et usagés: caméras, objectifs, flash, filtres, trépieds, films etc..

“Visiteurs: $7 Ã la porte. Songez-vous vendre votre équipement? Location de table: $75 par réservation seulement. SVP, veuillez contacter Solomon Hadef au 514-898-5351. PLUS QU’UN MARCHÉ AUX PUCES!

www.montrealcamerashow.com

“VEUILLEZ NOTER: Selon les règlements gouvernementaux, toutes les  participants (visiteurs et vendeurs) seront priés (requis) de fournir une preuve de vaccination complète, ainsi qu’une pièce d’identité légale. Ce qui ne peuvent pas se conformer sera pas autorisé à accéder la salle. 

“The Montreal Camera Show will take place Sunday, September 19th between 9:30am and 2:30pm at the Montreal Courtyard Montreal Airport, located at 7000 Place Robert-Joncas, Montreal, H4M 2Z5.

“BUY-SELL-TRADE. Everything photographic, new or used, film and digital, cameras, lenses, flash, tripods, filters, film, accessories etc..

“Visitors: $7 at the door. Thinking of selling your unused or unwanted gear?? Table rentals are $75 each. Reservations required. Please call Sol Hadef at 514-898-5351

“GREAT BARGAINS, UNUSUAL FINDS!

PLEASE NOTE: As per current government regulations, all visitors and sellers will be required to provide proof of complete vaccination, as well as a piece of government ID. Those who cannot comply will not be allowed entrance to the show.

www.montrealcamerashow.com

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how to fail without really trying …

April 1949 ad for B&H FOTON 35mm camera

Toronto. “What the heck is a photon, anyway?”, you may ask. Actually, it is a measure of light. In 1948, Bell & Howell misspelt the word to create a unique name for its still camera, as is often the case (think Canon, Beatles, etc.).

The Chicago firm, known for its professional motion picture gear used in Hollywood and around the world since about 1910, decided to jump into the still camera market with a 35mm camera called a FOTON. The engineering was intended to exceed the specifications and quality of the best of the German industry (Leica, Exakta, Contax).

Unfortunately, at $700 American retail, it was priced well above the best of the German 35mm cameras. Worse, the price was dropped a couple of hundred dollars shortly after introduction further eroding support. The FOTON was a marketing failure, disappearing into the fog of history by the very early 1950s. It was touted as an interchangeable lens camera, and telephoto lenses eventually showed up but nothing shorter (wide angle) than the original 50mm lens.

Very few of these cameras seem to have been made, making the FOTON very collectible by those with deep pockets and a good knowledge of camera models.

This advertisement appeared on page 34 in the April, 1949 issue of Popular Photography. My thanks to good friend George Dunbar for sharing his diligent research into photographic history with us. NB. The FOTON link above goes to Mike Eckman’s web site and is a very good read.

Note: The title of this post is a riff on a book, musical and movie from mid last century called, “How to Succeed in Business Without Really Trying“.

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Archiving Photography During a Pandemic – September PHSC Talk

Toronto.  ** PLEASE NOTE – THIS A REVISION TO THE ORIGINAL SEPTEMBER 7th POST ** Stephanie Normand and Nicole Plaskett of The Canadian Heritage Photography Foundation have worked tirelessly during pandemic lockdowns to preserve and digitize important Canadian photography. Stephanie and Nicole will also provide a look at online exhibitions to be unveiled later this year..

Join us on September 15th, 2021 at 8 pm (we begin around 7:30 with a social get together – all welcome) via ZOOM. Read the poster below for more information. This poster was created by our PHSC News editor Sonja Pushchak and shows her delightful turn of words.

Go to Eventbrite for free tickets or to program@phsc.ca with any questions.

PHSC presents – with members of the CHPF via ZOOM September 15th, 2021

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do you remember Marilyn?

Monroe by Kirkland courtesy of Gadcollection, Paris, France

Toronto. Do you remember my post just over three years ago on April 15, 2018 in those pre-COVID days?  Well, our friends at GadCOLLECTION over in Paris are hosting another Kirkland exhibition this fall from September 3rd to October 10th (2021).

If you are in Europe this fall, be sure to visit GadCOLLECTION and see this showing of images taken by the famous Douglas Kirkland. Who knows, you just might improve your collection with a few “future historic” photos.

By the way, Kirkland was born in Fort Erie, Ontario but has worked most of his life in the States where he currently lives.

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