puppy love

prize winning photo taken by a Graflex camera (1939 ad)

Toronto. In the 1930s when this ad was displayed (May, 1939 issue of Popular Mechanics) Graflex was a stand alone company once again and worked hard to gain access to the amateur photographers in America. The company ran photo contests and published the winners such as the photo at top left (called Puppy Love).

Folmer Graflex was the darling of the newspaper fraternity in America. It was a common sight to spot a mighty Speed Graphic 4×5 camera, complete with a large flash gun mounted on one side, in the hands of a news photographer – especially in the days when printed media refused to use smaller negatives.

Like all great marketing copy, the writers of this ad attribute the photo to the camera, not the photographer – suggesting you too can take a photo like this with a ‘Prize-Winning Camera’ made in America by Folmer Graflex Corp! They do name the photographer in a small cut line under the photo – William D. Barkley.

Another tip of the hat goes to my good friend George Dunbar for sharing this whimsical bit of photographic history with us. These days, I often see electronic companies like Epson (printers) running contests. And TV stations offering to ‘display’ great photos – for free – just send them in and hope.

 

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not all bad

Ad for a new Kodak camera factory opened in 1939

Toronto. The great depression was a nightmare for most folks, culminating in the second world war. A sliver of silver lining in the gloomy clouds of depression was the fall in most retail prices. By June of 1939, even the mighty Kodak took out an advertisement to say they were building a factory addition that would reduce the cost of their cameras to ‘new low prices’.

Up here, Kodak Canada was the cluster of buildings at Eglinton and what is now Black Creek drive. Sadly the Rochester campus and that in Mount Denis fell to the wrecker’s ball when film was replaced by electronic sensors and digital technology. Bob Burley of Ryerson spoke on the loss of the Mount Denis campus in February, 2007.

Once again, we are indebted to our good friend and able researcher, George Dunbar, for both sourcing and sharing this bit of photographic memorabilia from Popular Mechanics on the eve of WW2 up here and in much of Europe. Well done, George.

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before we had polaroid cameras

an early ‘instant photograph’ “studio” described in a June, 1939 issue of Popular Mechanics

Toronto.  George Dunbar in his search of old magazines for ads and articles relevant to photography often finds unusual stories and cameras. For example, the June, 1939 Popular Mechanics magazine had a filler article called, “Two-Minute Photo Printed in Portable Studio“.

The “studio” in question was a small tripod mounted camera that created round button-sized photos suitable for seasides or other family attractions. The little gizmo creates a print that is ready in 2 minutes – almost a decade later (1948), Edwin Land announced his famous “Picture in a Minute” camera down in NYC.

A big thanks to my good friend for sharing this article with us.

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Communications courageous

communicating in the 1950s

Toronto. When photography was first announced back in January, 1839, the world was ecstatic. Samuel F. B. Morse, inventor of the telegraph, was visiting France that year and brought the Daguerreotype process back home with him to America.

It was an exciting time to be alive. Technological inventions rapidly followed one another – telephones, automobiles, movies, airplanes, radio, radar, television, transistors, lasers, computers, integrated circuits, smart phones and many more – and this was just in communications!

In our industry, an important part of communications, things moved in leaps and bounds. media resolution improved, media speed improved, practical colour arrived along with flexibility and simplicity (to the user). Camera design, glass design, and lens design, kept pace with media to improve the final result (photographs). Then film, glass plates, and chemistry faded as digital technology became the primary means to photograph everything from bacteria to bugs to people to stars. 

A modern user has no need to learn the skills so necessary for success in the days past. The slightest touch can take a full colour, technically perfect image on a smart phone and another few finger presses can sent it off to anywhere in the world. So simple. So complex.

The lady shown here in her kitchen holding the telephone was taken over sixty years ago. She couldn’t even predict how the world would change for her grandchildren and their grandchildren.

NB. The title of this post is from a book titled ’Captains Courageous’ written by Rudyard Kipling in 1897 – two years before the lady pictured above was even born. 

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8mm to the rescue

fall 1932 ad for a new movie size for economic home movies

Toronto. By 1932, the world’s worst ever depression was well underway. Jobs were lost in droves. Fortunes disappeared literally overnight. Buying on margin became an instant pariah. Photo industry companies used novel ideas kept some of the amateur photographers active.

For example, to keep customers in this belt-tightening time, Kodak came up with the 8mm concept for home movies: use ’16mm’ film but get 100 feet equivalent projection time by splitting a special ’16mm’ spool of film in two – and selling it in 25 foot rolls (vs. 100 foot for 16mm). Along with the new film size were new cameras and projectors – all at less cost than 16mm films and gear.

The ad shown here appeared in the November 12, 1932 issue of the Saturday Evening Post (a magazine published every Saturday)! Weekly publication lasted into the 1960s. Today it is published about six times a year … .

My thanks to good friend and photo historian, George Dunbar. I remember the ‘post from reading copies in Nels Magee’s barbershop (back of the local drug store) as a kid in for my bi-weekly hair cut.

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more than one way to skin a cat …

how to capture a tenderfoot on a wild horse – 1939 style

Toronto. …. or ride a frisky horse. The May, 1939 article from Popular Mechanics shows how a stuffed horse could simulate a bucking broncho in a photo taken for the folks back home!

Notice how the professional photographer uses a view camera and tripod to capture the event. Typical media of the day would be a trifle slow, even in bright sunlight. The snappers of today with their digital cameras or smart phones have super sensitive sensors (and possibly optical stabilizers) and no need for a tripod – even indoors in the daytime.

A nod to my good friend and erstwhile seeker of photo history as recorded in magazines nearly a  century ago, George Dunbar, for sharing this clever ‘studio prop’ to dazzle the home-bodies.

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before there was Virtual Reality ….

VR future> curtesy of How-to-Geek

Toronto.  … there was Stereo. After all, Virtual Reality (VR) is just Stereo on steroids – i.e. interactive video in stereo. Modern day VR is experimenting with various techniques such as projecting directly on the human retina.

In the PHSC, for many years we had two very skilled experts in stereo – the late Dr Robert Wilson and Stan White. Bob was a geologist by trade and a stereo enthusiast by preference. Stan was a long time professional photographer and teacher. Both also belonged to the National Stereoscopic Association (NSA) in the states. Stan introduced the series of September Stereo sessions presenting his own work and that of the NSA.

We also had the pleasure of a couple of stereo presentations by a member of the PHSC in Buffalo – Paul Pasquarello. For the June, 2008 presentation, Paul brought his own projection set up and showed his own work which was wide view stereo. A second presentation by Paul was at  the October 2010 meeting.

We first saw Virtual Reality in action when we visited the DME lab at Ryerson University here in September, 2016.

A few individuals like Bob and Stan could ‘free view’ stereo stills and see the 3D effect (I didn’t cover the many folk who can see the once popular drawings in soft cover books that  could be ‘free viewed’ as well). For the rest of us or viewing projected stereo stills, stereo movies, VR, etc. some form of eye ware is essential to ensure images appear only to the correct eye. The two images – still or movie – are combined by our brain to create the 3D image.

Even today, TV or VR need eye waree to see the 3D effect. Rather unwieldily head gear for a VR experience.

 

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3D anyone?

A June, 1939 article on making 3D photos with a regular 35mm camera

Toronto. An article in the June, 1939 issue of Popular Mechanics shows a clever device for shooting live 3D with a normal 35mm camera. A mirror device affixed to the lens takes two images in a single frame – one for each eye. A special 1/2 frame  viewer allows the shutter bug to frame his/her shot.

Inexpensive gadgets used two mirrors and a solid septum. A more expensive idea used front silvered mirrors (prone to damage from over-enthusiastic cleaning). High end makers like Leitz used a prism instead of two mirrors to protect the reflecting surfaces and eliminate any ghost images.

Not mentioned is that the gadgets all made shots as if the camera was turned 90 degrees – ie portrait not landscape. Nevertheless, the gizmos worked great – I have a Leitz STEREOLY prism, arm, and viewer which was made in the 1930s. The few shots I made with it in both B&W and colour came out in beautiful 3D. My setup was intended for an earlier screw mount Leica, but worked fine on a IIIf.

A thank you to my good friend and fellow camera historian, George Dunbar, for taking the time to share this little article with us from the days when 3D was in vogue.

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watcha doin’?

a couple of pocket watches on auction August 9, 2022

Toronto. You may wonder why we are posting information on an  auction of, “Clocks, Watches & Scientific Instruments” by an outside auction house (Bonhams). Well it may surprise many of you but some PHSC members collect more than cameras and images. Over the years, I have known members who also collected telephones, radios, watches, clocks, tools, microscopes, etc and were often very skilled and knowledgeable about the contents of these collections (and even how to repair these unusual items).

So for those few, here is the latest catalogue from Bonhams-Skinner  for their “Live Auction August 9 | 10AM | Marlborough” which if you can’t quite place it, is a bit west of Boston down in Massachusetts.

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head west, young collector

Toronto. Our good friend Tonchi Martinic out on the lower mainland in BC sent me a message the other day about the Vancouver Camera Show on September 25th this year.

Tonchi writes, “Hi Bob and club members,

“I apologize for not writing you earlier. Our last camera show was on April 10th of this year. We expanded the size of our show, moving to a bigger room with more tables. I am happy to see our show gain more recognition. We had 5 new vendors from the States (California, Nevada, Colorado, Washington, and Maryland). I am also thrilled to see that the majority of attendees are younger people.

“I’ve noticed that many of those who are new to the hobby are understandably more familiar and interested in name brands and flashy high-speed lenses. I would like to encourage those people to expand their knowledge on cameras and photography in general. I think that our show is a wonderful opportunity not only to buy but to learn and gain new experiences.

“Our vendors are knowledgeable and passionate people who would be happy to share their knowledge with others. We’ve booked our next show for September 25th, 2022.

“Till next time my best regards.”

Since the poster below is a jpg, the links are not live. You can contact Tonchi at this live link dalmatia@shaw.ca. What a wonderful opportunity to enjoy Vancouver in the fall and add to your collection!

Vancouver Camera Show this fall

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