Spartus Press Camera – yeah, right!

May 22, 1950 ad in LIFE
for the Spartus Press Camera

Toronto. We saw many of these little plastic box cameras drift through our fairs over the years. Sold from Chicago by the Spartus Camera Corporation, this inexpensive model was more marketing puffery than technology. The flash was built-in as was a simple continuity tester in some versions to confirm the flash bulb was fresh and would fire. It was noted as the first camera to have a built-in flash gun back in 1939 when first offered.

No wonder it was touted as “So simple to operate, Mom and Sis can use it … ”  –  the tiny lens was fixed focus, and there was no speed adjustment. Some versions had two primitive water-house stop aperture settings – cloudy and sunny, just like Kodak used on many of its box cameras. Others, like this 1950 version had no aperture adjustment at all. The built-in flash meant the camera could be used indoors or out, using black and white film or the much less popular and more expensive colour print film.

Using the term “Press Flash” implied to the uninitiated that the Spartus was as good as the other press cameras of the day like the big Graflex and Speed Graphic cameras but far cheaper and easier to use. It used 120 style film making 2-1/4 x 3-1/4 negatives. And the quote of “… Mom and Sis can use it …” had  an unintended sexual bias that would not be tolerated today!

Thanks to George Dunbar for searching out this LIFE advertisement for a simple box camera as the 35mm cameras were beginning to take off and eventually consume the retail market before all was lost to the digital wave and its cameras and smart phones.

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A suitcase full of photographic wonder

Figures in Tunnel
East End of London, 1949
by John Turner

Toronto. Shades of Vivian Maier! My long time friend and PHSC guest speaker Russ Forfar  sent me a brief email Wednesday regarding this news item posted on the BBC. Picture editor Phil Coomes, a photographer in his own right, wrote this column on the 30th of May, 2018. Ut was posted on the BBC News site. He shows and illustrates the remarkable story of John Turner who died in 1987.

Phil writes, “It’s not often you are sent a set of pictures that make you gasp, especially ones taken decades ago. Yet here they are, beautiful black and white pictures that have remained hidden, buried in a loft waiting to be brought out into the light.

“These pictures were taken by John Turner, a property manager based in the centre of London, and were recently unearthed by his daughter and her husband, Liz and Martin Carroll.

“Following John Turner’s death in 1987 a suitcase was passed to them by his widow, Betty. A quick glance revealed family photos and other pictures taken for his camera club, and it was consigned to the loft for 30 odd years.”

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a fair deal for all

Bob Lansdale and his
c1932 EHO box camera find

Toronto, We held our most recent spring photographica-fair (about the 44th time) last Sunday. Bob Lansdale and I arrived  a bit before 9am and checked out the exhibitors as they set up their tables ready for the 10:00 am opening.

The two show chairmen, Clint and Mark, were bustling around making sure everything was working and all the exhibitors were happy. Coffee, tea, and cookies set up for the exhibitors and attendees  by Mark while Clint sorted out some of the last minute mini crisis items and everything was ready for the 10 o’clock opening.

Mark provided a minute by minute countdown the last few minutes before opening. From what I saw the show was very busy Sunday and most if not all tables were taken. Bob Lansdale was pleased. He got two box cameras for a bargain price.The larger one was a TECO complete with its handle while the smaller one (see above left) was a c1932 EHO. It complements an EHO that was already in his collection and on the cover of a recent issue of Photographic Canadiana (42-2).

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famous pix revisited

the 1913 Grand Prix by Lartigue

Toronto. Well trust my good friend George Dunbar to find unusual and interesting web sites related to photography! George spotted the Atlas Obscura site the other day and dropped me an email. The article is called “Miniature Models of History’s Most Famous Photographs” It was written back on May 11th by Anika Burgess. The story of the miniatures is recounted in a book called Double Take published by Thames & Hudson, who published “The History of Photography” by the Gernsheims in 1969. I bought my copy in 1971, a few years before the PHSC was established.

The photo I chose for this post is “Making of Grand Prix A.C.F. (by Jacques-Henri Lartigue, 1913)”. The original was reproduced in the famous TIME-LIFE series on photography published nearly a half century ago. The photograph shows the distortion caused by early focal plane shutters when used to capture fast moving objects.

The reproduction photo  is in the first book of the series, titled “The Camera“. It appears on page 162 in the article “The Newspaperman’s Standby” in a section called “Cameras That Made History

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the smartphone as a camera has arrived

Snapping a picture the modern way

Toronto. Well, you know a fad has arrived in the mainstream when it begins to be lampooned. I saw a few smartphone camera comics and cartoons over the past months, then Monday morning a friend of mine out in Calgary set me a bunch of photos of people posing in humorous ways with statures, altering the intent of the sculpture. Amongst the shots was the one at left depicting the statue using a smartphone and “snapping”  others in the room.

You might try googling to see other shots, but some sites were hard to navigate and inundated with ads and links to the “10” or “20” most whatever. I googled the name of the above image – vot kak nado pozirovat so skulpturoy 9 – and of the pages listed, steemit looked best. Check it out.

 

 

 

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Julian Schnabel at Ostlicht (WestLicht) Gallery this summer

Mickey Rourke
by Julian Schnabel

Toronto. Stefan Musil of the Ostlicht Gallery for Photography sent out an email on the 25th to announce that the gallery will host an exhibition of American  Julian Schnabel’s Polaroids this summer from June 7, 2018 to August 4, 2018.

Julian’s work was on diplay here in Toronto at the AGO in 2010. If you are planning to visit Vienna this summer, be sure to drop by the Ostlicht Gallery.

Julian says in part, “I never intended to show the pictures I took. The Polaroids are documents of places I built, sculptures I made, people I know, the process of painting. I used the camera as a medium.  Because of the camera I had the experience.

“Anomalies, idiosyncrasies, light leaks and accidents form the character of these photographs – I just happen to press the button. Using this camera is like riding a good horse, you just hold onto the reins and let her run.

“I don’t have a camera.  I don’t walk around taking photos. It was this particular camera that I became engaged with.”

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summer in the city

melted DSLR – Bill Ingalls

Toronto. George Dunbar sent me this photo the other day, The Daily Mail in the UK was the source. NASA photographer Bill Ingalls set up a $3,000 plus camera remotely to shoot the Space X 9 Falcon as it shot into space the other day.  (I didn’t link to the Daily Mail home as it is just too invasive with stupid and persistent ads).

When he came back, his Canon 5DS DSLR and lens investment was toast … But it wasn’t the heat from the rocket lift off that did it in, it was the heat from a near-by bush fire!  Summer in the city

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castles in the air


Hohenzollern Castle by
A. Kniesel, Lauffen

Toronto. Yesterday, the EU placed in law the GDPR (General Data Protection Regulation) which is similar to our own CASL (Canadian Anti-Spam Law) which was initiated July 1, 2014 and gave us two years to comply. A security company called Collibra put this Collibra-GDPR-Pitfalls-Ebook-1 together.

The GDPFR seems more comprehensive than our CASL. In any case, we do and have kept member data safe and do not offer it to others, period. Our newsletter is distributed by MailChimp who have undertaken to keep all email lists private and offer an unsubscribe link with every newsletter.

 

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a hard lesson, a wet lesson

In the drink …
LIFE Feb. 1950

Toronto. In its February 20th issue for 1950, LIFE magazine posted this cheerful article about a photographer so busy capturing a shot of unfortunate skaters in London, England that he too broke through the pond ice.

We often think of photography as a low risk occupation. Not so for the war correspondent/photographer or the news photographer sent world wide to capture the news as it happens!

My thanks to Goldie of the website urbantoronto.ca for spotting this photograph and article and taking the time to email me.

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focussing on specific fields of interest

books by Blaker – mid 1970s

Toronto. These two books by Alfred A Blaker are related to a 1965 book he wrote titled Photography for Scientific Publication. 1977’s Handbook for Scientific Photography is a complete rewrite of the original and covers the use of photography in a laboratory setting. The subjects often demanded microscopical or macro techniques and lighting.

1976’s Field Photography was a more comprehensive book covering the use of photography in the field (i.e. outdoors) to record scientific subjects from tiny bugs to vast landscapes.

I picked up the books around the time I bought my first microscope – a Leitz IIb stand made in 1904 (bought at a PHSC fall photographica-fair to complement the Leica cameras I collected at the time).

The books are typical of the mid 1970s publications teaching photographic techniques in specific fields of endeavour.  The books address mainly 35mm technique using black & white materials. While mostly black & white photos are used, a few colour photos adorn each book as well (and cameras larger than 35mm are briefly described too).

Being from the late 1970s, the books reference film only – not even a thought of a digital future. These two hardcover, saddle stitched, books with dust covers each cost a bit over $50 when new. Today they can be found for a fraction of that amount in a used book store.

By the way, if you are enthusiastic about film and black & white analogue (chemical) photography then why not join us Sunday May 27th at our spring photographica-fair? You will find lots of film gear readily available. Admission is free to students with school ID – and there is free parking!

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