roll your own

Bulk Loaders for 35mm film

Toronto. When film and 35mm cameras were all the rage, a significant savings could be realized by buying bulk 25, 50, or 100 foot rolls of 35mm film, In the darkroom, the film roll was placed in a light tight bulk loader. You could save even more by getting slightly out of date bulk film rolls at a war surplus store like the old Hercules store on Young Street around Wellesley (or was it nearer to Bloor?).

You could buy new empty 35mm cassettes, or use specially made ones like the all brass Leica version (at the end of life, new Leica brass cassettes cost $100)! Or if you were down right frugal, save or scrounge good empty cassettes and reload them.

Some companies, like Ansco, even sold kits of film and cassettes so you could save a few dollars and roll your own. The Ansco colour kits had the film trimmed to fit the cassette every 36 exposures plus leader. Leica sold film leader templates and third party templates could be bought at many camera stores. But most people (like me) just trimmed leaders by hand.

Did you know the long leader used on commercial film cassettes was a nod to the screw-mount Leicas? The Leica camera bottom was removed for loading and the leader had to be slipped between the pressure plate and the shutter and dropped into the take-up roller. In some cameras such as the Exakta, a blank cassette could be used in place of the take-up roller so you could wind the exposed film directly into a cassette. Exaktas even had a built-in knife. Leica sold a knife as a separate accessory (ABCOO).

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Photographic Museum of Ontario (PMO)

Karsh Presentation at PMO Fundraiser in Ajax

Toronto. The PMO is hosting a fundraiser on May 18th, 2019 out in Ajax. Some members are or were members of the PHSC or have spoken at one of our meetings. Shelton Chen is a local expert on Karsh.

Peter Gatt, CPC, executive director of the museum, writes, “On Sat. May 18, 2019, the PMO is proud to present a day with Karsh. Come learn about the photographer who has taken some of the most iconic photos of our time.

“Yousuf Karsh was an Armenian-Canadian photographer known for his portraits of notable individuals. He has been described as one of the greatest portrait photographers of the 20th century. Karsh’s photos were known for their use of dramatic lighting, which became the hallmark of his portrait style. Martin Luther King, Winston Churchill, Audrey Hepburn, Albert Einstein, to name but a few have been photographed by this legend.

“We will start with a short documentary followed by a slide show of his work. We will also have a few pieces of his originals on display. Door prizes, 50/50 draw and photography items for sale.

“Cost $ 30.00
“Time: 6:30 – 9:30

“All proceeds of this event will go directly to the Photographic Museum of Ontario to help us build our first location to preserve the history and art of photography.”

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when core memory was king

IBM Core Memory = George Dunbar

Toronto. When I first joined the Business Information Systems (BIS) section of Bell in 1966, 64,000 bytes of memory was huge. Today, of course that amount is so tiny you could not begin to load a modern day operating system plus a single file in memory, let alone an application to display/modify the file. Memory in those days was called core for a reason. Each bit of data in memory depended on the hysteresis effect of tiny rings of ferrite material. The hysteresis switched direction to register a ‘1’ or a ‘0’ in binary. American computer companies were known collectively as ‘Snow White and the seven dwarfs’ reflecting the relative size of the eight companies with IBM (Snow White) the largest.

Today, York University  archives has benefitted from IBM Canada’s collection of photographs, largely taken by our own George Dunbar during his tenure as a part of the IBM Canada team. The wonderful collection “Portraits of Digital Canada” was hosted on April 24th at the Scott Library. The occasion was celebrated by the attendance of George Dunbar and Bob Lansdale, our journal editor. Bob recorded the event with this shot of George.

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where were you 33 years ago?

Kindergarten classroom in Chernobyl – Gleb Garanich

Toronto. I was living here in Toronto on April 26, 1986 when I heard the ghastly news that a cataclysmic explosion at the Chernobyl nuclear power plant threatened to end life on earth as we knew it. The plant was in Pripyat, a city in the Ukraine area of the Soviet Union, about 90km north of Kiev. News of the disaster was kept silent until two days later when Swedish monitors detected a sudden burst of air borne radiation. Within days the radioactive air spread around the world.

Even today, Pripyat is abandoned, too radioactive to support human life. Guided tours are allowed in the evacuated area now that short term radioactive isotopes have decreased in half-life enough to permit such short visits – just don’t dig in the soil.

The Globe announced the 33rd year anniversary of the disaster this month on its page A2 feature “Moment in Time” with a brief article by Massimo Comanducci featuring a photograph by Gleb Garanich of child-size reminders found in an abandoned kindergarten classroom.

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pictures on the spot

Polaroid Ad Nov 1955

Toronto. In the last half of the last century, photography had a number of goals for improvement for amateurs. Three come to mind: Faster media, so pictures could be taken indoors or at night; colour at lower cost; and faster delivery.

Most of the industry chose the first or second approach. Everybody touted flash and flash bulbs for indoor and night shots; many promoted colour (especially slides and the requisite projector and screen); but Polaroid was different: they chose faster delivery. So fast in fact that they called their new system “picture in a minute”.

The Polaroid ad on page 67 in the November 21st 1955 issue of LIFE magazine showed how a typical American family could jazz up Thanksgiving (the holiday is a month later than here in a nod to a warmer climate) with photographs – and not just photographs but Polaroid “picture in a minute” photographs. Kids turned away? Take another photo! Grandpa snoozing? Take another photo! The much higher cost (vs. traditional film and prints) was never mentioned. Or the fact that you could only use Polaroid cameras (well made for sure) and Polaroid film packs with built in chemistry and photo paper. You may like to check out this site for how Polaroid film works.

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Wild Exposures – Tracey Dyer

Owl by Tracey Dyer

Toronto. Toronto wild life photographer Tracey Dyer has her latest exhibition at Studio 888 out in the east end at 2359 Queen St East, Toronto. The exhibition runs from April 25th through Mother’s Day, May 12th. Featured are iconic photographs of wildlife in environments as diverse as the Boreal Forests to the African Savannah.

Head east and take a look at these wonderful photos of nature in all its diversity. You can meet Tracey this Saturday (April 27) when there will be a reception from 1 to 4 pm.

Thanks to my morning read – the Globe and Mail – who posted this advertisement on page A2 of Wednesday’s newspaper.

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when is a Bolsey not a Bolsey?

Bosley Jubilee ad in late 1955 LIFE magazine

Toronto. When it is an Alpa or Bolex, of course! Jaques Bogopolsky was the camera designer for Paillard, a Swiss company  after they bought out his company, BOL SA.

Jaques was born in the Ukraine and went by various names including Bolsky and Bosley. Being Jewish and fearing the Nazi regime, Jacques emigrated to the USA in 1939 and began designing cameras for the American military forces.

After the war, he designed a series of consumer cameras under the Bosley name. His American cameras were made by another New York firm, Obex Corporation of Long Island. After the end of May, 1956, Obex also briefly became the distributors for Bosley cameras.

The above Jubilee model is from a LIFE magazine ad (p 64) in the November 28, 1955 issue. It came with a Steinheil lens, from the old optical house in Munich (Munchen), Germany. The marketeers for Bosley emphasized the Set-O-Matic feature for setting exposure and coupling to the aperture, implying that exposure was the challenge to making great photographs…

 

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a head for news

Who’s a camera?

Toronto. In the 1950s TV was rapidly taking hold as a source for daily news (not the mess of so called “entertainment” we see today amongst the plethora of commercials). Newsreels of the day were shot on film in clips, edited and spliced before being broadcast. And as usual, demanded a tripod for stability so viewers didn’t feel sea-sick.

The November 14 issue of LIFE magazine near the end of 1955, posted this photograph of Bill Horton of Oklahoma City station KWTV in city council with his improvised replacement for the heavy tripod usually used in TV newsreels. Bill’s photograph appears in the Miscellany column of LIFE  magazine (page 204). A thanks to Goldie for catching this bit of history!

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shine a light on me

Viewlex Projector c 1955.

Toronto. Projectors predate both photography and electricity. Called magic lanterns, they were often used by both magicians and charlatans. There are even people today who collect magic lanterns and slides (the Magic Lantern Society was formed about the same time as the PHSC). Magic lanterns and drawn coloured slides were made as toys as well. They were used to entertain and enlighten both adults and children before movies, television, and computers became so common.

After photography arrived in 1839, the devices became popular in churches to project biblical scenes illustrating guest talks and the words of hymns allowing the congregation  (those who were literate) to follow along. Continue reading

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London Spring Show

London Show by Spike Bell, M.Photog.CPP MPA

Toronto. Spike Bell of Tecumseh, Ontario (Windsor)  sent us a series of photographs he took recently (April 14th) at the very successful show over in London, Ontario arranged by Ron and Maureen Tucker (who also attend our shows).

Spike wrote, “A great camera show with a good attendance, put on by Ron and Maureen Tucker, good attendance including myself…very well done and congratulation to the Tuckers.

“Best wishes and on to their next show. The photos enclosed are mine and you are free to use with a credit line please.”

Spike’s enthusiasm was repeated by our own president Clint Hryhorijiw who was also in attendance at the London show.

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