Dr Robert G Wilson, May 8, 2019

Dr Robert Wilson, 2011
by Bob Lansdale

Toronto My good friend and fellow PHSC member Bob Wilson passed away late Wednesday this week.  Bob joined the PHSC in 1977 after coming to Toronto. Prior to coming here, Bob worked out west as a geologist in the Oil Industry.

I met Bob when he was membership secretary and wanted to convert the PHSC membership list to a computerized version. My company had recently bought a TRS-80 from Radio Shack so we experimented on that system. Some month’s later I transferred to our data centre out in Don Mills and Bob took back the PHSC’s 8 inch floppy disk plus a paper copy of the membership records.

Bob became our membership secretary the summer of 1982 through April 1989 when the post was held briefly by Phil Berkowicz until I took it over November 1989. Bob went on to be the PHSC president for 1997-99.  And in 1997, he also earned an Honourary Award for his contribution to photographic history. He continued to monitor and advise on government forms, PHSC by-laws, PHSC elections, etc. He was an expert on books, stereo, and images. Until very recently he did the Photographic Canadiana  journal sorting and distribution for domestic addresses.

Bob managed the record keeping at our auctions and was a regular at the society fairs with his large selection of books. He and May even contributed to the Toronto meetings for many years by managing the monthly refreshments.

In later executive meetings, he wrote and kept the meeting minutes, back-up procedures, etc. as well as contributing his wisdom to assess the value of some image and equipment donations. His ideas helped to improve our society. Bob wrote a photographic historical text on Benjamin Baltzly plus a great many journal articles.

Bob was a quiet but important part of the PHSC with his broad knowledge and skills. I will post funeral and celebration of life arrangements as they become known. NOTE: see obituary in Saturday’s Globe (May 18th) for more information.

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a marvel of Swiss engineering

ALPA 8b Camera (Photo courtesy of Foto-Hobby Rahn GmbH)

Toronto. In the early 1960s, my eye-sight in low light situations made my Exakta SLR harder and harder to focus. One of the cameras that caught my eye was the ALPA. Well made by a Swiss company, it has a 45 degree pentaprism and a rangefinder. It seemed like a great bridge from my Exakta to an easier to focus model. Ultimately I decided to go with a Leica M4 and never looked back.

The Alpa series was made by Pignons S A, a Swiss maker of tiny precision parts for watches. In the 1930s they invited Jacques Bolsky to design an SLR for them before he fled to America. Pignons never made lenses, but bought high quality optics for their cameras. Post war, the Alpa series was designed by André Cornut. In all, fewer than 50,000 Alpa’s were thought to have been made. Well built and small numbers made the camera very attractive to collectors.

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Hasselblad SWC

Hasselblad SWC Camera

Toronto. A rare model of the  famous Hasselblad 2 1/4 square camera was auctioned off recently in a PHSC sponsored auction. The family firm with the famous Hasselblad name (F W Hasselblad & Co) was founded in 1841 and a photographic department was added in 1887.

When the second world war was underway,  Victor Hasselblad decided to make an Aerial camera (the HK-7) modelled after a German aerial camera for the Royal Swedish Airforce. A few years after the war, in 1948 Victor Hasselblad marketed the famous 1600F 6×6 cm camera with a Kodak Ektar lens and with both Kodak and Zeiss accessory lenses. Victor was well known for trying out his camera designs by photographing birds.

The camera was adopted by professionals around the world. A Hasselblad even went to the moon under the NASA programs. The model we auctioned was an improved version of the Supreme Wide-Angle camera. Both used the Zeiss Biogon 38mm lens. For the first decade the camera used a chrome lens. From c 1969 an anodized black lens barrel was used. On his death he bequeathed about $8 million in USD to the “Erna and Victor Hasselblad Foundation“. Erna was his wife.

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Horst Herget – wet plate collodion photographer

Horst Herget IN/CAMERA

Toronto. Horst will be speaking at our Toronto meeting this coming September. Meantime drop in and see his work at an exhibition May 14 – June 9.

The  reception is May 15th. Details of the IN/CAMERA exibition are on this instagram link.

The exhibit is part of the annual CONTACT month.

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Photographs auctioned at Westlicht May 24th

Gustav Klimt by Moriz Nahr in Wien 1917 

Toronto. Visiting Europe this spring? Drop by the 19th  Westlicht Photo Auction in Vienna this May 24th and enhance your collection.

This fine auction house runs photograph auctions twice each year. While this springs auction os on the 24th, you can preview the photographs in person from May 18th-24th. And an online catalogue is available to view at home.

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first 8mm magazine loading movie camera

Briskin 8 Movie Camera
with an 8mm magazine load

Toronto. Remember the Revere movie camera? Sure we do! Remember the Briskin 8? The what? Never heard of it. The Briskin 8 was created by the son of the owner of Revere, Ted Briskin, when he decided to branch out on his own.

For this fascinating story, take a look at the site of the Made in Chicago Museum. This fascinating fact was unearthed by George Dunbar.

George writes.”I found this story of the Revere Movie Camera company and its founders to be quite interesting.

“Maybe my interest is because of the romantic trivia involving the founder’s son Ted Briskin, who married the Hollywood movie star, Betty Hutton.

“At one time he manufactured the Briskin 8 camera in competition with his father. His wife was featured in the advertising.”

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CNE Gooderham Fountain

Graphic Art & Photography
CNE Toronto

Toronto. Every year the arrival of the “EX” mid August signifies the end of summer. And the end of the “EX” after labour day with the air show tells us in the city that fall is upon us. This photograph is variously identified as 1920s, 1934, or 1940. Interesting to the PHSC is the building in the background named as the “Graphic Art & Photography” building. In the late 1970s and early 1980s when we had a camera booth at the CNE, it was in the “Arts &  Crafts” building a bit to the north and west of the fountain in what appeared to be a post-war building facing the Dufferin Street entrance.

We had the booth for a few years until new management decided every booth was to be manned while the CNE was open and that a fee should be paid to be there. It was hard to find volunteers willing to man our booth throughout the CNE hours and worse, the fee was simply too high since the fledgling organization had nothing to sell that would earn enough profits to cover the rental fee.

Member George Dunbar tagged this photo as as 1934 while the CNE site places it in the 1920s, but identifies it as 1940. So what is the correct date? The lower left corner of the photo is in-scripted as x.66014 which may help identify the correct date.

 

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mirror be gone

Nikon Mirrorless Z7

Toronto. I mentioned some weeks back on  October 12th, 2018 that mirrorless DSLRS would replace the bulkier DSLRs with their mirror boxes and through the taking lens framing via the pentaprism above the mirror.

Nikon has recently announced their Z7 camera was awarded the “high-end camera of the year” ranking by DPReview. Both the Z7 and the less costly Z6 are on sale at Nikon along with some accessories.

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burning down the house

Final Fire – Michael Mitchell
ECW PRESS

Toronto. Michael Mitchel spoke to the PHSC twice, each time on his experience with the cabinet cards of Charles Eisenmann and his current descendants. He is an author and a photographer. His latest book, Final Fire, is published by a small Toronto house, ECW Press, publishers of his second book on the Eisenmann Monsters.

This promotional blurb is on the ECW Website, “See the world through a photographer’s eyes.

Final Fire is a companion piece to Mitchell’s much-praised 2004 memoir, The Molly Fire, a finalist for both the Writers’ Trust Drainie-Taylor Biography Prize and the Governor General’s Award for Non-fiction, and a Globe and Mail Best Book of the Year.”Nearly a half century ago, Mitchell abandoned a safe and secure academic career to become a “cowboy” with a camera and a keyboard.

“While he has always kept one foot planted firmly in the arts, as a working photographer his search for adventure took him through the Americas, into the High Arctic, across Europe, on to the Middle East, India, and the Far East. He photographed famous athletes, musicians, actors, politicians, revolutionaries, and more than a few criminals. The sum of these scary, strange, heartrending, and funny episodes is one man’s prescription for how to live in a bizarre and, best of all, never boring world.

“It is also a book about loss. Mitchell reflects on the invention of photography and its transformative effect on world culture and pays tribute to fellow photographers who led remarkable and frequently obsessive lives.

“Available May 14, 2019. PRE-ORDER NOW!”

The title of this post is from a song by David Byrne and the Talking Heads.

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paper it over

Ilford Multigrade Paper

Toronto. Once you have film negatives, they must be printed on photographic paper to be reversed. In the hey-day of film you had a wide number of choices to make: paper size, surface treatment, colour, manufacturer, grade, thickness, contact or enlargement, etc. And that was for black and white negatives. Colour had a far more limited choice since you had a correctly colour balanced and exposed negative or you didn’t – not much room to choose.

Most amateurs – and professionals used enlargers and 120 or 35mm film. When printing, like film in the camera, the first step was to get the correct exposure. Dodging and burning with tools  or by hand would allow some localized shifts in shadow and highlight. Developer could be chosen although amateurs usually stuck to Kodak or Ilford products rather than use third party pre-mixed chemicals or, hand mix from a formula in books or magazines. If glossy paper  was chosen, an extra step was needed – drying face down on a heated ferrotype plate to get a hard shiny surface.

Before 35mm and 120 film, professionals used larger size glass plates or cut film. The careful use of a soft pencil or scraping with a sharp blade substituted for dodging and burning under an enlarger.

Today, our computer printers shoot out colour prints on demand using special printer photo  paper usually bought at Staples or another stationery supply store. High quality prints from photographers use expensive inks, papers, and printers designed to create reliable colours and long life in many different environments.

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