a nasty piece of work

Plutonium core of Fat Man Atomic Bomb

Toronto. Seventy six years ago on August 9th, 1945 the Japanese city of Nagasaki woke to a terrible calamity. Around 11:00am, the second Atomic Bomb called “Fat Man” was dropped by the US Airforce, levelling a wide area of the city. Within days Japan capitulated and in the following month WW2 was officially over, saving a huge number of troops on both sides of the war while laying waste to a city and its civilian population.

The Atomic bombs were so called ‘dirty bombs’. Fission broke heavy elements into lighter elements plus massive amounts of energy and ionizing radiation. The later Hydrogen Bombs by comparison were ‘clean bombs’ created by fusion where light elements were merged to make slightly heavier elements plus even more massive amounts of energy. Check out wikipedia on Nuclear Weapons for more details.

The event was recorded in 1945 and is shown here on the “Rare Historical Photos” website. I read the book “Brighter Than a Thousand Suns” about the Manhattan Project and the Atomic bomb back in the late 1950s/early 1960s.

The site shows a colour photograph of Harold Agnew (right) and a fellow soldier who is unidentified. Agnew kept this photo. The silver scratchings? They were done by the FBI to ‘declassify’ the photograph.

A big thank you to friend and fellow PHSC member George Dunbar for sharing this photographic record and commentary on the final days of WW2.

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ZOOM Executive #17

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was ist das?

Ad for the 1946 Vokar I camera

Toronto. Post WW2, umpteen American companies tried to hop on the American made camera bandwagon. One was the Vokar line made in Dexter, Michigan. The design was said to have originated pre war from the mind of Dick Bills. Mike Butkus has the instruction book here.

While it was advertised during 1946, the line never took off and disappeared a few years later into the dark and silent bowels of history. Even camera collectors seem uninterested in valuing the line more than the retail price quoted in the late 1940s.

This ad from page 141 of the August 1946 issue of Popular Photography is courtesy of my friend George Dunbar who has generously shared the illustration above. According to Camera Wiki, the ads began in January 1946.

Note, the post title is German for “What is this?” which I can picture the German camera industry saying as they laughed at the camera’s features and price using design ideas that originated over two decades earlier in Europe.

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catching Graflexes

Feb 1948 Pop Photography advertisement


Toronto
. Pre WW2 and for a few years there after, Speed Graphic and Graflex cameras reigned supreme as the press photographers’ cameras of choice. The Graflex series offered SLR capability for larger plate and film sizes. Those who saw the Graflex in action could sometimes just stare open-mouthed!

The above advertisement from the February, 1948 issue of Popular Photography magazine demonstrated the flexibility and popularity of this line. About a decade later, I considered a Graflex, but after seeing the rather complex combination of slot sizes and spring tensions needed to give the range of shutter settings,  bought a Japanese camera called the Rittreck IIa.

My thanks goes to friend and fellow PHSC member George Dunbar for this trip back in time to the wonderful ads in post-war Popular Photography.

Note: The title of this post is a riff on an old saying, “catching flies“.

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Voigtlander cameras are here again

Voigtlander ad in Feb 1948 issue of Popular Photography

Toronto. How do you get back your market share when your country was on the losing side of the war? Well. you can try to advertise in a magazine that is read by your potential  market. Voigtlander did.

The famous old company that was around before photography – and is still around today – took out this ad in the February, 1948 issue of Popular Photography to announce to the North American public that the fine old company was back in business.

Many of us can remember the Voigtlander name on cameras and lenses that targeted the medium price market – cameras and lenses that still show up at our fairs and occasionally at our auctions.

Voigtlander lenses can be bought new today in various lens mounts, including the famous Leica M series.

Thanks to my good friend, George Dunbar, for spotting and sharing this tidbit of photographic history.

NOTE: The title of this post is a riff on the great old 1929 song, “Happy Days Are Here Again“.

 

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an interesting talk on the Lippmann process for colour

Neuhauss self portrait c1901

TorontoI signed in on July 21st, a coolish and sunny night, to hear Dr Hanin Hannouch in Berlin, Germany (2am over there when 8pm the evening before here). The event was sold out on Eventbrite, but our Programme Director opened a YouTube channel in case he had to cut off access. The channel has since been linked to our web site under Social Media in the right hand sidebar. This presentation is our first July talk – usually we go for ten months and take July/August off. 

We began the evening with a brief 30 minute social get together. Once underway, our president, Clint Hryhorijiw introduced the evening covering the society, its ambitions and activities. Among other items, our president mentioned he has lots of photographica to auction; and that the PHSC Trunk Show is ON for this August (15th or 22nd – date to be confirmed).

Celio introduced our speaker, Dr Hanin Hannouch in Berlin and her discussion of the Lippmann interferential colour process as investigated over a century ago by Richard Neuhauss. Hanin has a very young and pleasant voice which she used to speak impeccable English in a very clear and articulate manner. The ZOOM translation software had little difficulty recording the talk although German names and words gave it a fit (Neuhauss came out variously as No House, New House, etc.). Dr Hannouch said copious amounts of coffee helped her stay alert so early in the morning in Berlin.

The use of light in the visible spectrum is the basis for all successful photographic processes. Initially, only the energetic blue rays (and the even higher/shorter rays) activated emulsions.  After years of experimentation, emulsions were made sensitive to mid range visible spectrum rays too (orthochromatic) and finally emulsions were made sensitive even to oranges and reds – panchromatic emulsions. In celebration, most colour processes suddenly displayed red flowers, red dresses, etc to demonstrate their ability to record the full visible spectrum. 

Hanin pointed out that coloured bands on soap bubbles (which almost everyone has seen) are a manifestation of the interferential effect used by Lippmann. We tend to think of photographic discoveries as entirely scientific but she noted that both politics and religion  seem to play a large part too. For example, being Jewish, the Lippmann family suffered persecution in Luxembourg and fled back to France (and obscurity for a time) shortly after Lippmann’s birth. At that time, French and German sciences were competing for supremacy.

In 1908, Lippmann won the coveted Nobel prize  for his work in Physics and was suddenly embraced by his country as a hero. France, through him, had won the Nobel prize in science besting Germany! 

Dr Hannouch Studied the Lippmann process through photographs made by Richard Neuhauss. She noted that these positive photos were often glued to and viewed through a glass plate, or a 10 degree glass prism. The use of a stuffed parrot as the subject helped two fold: The bird was motionless while the minutes-long exposures were taken; and the complex and finicky viewing of the colours created by interference waves could be compared to the original for colour accuracy.

During the Q&A, she noted that Lippmann’s theory was different from the theory that Maxwell set out to prove in 1861. In a well documented experiment, Maxwell photographed a tartan ribbon through three separate filters using three glass plates coated with monochrome (back and white) media. The experiment was intended to prove the three-colour process of human vision as predicted by the Young-Helmholtz theory.

Interestingly, Richard Neuhauss chose a tartan jacket for his 1901 self portrait. A member of our attendees noted that Neuhauss made it with a five minute exposure using the Lippmann process. While the Lippmann process was very slow, so too were the three-colour processes c1900. Dr Hannouch suggested today’s modern three-colour processes benefitted from the intense experimentation that they underwent over the decades while the interferential process languished and all but disappeared, possibly demonstrating the impact of politics over science.  

Her presentation was very well received by an enthusiastic audience with the Q&A session extending a bit longer than Dr Hannouch’s talk itself. An informative and positive evening for all.

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last post for a devoted member

Toronto. When our close friend and editor passed away this month, his son Robert went to great lengths to see that his father, Bob Lansdale, was well remembered including the following message sent via his father’s email address:

“Hello all,

“On July 26th I and a beloved PHSC journal turned to ash, forever merged into one. I would like to make this my final goodbye and thank you to the PHSC for all of their support and encouragement throughout the years, from beyond the grave.

“I must also thank you all for the flowers. They were absolutely phenomenal. In return, I would like to offer my last ‘official photo shoot’ plus Photoshop work of the flowers and the flowers at my empty desk. It was here that I sat for 24 wonderful years to write and edit the journal, the last 14 years at this non-upgraded 2007 iMac. I would like to title the photos ‘The Empty Chair’.

“For 24 years my cork board, beside my desk, was covered with PHSC journal layouts. Today it is empty. I now pass the torch to the next generation of editors. All the best and good luck on the next 100 issues.

“Regards,

“Robert Lansdale, past editor”

Note. This post includes a British bugle rendition of the famous ‘Last Post’ that all will recall as it commemorates the fallen everywhere.

To see the final images, just click on ‘Continue reading–> ‘. Continue reading

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Trunk Sale August 22, 2021

Our Annual Outdoor Trunk Sale at Trident Hall is on Sunday, August 22, 2021 from 8am until Noon. Vendors – call Clint (see poster below) to reserve a spot! Need more information? Email fair@phsc.ca or info@phsc.ca! Use this old  map on the Big One Bookmark for TTC and parking (sorry, no snack bar).

PHSC Trunk Sale Aug 22, 2021

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run silent, run deep

Controversial Lee Harvey Oswald photograph

Toronto. Did you think this post was another subs and photos post? Nope, the deep in this case is Deep Fake – a term that introduces the nasty side of this new world of ours – you can’t take anything at face value any more!

In the early days of photography, double exposures in camera were necessary to create ‘ghost’ photos (often used to ‘fleece’ the gullible or the uneducated). Later in the 1800s and 1900s prints were made and enlargers could be used to make double exposures.

Sometimes a drawing or photo was carefully cut out and re-photographed to make the photograph for the gullible – like the infamous Cottingley Fairies mentioned in the recent post titled ‘fairy tales‘. Of course, such photos could be made on purpose to complement an album missing a couple together in one photo.

In the 1960s when Kennedy was assassinated in Dallas, we all remember where we were (I was at university in a science lab).According to news stories, Lee Harvey Oswald was accused, but then murdered by Jack Ruby before going to trial, opening the door for numerous conspiracy theories.

The photograph shown above was one of the controversial shots of Oswald.  People took sides arguing whether or not it was a real photo or fake – one created to show Oswald armed with a rifle like that used in the assassination.

Early in the 1900s, Hollywood introduced special effects to create short film clips for a movie when the filming of the scene was too expensive (relative to its content) or just impossible to shoot. This idea migrated into sound with numerous cases of leading actors (and actresses) lip syncing tunes sung out of sight by those more proficient in song.

Early digital imaging led to images being photoshopped for fun and profit. In movies, wedding portraits could have the features of the leading actor/actress photoshopped in to establish the ‘authenticity’ of a scene. In the early days of digital manipulation, a careful look at any disruption in adjacent pixels could separate the fake from the real. Not so easy now. Machine Learning allows even video to be modified so one head and voice can be superimposed on another for profit or mischief. Unless very technical analysis is done, the scene appears to be authentic, opening people so compromised to blackmail.

NOTE: The title of the post is from the 1958 movie and 1955 book of the same name.

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Never Let the Truth Get In the Way of a Good Story

Poster for John Ford’s Clementine Movie

Toronto. The other morning, I idly wondered if there was a photo of Clementine. If so, I thought a post called, “the colour orange” could introduce her photo and give a touch of history. Unfortunately, she was apparently a fiction, existing only in an old folk song.

The pop culture blog, “Signal Intrusions” posted the story, “Never Let the Truth Get In the Way of a Good Story” talking about one of the many tales told by Hollywood featuring Wyatt Earp and the gang.

No photographic evidence of history preserved, but still worth a post!

 

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