showtime TONIGHT

Ihagee and Exakta SLR talk

Toronto. This evening (June 5, 2022) at 7:30 pm EDT, our friends at the PHSNE are hosting a ZOOM presentation on Exaktas.

The post says, “Photographic Historical Society of New England, Inc.[is hosting] “Ihagee and the Exakta: The First 35mm SLR” with PHSNE member and photo historian Vladimir Khazan [on] Sunday, June 5, 2022 at 7:30PM EDT”.

If you know and collect these remarkable SLR cameras, be sure to log on to ZOOM. Details are on the above link. Note: This is the first post on a Mac Studio still undergoing (personal) tests.

 

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at it again

the London show this fall

Toronto. If you get over London (Ontario) way this fall, Maureen and Ron are holding their “London Vintage Camera Show” on Sunday, September 25, 2022 at their new venue.

You can click on their web site for more information.

My thanks to that whirling dervish of activity, our PHSC president Clint Hryhorijiw. Maureen and Ron have a great show just a couple of hours west of us. Plan to drop by this fall and get some collectibles, or if you are a niche film fanatic, some really usable gear.

Note: The post title is a riff on one of my favourite Noel Coward songs, “Alice Is At It Again“.

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our spring fair is this month – June 11, 2022

Toronto. Our PHSC Spring Fair is a go! NEW DAY – NEW LOCATION.

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doing a Don McLean …

Marlene Cook courtesy of the Toronto Star article

Toronto. Les Jones sent me a note that Marlene Cook will be closing  her antique market. On Sunday, May 29th,

In it, she interviews Ms Cook (I bought some glass plates from Marlene many years ago at one of our fairs). Marlene says in part, ‘“I’m closing this Sunday, because I want to go out with a positive market for all my dealers,”  She says she, “fears lack of traffic to help the show get back on track …”.

PHSC member Hans Kotiesen is also in the article, ‘”When Hans Kotiesen started selling from his old film camera collection, he listed the items on the likes of eBay and Craigslist. But as time wore on, Kotiesen said he wanted to do something more active and personal.

“I’m retired and I thought, you know, I don’t want to be out of touch with people, and sock myself away somewhere and just think about the past,” Kotiesen said, sitting at his table on Sunday. “So, I checked into the market. That was about ten years ago.”

“There’s a rush from talking to people, and explaining things, and cracking a few jokes. There’s a lot of human communication going on,” he said. Picking up a camera, he noted the various mechanisms and the way they let light in. He sees the old machines as a “reflection of history.””

Oh, and you may remember McLean’s song, “American Pie“. I bought the CD of the same name many years ago.

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Photo-Era: photography over a century ago

Cover shot of the 1901 magazine “Photo-Era”

Toronto. Photography was an exciting avocation just over a century ago. One of the magazines of the time was called Photo-Era (The American Journal of Photography). This illustrated monthly covered the photographic scene in America. This example was first published some two decades after technology shifted to America and its vast resources like the George Eastman company with its roll films, Kodaks, and Brownies. You can read excerpts from volumes 7-8 here.

We don’t always realize how wonderful things are today with high sensitivity, full colour, auto everything, world wide transmission in seconds, etc. on almost every smart phone.  Magazine articles like those in Photo-Era take one back to the days when photography was a hard learned skill and art form for those clever enough to adopt a new technology. With Kodaks,  Brownies, and roll film, we began to see the rapid growth of amateur photographers and ‘snap-shooters’.

We owe this find to our good friend, George Dunbar, and his unceasing research into the history of our favourite topic.

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a flash in the (colour) pan

part of the brief history of the Multicolour process

Toronto. Did ya ever hear about Multicolor? It was just a flash in the pan – on market in 1929 and dead in 1932. In those days, colour sequences were EXPENSIVE so movies were mainly shot in B&W with short bits in colour to ‘enhance’ the story.

“A 15-second, behind-the-scenes clip in Multicolor of the Marx Brothers filmed on the set of Animal Crackers (1930) exists as part of a Cinecolor short subject entitled Wonderland of California.”

This ‘two colour’ process could be used in regular movie cameras, hence the ad text extolling its virtue. The ad shown here is from the January, 1930 issue of American Cinematographer magazine and is courtesy of my good friend and diligent researcher, George Dunbar. Who knew we had so many flexible ‘wanna be’ color processes before Kodachrome and Ansco arrived on the market just before WW2 broke out?

And of course, today’s smartphone user just can’t see what all the fuss was about – just to create colour!

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in case you missed …

another ad to introduce the 8mm movie concept in 1932

Toronto. Kodak was really serious about their 8mm camera and projector line and the opening of home movies to a far wider audience. With 4x the running time per foot of film vs. 16mm gear, Kodak was aiming at the enthusiasts who felt 16mm was just too expensive for their pocket book – especially during a depression.

Of course today’s smartphone carrying chatterboxes just do not see why the introduction of 8mm movies was so epic – black and white, 24 frames, squinty, need for special gear and a darkened room, poor resolution, etc. just doesn’t compare to full colour, 1080p quality, ready to share with everyone world wide. But that was then and this is now! in 1932, 8mm was truly revolutionary making home movies possible to a far wider audience of snap-shooters.

Like the previous post, this one is based on an American Cinematographer ad in the magazine’s August, 1932 issue. And it too is thanks to the diligence and sharing nature of my good friend, George Dunbar!

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when economy trumped quality

New 8mm wide home movies created by using a special inexpensive and compact 16mm camera (1932)

Toronto. In the summer of 1932, the great depression was well underway and grabbing the countries of the world in a death grip, eased a few years later by a world-wide war. In  the August, 1932 issue of American Cinematographer, Kodak proudly announced a new camera, one that loaded 25 feet of 16mm film, that after processing and slicing by Kodak became 50 feet of 8mm film ready for projection, running as long as 100 feet of 16mm film.

Kodak’s emphasis was on how much the camera would save, implying that, “The quality of the resulting motion pictures is pronounced very high by persons who have seen them projected in Rochester.”

I can remember 8mm later on when 16mm Kodachrome was available for them. Not so sure “quality” describes the projected image … . Nevertheless, my good friend, George Dunbar, himself a cinematographer as well as a still photographer is commended for discovering and sharing this announcement of the new 8mm movie format aimed at an audience of would-be movie makers less concerned with quality than with economy in the dark days of the 1930s.

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a practical use of Edgerton’s research

set-up used to record the passage of an armour piercing shell through steel plate

Toronto. The July, 1945 issue of Popular Mechanics has a brief article on using rapid fire flash tubes to record the passage of a .50 calibre bullet through armour plate. The experiment was performed by the ATSC of the American Military. The experiment made practical use of the ‘strobe’ concepts arrived at by Harold Edgerton (M.I.T.)  just a few years earlier.

Old timers may recall ‘pentode’ tubes. These were vacuum tubes with three active grids between the cathode/heater and the plate (hence the name pentode or five active elements).

The last paragraph in the article refers to using high speed x-ray tubes developed by Westinghouse for a similar experiment.

Thanks go to my good friend and fellow PHSC member, George Dunbar, for discovering this slice of photographic history and sharing it with us.

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we have Contact

courtesy of Nascipio Filho: Hannah from the series “In Silence”

Toronto. We always appreciate the efforts of our favourite editor, Rita Godlevskis, of PhotoEd.

Rita recently sent a notice out of her activities at PhotoEd including a section on this year’s Contact festival sponsored by Scotiabank.

I took the liberty of displaying the photo at left by Nascipio Filho – just one of the many photographs on display around the city this year.

If you haven’t already done so, be sure to see the fine works on display at Contact 2022.

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