Tag Archives: 16mm

projecting dreams

Posted on March 15, 2024 by Robert

Toronto. Like stereo, the eyes and the brain work together to give one the sensation of motion. In the case of ‘movies’ a phenomenon called “persistence of vision”  transforms the sequence of still frames (about 24 per second) seen by … Continue reading →

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days of war surplus photo supplies and gear

Posted on November 21, 2022 by Robert

Toronto. Some of us may remember the days when the local war surplus store had stocks of photo paper, film, chemicals, equipment, etc. at big discounts since the cost was already paid once by tax dollars. This November, 1947 American … Continue reading →

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a better mouse trap …

Posted on September 12, 2022 by Robert

Toronto. In this September, 1962 advertisement, Pathé announced its ‘better mouse trap’ – the WEBO-M 16mm reflex movie camera intended for news reel shorts taken in the field. The ad appeared in ‘American Cinematographer’ of that year, placed by the … Continue reading →

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low contrast 16mm colour in 1962

Posted on September 4, 2022 by Robert

Toronto. Those of you who grew up with or use film know that the faster the film the lower the contrast. My first venture in colour was with Kodachrome when it was ASA 10. Hence it produced inky black shadows … Continue reading →

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Kodak can be very professional

Posted on August 23, 2022 by Robert

Toronto. Over the years, Kodak has covered a wide range of photographers – from absolute greenhorns to the very professional folk. As a youth I learned that Kodak even reserved selected items to be sold to their ‘professional’ stores. At … Continue reading →

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what ever happened to Pellex Film?

Posted on February 28, 2022 by Robert

Toronto. An advertisement in the October, 1933 issue of American Cinematographer by the Pellex  Film Company extolled the virtues of its 16mm fine grain and economy films for “all 16mm cameras”.  The films were B&W orthochromatic media in the days … Continue reading →

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fade to black

Posted on February 20, 2022 by Robert

Toronto. Professional movies shot on 35mm film or larger used a variety of techniques to switch the film – and audience – from one scene to the next. In one method, the scene ending was slowly faded out while the … Continue reading →

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will that be 8 or 16?

Posted on January 18, 2022 by Robert

Toronto. Bell & Howell was a respected name in Hollywood movie equipment. For home movies, they used the “Filmo” brand. In the March 1940 issue of Popular Mechanics, B&H advertised both the 8mm and the 16mm versions of their Filmo … Continue reading →

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to the victor …

Posted on January 11, 2022 by Robert

Toronto. … go the spoils (well, most times). Do you remember the Victor 16mm movie gear? The majority of their products suffered from very small sales. A government contract during WW2 was far more promising as was their knockoff of … Continue reading →

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how to introduce a new revolutionary product

Posted on December 31, 2021 by Robert

Toronto. Leitz, a few years earlier, taught photographers the virtues of an enlarged small negative to introduce their novel little camera with small negatives. Traditionally, much larger cameras were used. The camera size determined the size of the final print … Continue reading →

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