genealogy and photography

Julia Austin on stage in a Shakespeare play

Toronto. Have you ever wondered about your ancestors? The American company  Ancestry (with the Canadian link shown here), does a wonderful job of indexing an astonishing number of genealogical databases.

Before Ancestry, one had to visit city directories, or government archives and weed through addresses and census records on microfiche. I did both some 30 to 40 years ago. Census records where a challenge. You had to know who, when, and where to even ask for a possible reel of records. The records were not indexed and were often by street with some addresses skipped and recorded later.

But no records included photographs! Fortunately, family records often include photographs showing many of our ancestors well after they have passed on to heaven or hell or whatever. Photographs, often annotated or the people shown recognized by family members and friends, gave us insight into where we came from. Fascinating.

Years later, before her husband’s death in 1900, Julia and Henry Peneycad took a ride in this two wheel wagon propelled by a pony (automobiles were still in experimental stages and very, very expensive). The couple remained in England in and around London.

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silent movies and colour!

A frame from Ben-Hur (1925) using Technicolor Process 2

Toronto.  I usually think black and white when I think silent movies but it was not so! The movie, “Ben-Hur” released in 1925 was the most expensive silent movie ever made. Much of it was shot “on location” in Rome and key segments used colour – yes colour! The colour was Technicolor Process 2 using red and green so the ‘colour’ looks weird to a modern eye used to tri-colour processes and auto white balance.

It wasn’t until the late 1950s (as I recall) that colour films replaced most of the black white films in the movie houses. By then, a three colour process made colours closer to those in nature, perhaps more saturated.

Some of the movies made in the 1950s and 60s seem to have faded badly today – especially yellows. They also seem to have had difficulty with white balance (at least on TV). For example, a grey suit or wall shifts before your eyes momentarily gaining a blue or brownish cast.

We live in exciting times with this digital perfection. Looking back to the early years of the last century, colour films, sold films were simply amazing for the time.

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PHSC News newsletter for September 2021

Ensign Box Camera c1927

Toronto. At right top of page 1 in the latest PHSC News newsletter is a British box camera c1927 made by Houghton-Butcher. This 120 size roll film model has two lens-focussing settings (one for 10 or more feet and one for 10 or less feet). A three stop waterhouse  setting can be adjusted for the amount of light (outdoors).

September, 2021 is underway, and our editor, Sonja and her team, have produced an eleven page, thought-provoking edition to distract you from the current pandemic. Speaking of which, COVID-19 has entered its fourth wave, driven mostly by the vaccination-deniers amongst us although a disturbing number of those hospitalized were fully vaccinated. Nonetheless, vaccines and close adherence to common sense guidelines seem to be affecting new cases in a positive way.

This latest issue of PHSC News (21-03) has many thought provoking articles – short, crisp, and provocative. Take a few moments and read them to ease your personal cares (and boredom)!

The page 1 article, ‘Which Twenties‘ covers the suggestion that the 2020s are like the 1920s.  Page 2 is a poster for our new Outdoor Fall Camera Fair, a poster that I borrowed for a post.  On page 3, under PHSC Presents is, “For Love of Bob and Hokusai’s ‘Great Wave’“,  an homage to our late editor, Bob Lansdale, and his love of Japanese art such as Hokusai’s works . Continuing on with a Japanese theme, page 4’s, LONG-DISTANCE LAB column celebrates the New York work of Japanese-born photographer, Hiro.; while page 5 remembers our two executive members, editor Bob Lansdale and auction director John Kantymir who shrugged off their ‘mortal coil’ this past July.

Page 6 addresses “Willful Wonks and the Erin O’Toole Campaign Factory?” in the “MEDIA-ROLOGY” column’s tongue-in-cheek take on an O’Toole campaign. This column will likely raise some controversy as did the draft version (especially those with less of a sense of humour). Then David does his usual saucy Equipment Review, and the “I was Going for  Gold, Then I Opened the Box“ article about a missing one millionth Sekonic meter. John Morden steps in to select the trio of WEB LINKS shown on page 7 as Louise handles the Journal editor tasks.

And, page 9 features a poster on our forth-coming ZOOM event  “Generation Homeless: Impact of the Unhoused Crises(a poster that I also borrowed for a post). On page 10, our friends, Ivy & Izzy, trade quips on “The Hidden Potential of the Kruger Effect” followed by John’s compilation page of shows, events, and exhibitions of interest to photographers everywhere (and PHSC members).

P.S. As usual, every link shown in the newsletter is a hot link just waiting for your click!

P.P.S. You can visit this issue by clicking here, or by g0ing to the menu item NEWSLETTER at the top of the page. There is a drop down menu that takes you to older issues dating back a couple of decades to the very beginning.

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… under the sun.

PHSC OUTDOOR FALL CAMERA FAIR – SAT. Oct 2nd, 2021. Trident Hall

Toronto. I grew up with the King James version of the Bible. Ecclesiastes 1:9 says in part, “… there is no new thing under the sun.”. I was reminded of this a few weeks ago when our indoor Fall Fair became seriously doubtful due to COVID restrictions.  Since we had a good Trunk Sale, we decided an outdoor fair at the same location would work. Our newsletter editor agreed, but suggested a name change and the PHSC “Outdoor Fall Camera Fair” was born.

Come out and join the festivities. We moved up the start and end time from the Trunk Sale times in recognition of the traditionally cooler weather. The date, as shown on the poster is SATURDAY, October 2nd, 2021.  Email fair@phsc.ca for reservations. Attendance for buyers and browsers is free – Beverages and food will be available too! Need directions? Use those shown here on an old Fall Fair book mark. TTC access and Free Parking!

 

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Oh, to be in Montreal in the fall …

Montreal Camera Show this fall

Toronto. When I was at University “dans la belle province“, fall was a delightful time of the year. Studies began anew; weather was warm; skies were sunny; and an afternoon walk up Peel street to Mount Royal was bracing. But see for yourself this month on the 19th.

PHSC member Sol writes about his Montreal Camera Show as follows. “Le Montreal Camera Show aura lieu dimanche 19 septembre entre 9:30 h et 14:30h au Marriott Courtyard Montreal Airport, situé au 7000 Place Robert-Joncas, Montreal, H4M 2Z5.

“Achat, vente et échange de tout matériaux photographiques, numeriques , neufs et usagés: caméras, objectifs, flash, filtres, trépieds, films etc..

“Visiteurs: $7 Ã la porte. Songez-vous vendre votre équipement? Location de table: $75 par réservation seulement. SVP, veuillez contacter Solomon Hadef au 514-898-5351. PLUS QU’UN MARCHÉ AUX PUCES!

www.montrealcamerashow.com

“VEUILLEZ NOTER: Selon les règlements gouvernementaux, toutes les  participants (visiteurs et vendeurs) seront priés (requis) de fournir une preuve de vaccination complète, ainsi qu’une pièce d’identité légale. Ce qui ne peuvent pas se conformer sera pas autorisé à accéder la salle. 

“The Montreal Camera Show will take place Sunday, September 19th between 9:30am and 2:30pm at the Montreal Courtyard Montreal Airport, located at 7000 Place Robert-Joncas, Montreal, H4M 2Z5.

“BUY-SELL-TRADE. Everything photographic, new or used, film and digital, cameras, lenses, flash, tripods, filters, film, accessories etc..

“Visitors: $7 at the door. Thinking of selling your unused or unwanted gear?? Table rentals are $75 each. Reservations required. Please call Sol Hadef at 514-898-5351

“GREAT BARGAINS, UNUSUAL FINDS!

PLEASE NOTE: As per current government regulations, all visitors and sellers will be required to provide proof of complete vaccination, as well as a piece of government ID. Those who cannot comply will not be allowed entrance to the show.

www.montrealcamerashow.com

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how to fail without really trying …

April 1949 ad for B&H FOTON 35mm camera

Toronto. “What the heck is a photon, anyway?”, you may ask. Actually, it is a measure of light. In 1948, Bell & Howell misspelt the word to create a unique name for its still camera, as is often the case (think Canon, Beatles, etc.).

The Chicago firm, known for its professional motion picture gear used in Hollywood and around the world since about 1910, decided to jump into the still camera market with a 35mm camera called a FOTON. The engineering was intended to exceed the specifications and quality of the best of the German industry (Leica, Exakta, Contax).

Unfortunately, at $700 American retail, it was priced well above the best of the German 35mm cameras. Worse, the price was dropped a couple of hundred dollars shortly after introduction further eroding support. The FOTON was a marketing failure, disappearing into the fog of history by the very early 1950s. It was touted as an interchangeable lens camera, and telephoto lenses eventually showed up but nothing shorter (wide angle) than the original 50mm lens.

Very few of these cameras seem to have been made, making the FOTON very collectible by those with deep pockets and a good knowledge of camera models.

This advertisement appeared on page 34 in the April, 1949 issue of Popular Photography. My thanks to good friend George Dunbar for sharing his diligent research into photographic history with us. NB. The FOTON link above goes to Mike Eckman’s web site and is a very good read.

Note: The title of this post is a riff on a book, musical and movie from mid last century called, “How to Succeed in Business Without Really Trying“.

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Archiving Photography During a Pandemic – September PHSC Talk

Toronto.  ** PLEASE NOTE – THIS A REVISION TO THE ORIGINAL SEPTEMBER 7th POST ** Stephanie Normand and Nicole Plaskett of The Canadian Heritage Photography Foundation have worked tirelessly during pandemic lockdowns to preserve and digitize important Canadian photography. Stephanie and Nicole will also provide a look at online exhibitions to be unveiled later this year..

Join us on September 15th, 2021 at 8 pm (we begin around 7:30 with a social get together – all welcome) via ZOOM. Read the poster below for more information. This poster was created by our PHSC News editor Sonja Pushchak and shows her delightful turn of words.

Go to Eventbrite for free tickets or to program@phsc.ca with any questions.

PHSC presents – with members of the CHPF via ZOOM September 15th, 2021

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do you remember Marilyn?

Monroe by Kirkland courtesy of Gadcollection, Paris, France

Toronto. Do you remember my post just over three years ago on April 15, 2018 in those pre-COVID days?  Well, our friends at GadCOLLECTION over in Paris are hosting another Kirkland exhibition this fall from September 3rd to October 10th (2021).

If you are in Europe this fall, be sure to visit GadCOLLECTION and see this showing of images taken by the famous Douglas Kirkland. Who knows, you just might improve your collection with a few “future historic” photos.

By the way, Kirkland was born in Fort Erie, Ontario but has worked most of his life in the States where he currently lives.

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drumming up business

drumming practice c1960

Toronto. In November, 2003, we had the privilege of hearing well known photographer, the late Paul Hoeffler, talk about his experiences as a youth photographing jazz musicians in the Rochester area. Back then, Paul knew and photographed many once celebrated jazz musicians.

Later, he made many large high quality prints from his negatives. Paul’s was a cautionary tale. Doing photography for a client and being paid was a very positive experience. However; trying to sell high quality prints to others long after the shoot proved to be very difficult.

Studios took portraits only on demand and  rarely printed such works before payment in hopes someone else would buy the prints. In fact, very few people were willing to pay the price asked for high quality, large size photographs of celebrities. Going to a live show and photographing the musicians in action, hoping to print and sell the laboriously created photos later, was a huge gamble for any photographer.

Over the years, many professional photographers presenting to us have noted payment or commissions up front were good but unsolicited sales were a challenge – be they to individuals, or media like magazines, newspapers, etc.

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marks the spot

Ad for Argus 21 showing how their Markfinder works

Toronto. After the end of the war, all camera makers used marketing to try to increase market share. Even the most trivial difference between camera makers was touted as an amazing breakthrough.

For example, Argus chose the viewfinder of their model 21 camera as the “next big thing”. Their strategy was to give an oversized view through the finder and use a translucent moveable frame. As the lens focussing adjustment was moved towards closer focus, the frame moved from top right to bottom left (no rangefinder on this model).

A simple demonstration in the camera shop was meant to confirm the sale! The full advertisement appears when you click on the above-left icon of the camera (and flash gun).

A big thanks to my good friend, George Dunbar, for suggesting this ad from page 33 of the February, 1949 edition of Popular Photography. Looking through the magazines over many months two things strike me; first the intended audience is or wants to be in photography; and second, anyone in the reading audience is a rank beginner anxious to ‘learn’ about this fascinating record maker and art form.

 

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