value of a photo

family outing c1954

Toronto. Today, we take photos for granted. Every smartphone comes with a camera. Dozens of shots can be taken on a whim at no further cost to the owner of the little technical marvel.

It wasn’t always so.  At its birth, photography was an expensive and complex art. First one had to master the technical aspect to even get a photograph. Then the framing and background training was needed to make a saleable photograph. And finally one had to capture the essence of the subject – no small undertaking at any time as it also separates the ‘men’ from the ‘boys’!

Initially a photograph was so expensive that only the well off could consider having a ‘likeness’ taken. As time went on, photography was ‘institutionalized’ and grew more and more competitive. By the late 1800s most people could afford a number of photos to share with others. Albumen prints and negatives made copies relatively cheap. By the mid last century, far more amateurs could take the odd decent photo and have it printed commercially.

Collectors now favour photographs of the famous, or outdoor scenes, or scenes taken by once prestigious studios. Size and technical condition are also very important. A pristine print attracts good value while the same subject in a badly damaged or faded photo sells for pennies – if at all.

Photos shifted from the realm of the wealthy to that of the average working man and as such became a visual means of family history. Photos like that shown here are almost valueless to the casual collector but worth a fortune to the family as recorded history (especially if the date, people and location are known). Like many things, these photos may grow in value decades later as they become rare collectibles.

Now, will those digital images, so cheap and prevalent today, ever become rare collectibles – and even be viewable in the decades to come? Who knows!

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ya seen one …

May, 1962 ad for a Burke and James field camera

Toronto. …ya seen ’em all! Or so a cynic might say. And with reason. Broadly speaking, cameras, cars, computers – and any other mass produced thing  begins to look the same as its stable mates.

To a critical eye, they may look the same, but vary in subtle and not so subtle ways. Some have a unique feature(s), some use higher quality materials, some have finer tolerance, some better ergonomics and so on.

In an ad from the May, 1962 American Cinematographer magazine, Burke and James in Chicago work hard to convince the reader that their field camera is better than any other on the market!

Our thanks once again to my good friend and photo-historian, George Dunbar, for researching and sharing this advertisement with us.

 

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low contrast 16mm colour in 1962

ASA 25 Ansco 16mm colour film ad

Toronto. Those of you who grew up with or use film know that the faster the film the lower the contrast. My first venture in colour was with Kodachrome when it was ASA 10. Hence it produced inky black shadows and was usable only in good sunlight.

To beat Kodak, Ansco brought out an ASA 25 colour 16mm film touted as ‘low contrast’ – which it was compared to the Kodachrome of the day. It was shown off in this BLACK and WHITE advertisement in the April 1962 issue of American Cinematographer (colour magazine ads were possible at the time but very expensive).

Thanks again to our good friend and fellow PHSC member, George Dunbar, for sourcing and sharing this ad with us. At the time 35mm Ansco transparency colour film was ASA 32.

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Apollo Remastered

A new look at the Apollo mission photos

Toronto. Over a half century ago, man first walked on the moon. In the Apollo flights, photography recorded the events. In those days photography was film based and suffered the usual amateur and film issues – focus, stability, exposure, resolution etc.

Modern day technology allows one to digitally remaster the old negatives/movies to show better detail and colour balance. The book by Andy Saunders and Andy’s work on the 1960s/70s NASA archival images show the epic events in a whole new light. Jonathan Amos, the BBC science correspondent, recently wrote an article titled, “Apollo Remastered: One man’s mission to show us the Moon“.

I bought many posters of the first moonwalk a few months after the event, including some shown in this article. Andy’s book shows the importance of photography to capture history and the value of digital technology to correct the many mistakes made by amateurs capturing events on film back then.

Our thanks once again goes to my good friend, George Dunbar, whose curiosity prompted him to discover this article and the value both film and digital technology has in recording history. Well done, George!

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the digital dilemma or where have all the photos gone

print from film negative taken by C M Dunbar

Toronto. My good friend, George Dunbar, writes, “I’ve just discovered this 2005 article in my files and thought it may be useful.

“It was published in the local newsletter of an Apple/MAC computer club. As many of you know, this is my hot button subject. Although it was published 17 years ago, it appears to be valid today.”

As you know, George is talking about the potential difficulty reading digital files as images in the future – when media and perhaps even file formats are obsolete.

Old fashioned film, printed in darkrooms makes positive prints. With those prints saved in anything from fancy albums to shoe boxes, they can be viewed even today by our eyes – no fancy gear/apps are necessary.

In the article, George compares image files on a hard diskette with  such prints (ironically the hard diskette shown in the article –  and readers – are obsolete already. Food for thought.

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open wide

Yashmak Dental Eye camera for specialized close-ups

Toronto. The Yashika Dental Eye is a strange little film camera with a lens intended ONLY for close-ups. It includes a ring flash that surrounds the lens to create shadowless images.

The camera uses 35mm film and came initially with a 55mm lens and later a 100mm lens (both f/4). It is intended to be used by a dentist or opthamologist to record the mouth (teeth) or eyes in close-up style.

The images here are by my friend Fritz Shulze showing the camera he owns (brand new). It was nice to hear from Mr Shulze who before retirement, worked for Zeiss Canada here in Toronto and shares my interest in microscopy.

The image quality in this post is not that great thanks to Google Picasa which has been discontinued and all such images moved elsewhere. There is a far better high resolution version somewhere in the Google cloud, but finding it seems a bit time consuming!

The first link in this post (Yashika Dental Eye) goes to the Lomography site and suggests other uses for this camera while the second link (camera) goes to Camera-wiki  which has some great higher resolution (copyrighted) images.

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news from south of the border

cover of Fall 2022 Photgram from MiPHSC

Toronto. The folks from the Michigan club just sent off their pdf newsletter. (Secretary Bill Christen, and editor, Karen Fehl). Please read the bottom of page two regarding, copyright, objectives of MiPHS, and newsletter contribution deadlines.

Attached is the fall 2022 Photogram from MiPHS. If you like the articles and photographic collecting, please consider joining.

In any case, enjoy!

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about the distaff side …

Rare-Merit by Colleen Skidmore

Toronto. Since the beginning of photography, the vast majority of photographers have been male. Rare exceptions have occurred such as Julia Margaret Cameron in the mid 1800s (she was one of the portrait photographers presented by the late Gerry Loban).

The key figure I recall was Margaret Bourke-White and her daring 1931 shot from the top of the Chrysler building in NYC.  She became famous as the photographer featured on the cover of the first LIFE magazine in 1936. Post war, society has shed its sexism and female photographers have proliferated. PHSC member and founder of the Baldwin Street Gallery, Laura Jones, is an authority on women in photography.

My good friend, George Dunbar suggests this book by Colleen Skidmore. Which offers a look at women photographers in Canada from 1840 – 1940.

George writes, “Another new book that may interest PHSC members is now available at the Toronto Public Library – RARE MERIT: WOMEN IN PHOTOGRAPHY IN CANADA, 1840-1940 by Colleen Skidmore.” Drop in at the TPL (or pick up a copy at Indigo/Chapters).

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that girl again …

Cover of Bio by Ann Marks. Click to see Quebec Photos Maier took

Toronto. It’s always gratifying when I see an email from my good friend and fellow PHSC member, George Dunbar. Today I saw his commentary on that wonderful nanny and impromptu street photographer, the late Vivian Maier.

This time it’s a biography. George writes, “An amazing reveal of the life of Vivian Maier will be found in a new biography of the previously unknown, but recently discovered, American photographer and master of candid street photography (“Vivian Maier Developed”).

“Author Ann Marks has researched the life and times of this mysterious “nanny” who, many PHSC members will recall, was discovered by John Maloof in 2007 after an unusual series of events. Marks reveals for the first time, Maier’s genealogy, early life and professional development.

“Although I have only begun this wonderful bio, I have no hesitation in recommending it to anyone with an interest in such a mysterious photographer’s life. It’s sure to reveal many of the previously unknown activities of this, now-famous photographer.”

I have written a few posts on the saga of Ms Maier such as, “VM en couleur” (search for ‘Maier’ to see the rest).  Drop in on your local librarian and ask to borrow a copy of Ann’s book …

 

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mini me

a half-frame laundry (in miniature) copyright by artist Tatsuya Tanaka

Toronto. Shades of Austin Powers! Sports photographer and well known PHSC member and past president, Les Jones, dropped me a note saying, “Incredible imagination and execution, See #15 especially – ps Anyone have a 1.5” diameter brass lens to sell?”

Les’s comment refers to the miniature work of Japanese photographer and artist, Tatsuya Tanaka, as displayed by the site ‘digital synopsis‘ amongst others. The wonderful daily displays brought to mind another PHSC member and past president, Ed Warner, who once created a miniature studio in an old camera. Ed showed off his craftsmanship at one of our ‘show and tell’ meetings.

Those of you who enjoy shooting table top photographs or creating miniature scenarios to photograph will be delighted and inspired by this artist. Oh yes, and feel free to drop me a note if you happen to have a spare 1.5 inch brass lens for Les and I will pass your message along!

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