landscapes, streetscapes, and history

streetscape in a small town c1908. location and photographer unknown.

Toronto. The old landscapes and streetscapes bring visions of history that no one can see in any other way. Years ago, at one of our fairs, I bought some glass plates from Marlene Cook.  Most of the exposed plates came in a paper wrapper annotated by the original owner.

One glass plate negative (reversed here and adjusted slightly for exposure and contrast)  was this street scene. The location and photographer go unnamed as does the full date, street, camera, etc.

The photographer does identify the date as sometime around 1908 – over a century ago. This seems right since the poles are telephone poles and the telephone by then was nearly three decades old – and there is no car in sight, but the street seems to have tire tracks (suggesting a small town where mobile technology hasn’t yet fully materialized). The multi-storey buildings suggest it is a street in a town rather than a village. The naked trees, muddy street, and little bits of snow say it’s early spring.

Being curious by nature, I enlarged a portion of the negative and to my surprise I saw two people in a small horse-drawn carriage plus a number of others using “shank’s pony” (that is, walking – my dad used this term when I was a kid). One large house even has fowl in the yard by the street.

Without the photographer taking this streetscape, we might have had little idea of how our ancestors lived. I bought the plate so I would have an example of exposed glass plates and ended up learning a bit about history.

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gilding the lily

A whiz-bang flash gun was announced by Kodak for the 1952 market

Toronto. Post WW2, photography literally blossomed with new ideas. Flash bulbs became the rage for solving lighting problem allowing for snaps at night or indoors. Soon all cameras came wth flash synchronized shutters. Many included the soon to be ubiquitous flash gun – mostly connected to the side of the camera, or slid into the accessory shoe.

Some makers determined that the greatest need to ‘improve’ the flash gun was to solve the weak or old battery issue; allow off-camera capability; and provide a multi-flash capability. Kodak was no different. It came up with solutions for each in this one marvellous flash gun!

Many makers (including Kodak) solved the weak/old battery situation by switching to a higher voltage, lower current battery plus a suitably sized capacitor (condenser). The so called B-C flash guns simply took longer to charge as the battery weakened from use, making it possible to use the flash long after the battery’s terminal voltage faltered.

In practice, the battery ‘charged’ the capacitor which in turn ‘triggered’ the flash once a tiny pilot light indicated the capacitor was ‘fully charged’ and the shutter was released.

A cord between camera and flash gun allowed off camera use while other cords allowed multiple flash guns (and bulbs) to be used.

The advent of cheap electronic flash units within a decade spelled the end of flash bulbs – except for special occasions – like Polaroid consumer cameras, and inexpensive small cameras (their initial cost was much cheaper with flash bulbs – and infrequent use). Before a second decade passed, flash guns and flash bulbs all but disappeared from the consumer market when the built-in electronic flash era began.

A tip of the hat to my good friend and fellow PHSC member, George Dunbar, for discovering this January 1952 ad and sharing it with us.

 

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workin’

marble cutting saw at a small marble plant

Toronto. When it comes to photographs, we see very, very many portraits and landscapes, but relatively few of workplaces and workers. In time, the workplace photos, how we lived photos, street scenes etc. will grow in importance.

For every few dozen portrait or group photos I have, there is maybe one work photo. I remember one with builders (roofers?), another with geese and a two person cart drawn by a horse, etc. These photos are unique in telling how we worked and lived in times past.

The photo at top left is a small plant in an industrial mall that cut and polished marble slabs. We selected a desired colour suitable for our small bathroom. Once cut, the marble was cut again to hold a small sink. A decade late, the plant had disappeared – except for the few photos taken.

 

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the big smoke in pix

Toronto as Community – front cover of the latest book by Vincenzo Pietropaolo in Toronto

Toronto. The Sales, Marketing & Editorial Assistant at Cormorant Books here in the city, Tiana Trudell, sent the society a note the other day announcing the imminent release of another book by PHSC member and speaker Vince Pietropaolo. The book, titled, “Toronto as Community: Fifty Years of Photographs by Vincenzo Pietropaolo; ISBN 978-1-77086-623-2 • Photography” Hits the bookstores this May. To kick off the sales, “An exhibit of Vincenzo’s work will be held at James Rottman Fine Art (Toronto) for the month of May”.

The news release says, “Toronto as Community represents more than fifty years of photography by Vincenzo Pietropaolo, ‘one of Canada’s pre-eminent documentary photographers’ (Canadian Geographic). The photographs are grouped around short essays that explore Pietropaolo’s particular interests and observations, often questions of social justice, which, in turn, inform the photographs themselves.

“This poetic portrayal of the city of Toronto documents the daily life of ordinary citizens, at work, at play, in celebration, in protest, and in mourning. The book includes images of many parks and natural areas and some of the city’s architecture.

“These images will invoke the reader’s sense of nostalgia, inviting reflection on the city that once was, how it became the city it is, and how it continues to develop and grow into a city of our imaginations.

“As the largest city in Canada and fourth largest in North America, Toronto has become one of the most ethnically diverse cities in the world, with citizens speaking some one hundred eighty languages, with more than fifty-two percent of its residents born outside of the country.

“Vincenzo Pietropaolo has been a dedicated chronicler of Toronto for more than fifty years. His attachment to the city and its people is demonstrated on every page of Toronto as Community. He was a city planner with the City of Toronto for over fifteen years before turning to photography full-time. His focus lies in social documentary photography and photojournalism, and his projects have taken him to many cities around the world. Pietropaolo is an award-winning photographer and has been deemed ‘one of Canada’s pre-eminent documentary photographers’ by Canadian Geographic Magazine. He collaborated with Jane Jacobs by providing photographs for an exhibition based on her seminal book, The Death and Life of Great American Cities. He and his partner live in Toronto, where they are avid urban farmers in their own backyard.”

 

Continue reading

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A is for Auction …

camera from the spring 2020 auction before COVID hit us all

Toronto. … B is for Bargain, C is for Collection, D is for Digital, E is for Excitement, F is for Film … and the alphabet goes on. One thing is for certain – you will enjoy the coming Auction by the PHSC whether you are a buyer, a seller, or both!

Our April 30th (SUNDAY) event is at the same place BUT at a slightly later time to allow the Hall to complete a previous event. A poster was released by our newsletter folk giving time details – send me a note at info@phsc.ca if you aren’t on our MailChimp list and want information before I post the details here.

Come along and enjoy the fun – you may find something worthy of your collection or user niche! Something to sell? Let Clint  know in advance (and send him photos). If your offerings are accepted, I will add them to a preview post on this site for you.

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flighty photos

a 1959 photo of Montreal by air

Toronto. Some photographers use propeller driven aircraft in their activities. Exec member Wayne Gilbert often used a small aircraft as he shot views of buildings. This ceased when his friend and pilot retired. The use of a small aircraft circumvented the very restrictive limitations on using and flying the little drones that are the rage this century.

Some speakers have also used small aircraft. George Hunter did so, sometimes with frightening but hilarious results. George recounted how he ‘borrowed ‘a plane and pilot out west. His process was to remove a door (he had regulation pins to restore it later) and have the pilot fly low and slow to get a good shot. In this case George fell out of the plane, landed on a wing strut, and was hauled in at the last minute – camera and body.

A few years later the pilot emailed me to confirm that George had used his plane that fateful day!

George mentioned doing work for LIFE magazine and taking photos across America in the early evening balancing city lights and waning daylight. At one point he noticed he was tailed by military aircraft and promptly landed. Turned out he had accidentally shot a NO PHOTOGRAPHS military compound (he was allowed to send the non military shots off to LIFE in NYC)!

The photo at the upper left was taken on Kodachrome out the window of a propeller driven commercial aircraft. I adjusted the sharpness and contrast as much as possible. Now-a-days commercial aircraft all use jet engines and fly miles above the clouds. The old propeller driven aircraft flew low enough that you could see the ground easily on a cloudless day.

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drop it!

a local little league game with players facing off (early 2014)

Toronto. One of the specialities photographers often chose was sports photography. We have had sports photographers and sports topics at the society from time to time. At least one sports photographer and author (Les Jones) has even been president (plus programme secretary and an inspiration to others). Les favours soccer as his sport of choice and follows the game world wide.

In the days of film, a good shot could be selected and paid for at a good price by newspapers and magazines. Digital technology made the sports shots much easier to capture (eg, remote control of cameras strategically placed, far greater sensitivity reducing the amount of light needed for action shots, etc.). The down side was the ease with which an entire batch could be transmitted for choice by a remote editor within hours. This seemed great at first but it cut the fee per selection to a fraction of its earlier value.

At above left are kids playing in a small hockey league. A very few will go on to the minors (farm clubs) and even fewer to the NHL. Growing up, our local team was a farm team for the Boston Bruins making it difficult to choose an NHL favourite (in the original six teams Canadians generally favoured the Leafs or Habs).

 

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Gary’s next CAMERAMA show is April 23rd

April 23, 2023 is the next CAMERAMA show

Toronto. Our good friend Gary Perry writes, “Our next Camerama Camera Show is next month: Sunday, April 23rd, 2023 Time: 10am – 3pm

“Please see attached flyer for details or go to our website or Facebook page. [Click icon at left to see larger poster]

“Hope to see you there!

 

“Gary Perry
Show Coordinator”

Website: www.cameramashow.com

Facebook: https://www.facebook.com/cameramashow

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lots will get hammered this spring

Photo taken wide open with a 1935 73mm Hektor lens and a Leica M4 (plus adaptor)

Toronto. Okay folks, time to get over this nasty March weather and think about auctions and cameras and stuff! Our spring auction this year is on April 30th BUT at a slightly later time (so you can catch an extra snooze, wife and kids permitting …).

I will add more details in April (see right hand side bar for now). Hint: send Clint photos of what you are thinking of including. Those accepted will go up as part of our slide show.

While I haven’t picked up a lot for some time, I have sold cameras, books, lenses, etc. at our auctions. For example, the photo at left was take with a Leitz 73mm Hektor lens at f/1.9. The lens went to a new home in the PHSC spring 2012 auction. This lens is significant as it was the first fast lens ever offered by Leitz for the Leica. First offered in 1931, some 7,225 were sold, almost all before WW2 ended. I sharpened the photo and made it slightly more contrasty as the lens is a bit soft wide open and has lower contrast as it is uncoated.

Keep your eye on these posts to see more as we approach April 30th!

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what a find for the image collector

a portrait of two ladies photographed by William Dame at 339 1/2 Yonge St., Toronto, c1900

Toronto. I always enjoy emails from George Dunbar. George diligently researches photographic history and comes up with the darnedest things! This time it is a doozy for those of us who collect photos by long ago Ontario photographers.

George writes, “Plenty of images here [Search Ontario] for a pleasant exercise in browsing, such as this portrait made by William Dame at 339 1/2 Yonge St., Toronto, c1900.”

All you need to know is the photographer’s name and do a search. The web site at Search Ontario is linked to many Ontario archives and can quickly track down and show photos by the same person.

This saves you from searching each archive (given you even know the archive) trying to track down a source. Try it on your own selection of old Ontario photos …

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