flash for cash

LIFE ad for Sylvania flashbulbs – Christmas 1955

Toronto. Post war there was a pent-up demand for commercial products. Cars were in short supply; telephones had a wait list while new cables were added; and many other goods were similarly in short supply. New ideas popped up everywhere for civilians. Jobs were easy to come by (many people were hired out of high school; no need to ‘know’ the job market). Every manufacturer wanted to get aboard the gravy train.

The photo industry was no different. Post war, the innovations for the rank and file photographers were legion. One issue to be solved was lighting for the slow films of the day.

A ready solution to the issue in poor weather, evenings and (especially) indoors was portable lighting. A great way to cheaply and briefly create such illumination was by the use of flashbulbs. Placing subjects close to the camera with a flashgun attached or held next to it, gave added light via a synchronized flashbulb ensuring suitable illumination.

The advertisement at left by Sylvania was typical of the era. What better time to promote the use of Sylvania flashbulbs than at Christmas when the family photographer using an inexpensive camera could create memories with each shot!

Of course the flashbulb era for the amateur was relatively short lived as portable electronic flash continued to fall in price and size. Eventually most cameras had built-in electronic flash ready in an instant to add illumination. And as media increased in sensitivity, even built-in electronic flash became optional. Digital cameras and smartphone cameras today use sensors that are so sensitive that the built-in flash is seldom needed (and then often as fill-in).

My thanks to George Dunbar for finding this bit of photographic history and sharing it with us for all to enjoy.

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when a print in 60 seconds was fast!

advertisement for the1955 pictures-in-a-minute camera from the December 5th, 1955 edition of LIFE.

Toronto. What a heady time! WW2 was over a decade earlier; improvements in photography came fast and furious, and everyone wanted to get in on the game. Faster films; more colour options; better lighting; flash bulbs; portable electronic flash; etc. were just a few of the ‘fresh eggs’ being touted.

One incredible feat was performed by Edwin Land. Land devised a chemical process to create a decent finished print in-camera in about 60 seconds. Unheard of! For Christmas 1948 a handful of his cameras and films were offered in a single store (in Boston) – CAMERAS and FILM SOLD OUT the same day.

This ad, about 7 years later, continued to push the primary difference of Polaroid Land cameras and film – a finished print in 60 seconds. To the modern day smartphone camera user, 60 seconds seems like waiting an eternity just to see a crummy small B&W photograph. But over 70 years ago such rapid turnaround on a photograph was astounding! Most photographs took a week or two after the roll was mailed to the processing firm (remember Chas Abel here in Toronto).

Again, we are indebted to my good friend, George Dunbar, for spotting and sharing this bit of photographic history. While Polaroid Land cameras and film (original colour film in SX-70 size) are still around, Fuji also makes similar film along with their Instax cameras. Others also make and/or sell cameras that use Instax films. The modern day “Polaroid” style film in full colour takes less than 10 seconds to process in-camera.

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remembering Elliott

Felix, Gladys and Rover. New York City 1974 courtesy of the NYT’s article and Elliott Erwitt

Toronto. The photograph at left was taken years ago by talented Magnum photographer and filmmaker, Elliott Erwitt. Elliott died just over a month ago at 95.

In the spring of 2011, on the occasion of Mr Erwitt receiving ICP’s “Infinity Award” for his lifetime achievement as a photographer, the NYT ran this article, “Elliott Erwitt’s Best Picture? The Next One.“. The article covers an interview by his son (and photographer) Misha Elliott discussing questions from the family.

When you click on the NYT’s article link above, be sure to view the slide show and see why Mr Erwitt’s efforts deserved such attention!

My thanks to good friend and fellow PHSC member, George Dunbar, for alerting me both to this interview and Mr Erwitt’s  death on Nov 29, 2023 at 95 years of age.

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Camerama Feb 4, 2024

Toronto. My friend Gary Perry sent me this reminder recently:
“Happy New Year Everyone!  Please note that our next Camerama Camera Show is coming up on Sunday, February 04, 2024. See flyer attached for details. Now in our 28th Year!

“Same great location and time as always:
The Canadian Cultural Centre
6 Sakura Way, Toronto, M3C 1Z5

“Show Hours: 10:00am – 3:00pm

“Vendor Tables Still Available
Table rates are:  $75 per 8ft table which includes entry for vendor and one helper. No tablecloths provided.

“By the way, our 2024 show dates are: Feb 04, Apr 28 and Sept 29.

“If you have any questions or concerns let me know (cameramashow@gmail.com).”

Regards, Gary

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to smartphone or not to smartphone

Brian Matiash tests his iPhone 15 camera and accessories

Toronto. … with apologies to Will Shakespeare. Over many posts I have commented on using a smartphone camera. While I personally use the now out-of-date iPod Touch camera and its 8mp sensor; our Samsung smartphone sensor has a greater mp rating and currently exceeds the rating of any other digital camera I own these days.

I use the ‘Touch because it couples easily to my Mac via Airdrop. While better, the Samsung ‘phone needs a special cord connecting it to my Mac plus the ImageCapture app and more ‘clicks’. My other digital cameras need their SD card removed and inserted in my Mac.

Florida photographer Brian Matiash in his most recent newsletter (Lightroom Everywhere #7) features this article on the subject, “Can the iPhone Replace Your Camera?” Have a read and see how your smartphone camera can replace a digital camera when the occasion arises (I  know, I know, this is current, not historical – yet).

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Photographic Canadiana 49-3

image for cover shot of Photographic Canadiana 49-3

Toronto. This is our third issue for volume 49. It rounds out the four issues for 2023. Once again David and Louise have done a fine job!

All Members WITH an email address AND a valid subscription to our MailChimp list have already received notice of this informative 21 page issue. Issue 49-3 of Photographic Canadiana is dated October-November-December  2023. Please note that MailChimp does not send unsubscribed/cleaned addresses on our list any of our notices or journal issues.

This is another fine issue assembled, augmented, and produced by our editors. There  are three major articles: “The Syndication of a Mrs. R. Maynard Haida Village Photograph by David Mattison”; “Treasures in a PHSC Box Lot by David Bridge”; and “Saving Lives On Wholesale Plan [more about Arthur Goss] by David Bridge”.

As  mentioned in earlier posts, drop me a line at info@phsc.ca if you are a member and haven’t received notice of any issue from volume 48 (4 issues), or 49 (first 3 issues) of the journal. Since COVID, we have produced all issues of Photographic Canadiana in pdf format. This allows us to use colour photos and vary the number of pages. Hard copied by mail are no longer available.

Not a member? Easy-peasy, just break out your favourite plastic (VISA, MasterCard, etc.), follow the rules at the upper right of this page and sign up via PayPal (no PayPal account needed – we will pay the modest fee). Membership is an incredible bargain. Period!

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sunrise, sunset

striking sunset photo courtesy of Brian’s Lightroom blog

Toronto. A new post by photographer Brian Matiash discusses photos taken at the beginning and end of the day. His advice by and large applies to digital today as it did to film years ago.  As a kid wet behind the ears, I read that photos around the noon hour must be avoided as the light is too harsh and the shadows too short.

In Brian’s blog for Lightroom you can see the variety of landscape shots that can be recorded at sunrise or sunset. His article brings to mind the sunsets I took about 60 years ago with their riot of cloudy colours.

The title of Brian’s post brings to mind the famous song “Sunrise, Sunset” from play and film “Fiddler on a Roof”. I saw the play at the O’Keefe Centre here around 1964 and the movie on TV just recently. The play was far more memorable to me. I like the minimalist approach taken in a play; using light and shadows to great effect – like photos at sunrise and sunset.

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Happy New Year 2024

Happy New Year 2024

Toronto. We at the PHSC wish you all a Happy New Year in 2024. The photo shown at left  is a New Year’s 1900 cover shot courtesy of the Edwardian Promenade web site.

Jan 1, 2024 begins our new membership year so if you haven’t renewed yet, please do so. Go to our web site and the right Hand Column as details and a link to PayPal for ALL to use.

Remember to include a valid email address as our journal (Photographic Canadiana), newsletters, etc. are all in pdf format. If you are a member BUT haven’t seen an email notice of our journal Photographic Canadiana being issued, drop me a message at info@phsc.ca. The latest issue (49-3) for the last quarter of 2023 has/is ready to go the end of 2023 or first week of 2024.

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smart lens …

Victoria Fisher of U of T holds the century old ‘smart lens’ – Photo by Dan Falk

Toronto. We are familiar nowadays with smartphones, but what about a smart lens? Just over a century ago (1922), the lens shown here went to Australia to aid in proving a theory published in 1916. Another example of the valuable use of photography to the world.

Over a century ago in 1905 (special) and 1915 (general) a young Albert Einstein came up with his “Theory of Relativity“. Even today, it isn’t uncommon for a theory to precede proof by many years.

Young Einstein’s work was based on that of many of his  predecessors, including A A Michelson (this  biography I read back in the summer of 1962).

The U of T magazine for October, 11, 2023 includes an article by Victoria Fisher, the assistant curator of U of T’s Scientific Instruments Collection and Dan Falk, called “The Einstein Camera”. In this photo by Falk, Fisher, “holds up the lens that travelled to Australia and back more than a century ago. In May 2023, Fisher uncovered the lens in the David A. Dunlap Department of Astronomy and Astrophysics’ historic collections, where it had lain forgotten for decades.”

My thanks to good friend and fellow photo historian, George Dunbar, for finding and sharing this article with us (I still have the book on Michelson).

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take a squint …

St John’s NL, photo of the Logy Bay giant squid taken by Simeon Parsons and Sherburne McKinney on Water St

Toronto. … at the Logy Bay giant squid c1873. 150 years ago last month this photo of a giant squid put to rest the tales of sailors and fishermen, or so the CBC reported.

The beginning of the CBC article states, “Before one remarkable moment in downtown St. John’s a century and a half ago, the giant squid lived only in the tall tales of sailors and fishermen.

“Then, thanks to a single photograph, the massive cephalopod immediately moved from the realm of fantasy to reality. And today “squid spirits” — as enthusiasts consider themselves — continue to marvel at the fact that there’s still so much mystery and awe around the creature 150 years later.”

This CBC article as spotted by our PHSC president and my friend, Clint Hryhorijiw, reports how photography was able to put to rest all speculation of the existence of this strange being.  In the late 1870s, as stated in this article,  photographic proof was needed before any thing or event was accepted as existing/true.

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