Box Cameras

Imperial Box Camera by Bob Lansdale

Toronto. Today is Boxing day – or week, or month depending on the marketing pitch! Regardless, it is a fitting day to remember the box camera. I had box cameras as a kid – old Kodaks I took apart; a baby brownie in bakelite plastic; a Brownie Hawk-eye with a flashgun (also in bakelite).

The box style was made from wood, metal, cardboard or plastic. Some had a grained leather covering; others a black paper served the purpose. The lens was usually a simple single element design but occasionally a more complex multi-element affair. Shutters were usually primitive as well. Various designs and styles served as a view finder; anywhere from a simple pointing device to a separate tiny lens and mirror that helped frame the subject too.

The icon for this post is a fancier Imperial Box camera sold at our spring fair in 2013. The viewer gave a bigger view of the scene to be photographed while its placement made portrait format the preferred framing choice.

These basic cameras go back many decades. They are perhaps the simplest of camera designs. The box determines the framing and holds the distance between lens and media (film) fixed. A small aperture – say f/16 guarantees the camera will be in focus from about 6  feet to infinity. The down side of course is the slow speed necessitating use out of doors or with powerful lights or flash indoors. The lens could be a simple meniscus; the shutter a simple spring loaded plate that operated at about 1/25th of a second.

My grandmother used just such a box camera to take pictures of her family outdoors from about 1920 to the 1940s when the advent of war saw her children begin to marry or join the battle in Europe. She kept a selection of prints in an album documenting her family as it grew in size and age.

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Merry Christmas Everyone!

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Miracle Repair Tips

IIIa Leica (left) Family photograph c1922

NEXT TORONTO MEETING: Wed, January 18, 2017
Russ Forfar, Lincoln Ross: Miracle Repair Tips

Both Russ and Lincoln have spoken to the PHSC some 20 years ago.  Russ will give hints on repairing legacy film cameras like the late 1930s Leica shown at left of the icon.

Lincoln will speak about repair and conservation of old photographs like the c1922 stained and creased Kodak picture at the right of the icon.

The public is welcome. Go to our Programs page for times and directions.

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A Flashy Camera

SELSY Flash and IIIa Leica c 1947

Toronto. Leitz didn’t add factory synchronization until the model IIIf in 1950. However, there were many options for adding a flash gun and synchronization pre IIIf. This particular flash was manufactured for Leitz New York in the mid 1940s. A matt finish in the reflector allowed softer lighting for portrait work.

The flash used batteries and an Edison base bulb or adaptor. The synchronization was accomplished by a custom base plate for a specially modified IIIa camera. The code name for this flash and base is SELSY. The gun is a model VIIIA. Various flash guns were made by Leitz Wetzlar and Leitz New York.

Continue reading

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The Long View – Ed Burtynsky – The New Yorker Magazine

Edward Burtynsky

Toronto. George Dunbar sends along this note about a recent New Yorker article on Toronto Photographer Ed Burtynsky:

“A superb feature article about Canadian photographer, Edward Burtynsky, appears in the latest issue of the New Yorker magazine (Dec. 19 & 26). “The Long View” by Raffi Khatchadourian describes Burtynsky’s early life, education, marriage, business (Toronto Image Works) and his current world-wide travels as an “art photographer.”

“His amazing photographs of “a changing planet” are now appreciated in galleries and museums.”

I first heard about Burtynsky when I went to TIFF with my youngest a decade ago. We stood in line on a rainy September day waiting to go in to see Manufactured Landscapes and listen to its director, Jennifer Baichwal. A screw-up in tickets left us with a single ticket. My daughter waited in line after I went in. A second screw-up resulted in the interview and show proceeding while seats stood empty and no line up was allowed to enter.

The film opened my eyes to the awe inspiring size of Chinese factories and their efficiency, plus the devastation reeked on south Asian shores to recover Western iron and precious metals. Some time later, on a PHSC visit to the AGO, I saw one of Burtynsky’s photographs of the Three Gorges Dam being built in China – a massive-size photograph, awesome in its detail and scope.

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PHSNE Snap Shots PDF now available

Toronto. The folks at PHSNE have produced Volume 22, Number 5 of their Snap Shots newsletter in pdf format.

The newsletter announces the members auction next month. There are plans to have  a new website early in the new year. A paywall will protect a members-only section containing  exclusive articles and information.

Additional articles in 22-5  include:” Archive Your Photos for 1,000 Years,  Harvard Business School Features Inventions of Edwin Land, [PHSNE] Membership Notice, The Eljy Miniature [Camera], Kodak Uncovered a Government Secret, Adobe Offers a ‘RAW’ Deal, Save the Date: Spring 3015, and more,

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Steady as you go…

Leitz Table Tripod TOOUG c1950

Toronto. Leitz sold many tripod adaptors and steadying gadgets before the war. The first table top tripod complete with a ball and socket head came out in 1949. The early models were code named TOOUG and had a black crackle enamel finish. Later models had a smooth grey finish and came without a ball and socket head of which different models were offered.

The tiny tripod and a head were terrific for steadying the camera. I used a large ball and socket head on a newer model tripod to steady my M4 to my chest. I also used it on sofa backs, fences, trees, etc not just tables.

A wonderful and versatile little gadget in the days when ISO 400 was considered super fast.

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Matthew Isenburg dead at 89

Matthew Isenburg courtesy The Daguerreian Society

Toronto. Since I published a post just three days ago, both the Daguerreian Society and Dr Marcel Safier have posted an obituary. The Daguerreian Society obituary is on the lower left of that organization’s website and was distributed via the Constant Contact distribution service as well.

Marcel belongs to both the Daguerreian Society and to the PHSC.  Dr Safier lives in Australia and stayed with our editor Bob Lansdale while visiting Toronto.

His writeup on the late Matthew Isenburg is printed on the British Photographic History website. I received this article courtesy of Bob Lansdale who received it from Elizabeth Isenburg. Thanks to both people,and to Marcel.

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PHSC News pdf For December 2016

Rollei 35. Click above icon for latest PHSC News!

Toronto. Editor David Bridge has done a tasty issue for Christmas using the new layout and help from Assistant Editor Sonja Pushchak.

This issue shows a photograph of ‘Window Dressing’ from the Toronto Archives Fonds of William James, a prominent Toronto Photographer back in the day.

Our latest Toronto meeting this month is announced followed by notice of a new book about Reuben Sallows in full colour. The book is written by Mike Smith (who spoke to us on Sallows and Postcards this past fall), and Larry Mohring. Copies to be available at this meeting at a special PHSC price.

Geoffrey James was interviewed by Sonja and she selected a delightful sample of his work as Toronto’s Photographer Laureate.

A new columnist, Lorne Shields, presents the first column of The Cycle Diary with a couple of topical (i.e. winter snow) photographs. Followed by more details about the Exhibit now at the ROM on World Wildlife Photography.

That and much more can be viewed or printed here or by clicking the above icon of a gold plated Rollei 35 camera.

 

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“I,” said the page, beginning to fade.

Portrait at the Bay. Leica M4 shot of the preparations.

Toronto. The title of this post is from a song by Pete Seeger. On March 15, 1979, I took my family to The Bay at Cloverdale (long gone – became Zellers, then Target, and now empty for over two years).

The professional photographer did a number of portraits of my children that day. The results were shown to my wife and me and those we selected were printed. The framed portraits were hung in a hallway well out of sunlight and even incandescent lighting as the hallway I chose led to bedrooms.

To my dismay, in few years, the photographs faded very badly to a muddy looking brown. They did not last a ‘lifetime’ as suggested in a two plus decade old Kodak ad. The professional had used Ektacolor paper which was intended for both professionals and amateurs.

An article around that time discussed a lengthy American lawsuit between Kodak and professionals who had been chastised by a legion of disappointed clients, especially wedding parties. In 1992, a respected American scientist, Henry Wilhelm, of  Wilhelm Imaging Research, published his 700+ page book on ‘The Permanence and Care of Color Photographs’ which supported the earlier issue with Kodak’s Ektacolor paper. Long out of print, in 2003 the book was offered as a free download from the Institute – a 35 mb informative read, well worth the download and reading time in spite of its dated material.

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