Preservation of Digitally Printed Photographs

ICI Rochester NY

Toronto. On December 12 of this year, George Dunbar sent me a followup to his search for an explanation of how his digital prints were printed.

George has always insisted that a paper print of any age can be viewed by eye while digital images need a means to preserve, read, translate and display the image – no mean task in this era of digital photography!

The site he sent me, called the DP3 Project, is one of a handful of sites under the auspices of the Image Permanence Institute in Rochester.

George said in his email message (slightly paraphrased by me), “This site has some fine info on digital printing. I was particularly interested in the pages  describing inkjet, dye sublimation and laser prints.

“You may recall that I was once curious about the technology used for ‘kiosk-printing’ of 4×6 digital photos. Appears that it may currently be’dye sublimation’.”

 

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Matt Isenburg – November 14, 2016

Matt Isenburg by Robert Lansdale, September 2005

Toronto. Bob Lansdale got word of the passing of Matt Isenburg on December 15th. It was confirmed by Elizabeth Isenburg that Matt passed away last month,  November 14th.

I first heard of Matt when the PHSC sold me a copy of his book Photographica at their December 1979 meeting. The book was written by Charles Klamkin with Matthew Isenberg – Matt’s contribution was the photographs he took of cameras in his collection (years later Matt clarified that he preferred the spelling Isenburg for his name, which spelling remained with him the rest of his life).

I first met Matt at our April 2000 meeting when he spoke on  The Evolution of the Camera  using slides and photographs he made personally, including many colour versions of the halftones illustrating Photographica. 

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Nikon One sells at auction for 384,000 Euros

Nikon One

Toronto. Remember when Japanese cameras were dismissed as German knock-offs? Stephan Musil of Westlicht Auction in Vienna sent me this press release a few days back.

A Nikon One rangefinder camera sold for 384,000 Euros at auction was initially estimated have a value of 90,000 Euros going into the auction.

The Nikon One was made in 1948. The total number manufactured was about 750. The camera was a rangefinder design and sold with a Nikkor 50mm f/3.5 or f/2.0 lens. This lens could be focussed by a wheel near the shutter release. Other interchangeable lenses in bayonet mount were offered but did not use the little wheel to focus. The camera was an odd mix of Contax and Leica design elements.

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Beginning of the digital camera era

Steve Sasson of Kodak

Toronto. Do you remember Steve Sasson? No? Well you should! Steve was working for Kodak when he created the first digital camera. The massive gadget’s minuscule .01 mpx  B&W image saved on an audio tape belied the impact digital would have on film, virtually devastating it just a few decades later.

My friend George Dunbar writes. “Was browsing through an old magazine (Invention & Technology, winter 2010) and was surprised by this sidebar in an article about cellphones. The brief story of Steve Sasson and his building of the first digital camera almost ignores Kodak’s involvement — only a brief mention that the lens was “made by Kodak.”

“I’m left wondering why we’re told: ‘…he was assigned to build a camera…’, without the Company’s name being mentioned as an instigator of the project.

“Odd, isn’t it?” Continue reading

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Graflex Journal Issue 3 for 2016 published

Graflex Journal Issue 3 2016 small boy and big camera…

Toronto. Ken Metcalf does a terrific job of finding and publishing articles on Kodak’s famous Graflex line of cameras from the giants used by professionals decades ago to the more personal 35mm cameras, based on designs once made by Ciro. His wonderful journal was recently published.

Our Photographic Canadiana editor, Bob Lansdale, sent me this issue the other day. You can download issue 3 of 2016 here and enjoy the many pages of articles and information.

N.B. The little boy and his big Graflex camera are featured as a logo (upper left corner of first page).

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Remember the Japanese Internment in WW2?

Japanese-Canadian families in BC forced to move during WW2 (LAC C-46350)

Toronto. During the second world war (WW2) after Hong Kong and Pearl Harbour were  attacked and Japan entered the war on the side of Germany, Many Asian Canadian and American families on the west coast were relocated inland.

A deadline seems to have been reached this year since many organization have reported the sad internment beginning in 1942. In the USA, people like Dorothea Lange were hired to show the efficient move of California families to inland detention camps. Apparently Lange el al were more sympathetic to the people moved than the government of the day so their photographs were not used at the time.

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Airplane Photography in 1919

Frontispiece – Airplane Photography by H E Ives (Lippencott 1920)

Toronto. My friend George Dunbar seems to find many fascinating sites on the internet. He sent me a note on Thursday, last about Airplane Photography. The topic is covered in a book by  Herbert Eugene Ives (1882-1953) published by Lippencott and long out of print.

The preface by Ives is dated November 1919 while the book is copyright 1920 – now in the public domain. It is on the site archives.org which is the Way Back Machine mentioned here before. The physical book is in the Robarts Library at the University of Toronto.

George says, “A wonderfully comprehensive discourse on the art of ‘Airplane Photography’ by Herbert E. Ives, published in 1920. Contains complete descriptions of cameras, films and processing in great detail”.

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My Toronto – Review of PHSC Presentation

Geoffrey James by Robert Lansdale

Geoffrey James was named Toronto’s first Photographer Laureate. Tonight Mr James moved quickly through a slide show titled My Toronto. Professing a lack of understanding of Photoshop and its like, he prefers to use a modern Leica digital camera and a single 28mm lens. Lightroom was used to balance colour, and fine tune tonality and exposure before presentation here. The slides give a remarkable view of the city through his eye. 

I found many shots arresting in the choice of topic and framing used. There was a nice mix of street scenes, architecture, found objects and people. The slides gave a rich colour and tapestry to our city. Once viewed it was easy to see why Mr James was chosen to be our first Photographer Laureate. Continue reading

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19th C Photographic Cases and Wall Frames

Toronto. The Daguerreian Society sent me an email yesterday advising that the 3rd edition of Paul Berg’s book on 19th century cases and frames is now available. You can get the details and an order form here.

If you collect daguerreotypes and other cased images, you will find this book very helpful in dating the photographic cases used to protect the images.

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PHSC Meetings 2016-7

PHSC Meeting Program Nov 2016 – June 2017

Toronto. Programme Chair Les Jones has done his usual superlative job lining up our Toronto program right through to June of this year and our celebration of Canada’s 150th anniversary.

Les mentioned to us at our February executive meeting that the May 2017 program will be Edwin Haynes: Rediscovered Toronto Photographer presented by Lizz Hodgson at our Memorial Hall location.

At a time  and date to be posted later, PHSC members will be invited to The Royal Ontario Museum (ROM) presentation titled “The Family Camera“. The ROM plans to allocate over 5,000 square feet to a display of both family cameras and family prints.

Click on the icon at left or here to see the events by month. The special layout of the meeting schedule was created by Sonja Pushchak of the PHSC.

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