fire sale

Peoples Stores fire in Midland March 4, 1960

Toronto. Photography introduced the average person to events of the day and to history. Over 60 years ago, I was seconded to our office in Midland, Ontario to lend a hand. Imagine my surprise on that chilly Monday morning, March 7th, 1960 when I walked down King St to reach the central office on Hugel.

The store called “‘Peoples Stores” had been gutted by fire! The previous Friday, March 4th, fire broke out and before the fire brigade could bring it under control, the top two floors plus the street level store interior were consumed! I captured  the loss on film with my Exakta VXIIa on that Monday afternoon. The image at left is just one of the many photographs I took.

The “fire sale” was recored photographically as it was fought by local fire brigades. Photos by the local paper, the “Midland Free Press Herald” plus some captions are now part of the Huronia Museum website.  The Free Press Herald began its decline in the 1960s and finally expired the summer of 2013 after bouncing from pillar to post, losing critical assets to each of its many buyers. Like other newspapers and magazines, it was a victim of the onslaught of much lower cost digital media and superficial coverage of events.

If not for photography, we would never know just how devastating this catastrophe was to the small community once the home to Leitz Canada who made the lenses of Walther Mandler and briefly the later M4 Leica cameras (M4, KE-7A, M4-2, etc) as Leitz struggled with financial issues. The factory still exists, but is now American owned, most recently by Raytheon.

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JCCC exhibition on MARU in America – August PHSC Presentation

Toronto. The Japanese diaspora in the Americas is part of a global network of communities known as Nikkei with over 150 years of history. Join us on August 18th, 2021 at 8 pm (we begin around 7:30 with a social get together – all welcome). Read the poster below for more information. This poster was created by our PHSC News editor Sonja Pushchak.

Go to Eventbrite for free tickets or to program@phsc.ca with any questions.

Zoom audience questions are welcome.

Our August 2021 presentation on the MARU communities

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breaking the frame

Dorothea Lange, Argument in Trailer Court, circa 1943. © The Dorothea Lange Collection, the Oakland Museum of California, City of Oakland. Gift of Paul S. Taylor.

Toronto. All you image collectors in the GTA, the ROM is opening a new exhibition of photographs starting this Saturday (August 14, 2021) and running to next January 16, 2022.

The exhibition covers the beginnings of our art (c1839) to late 20th century. The announcement on the ROM website says, “Experience the unexpected in the North American debut of Breaking the Frame, featuring one of the earliest photographs taken by a female artist, unusual subject matter from the biggest names in photography, and portraits from photo studios in West Africa and India. Explore more than 90 original and vintage prints from the Solander collection that inspire new and unconventional approaches to photo history.

“Breaking the Frame showcases many accomplished artists of the 19th and 20th centuries – from Malick Sidibé and Florence Henri to Lang Jingshan, Ansel Adams, Diane Arbus, Henry Fox Talbot, Robert Frank, and Dorothea Lange – who have helped shape photography, offering a global perspective on the medium that pushes our understanding beyond the conventional.”

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photography as a record keeper

1922 Self Portrait – Arthur Goss

Toronto. In 1869/70, the Brooklyn Bridge construction began and was dutifully recorded by photography. In 1933, construction of the Golden Gate Bridge began as was recored by Peter Stackpole using a Leica camera.

In between these two events, Arthur  Goss became our first official city photographer in 1911. Goss’ talent was artistic so each of his professional photographs were both a record and an artistic item. Goss was also a member of the Toronto Camera Club and he was included in Lilly Koltun‘s epic 1984 book on “Amateur photography in Canada/1839-1940“, called “Private Realms of Light“. The massive hard cover book was published by Fitzhenry & Whiteside in Markham (I bought my copy from their representative June 18th, 1985). Many of the book’s writers were/became speakers at the monthly meetings of the PHSC.

The story of Arthur Goss and a selection of his photographs were published in issue 12-3 of Photographic Canadiana (Nov-Dec 1986) under the guidance of editor Doug Gilbertson.

Self portrait by Arthur Goss – “This image is available from the City of Toronto Archives, listed under the archival citation Fonds 200, Series 372, Sub-series 41, Item 597.This tag does not indicate the copyright status [it is public domain] of the attached work. A normal copyright tag [you are reading the tag] is still required. See Commons:Licensing for more information., Public Domain, https://commons.wikimedia.org/w/index.php?curid=24271999

By recording in detail the construction of extensive projects, photography entered into a new and historical area (mind you some even earlier outdoor photography recorded existing structures).

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not clarifying matters

CLARUS MS-35 camera ad in 1948

Toronto. Post WW2 many American companies dreamt up clever ways to gain traction in the booming retail camera market. The Clarus Camera maker in Minneapolis had an added difficulty to overcome – their products suffered from poor quality, especially the shutters.

When they pushed their MS-35 camera (c1946-c1952), with this ad in the October, 1948 issue of Popular Photography, the camera was promoted as equal to a high end import for a third the cost. Sadly, the savvy amateurs targeted as buyers, did not bite in any significant way. Rushing the MS-35 to market in 1946 to meet the pent up demand had seriously affected quality and backfired on the company.

The camera never did succeed. Camera and maker disappeared in the face of far better quality imports. Collectors today will pay around the original price if the camera is in pristine condition and working flawlessly.

Once again, the generosity of George Dunbar in sharing this research into our favourite historical topic is appreciated by all.

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sometimes we are elegant

1947 advertisement announcing the Kdaslide Projector – Master Model

Toronto. Kodak was known for its films and photographic supplies. The company, once the leader in photography, in later years made inexpensive and rather ugly plastic ‘film burners’, readily bought by the general public as gifts or to record family members and events.

The company was far more impressive in its design of high end slide projectors. As slides slowly faded away, most homes who recognized quality had a Carousel projector while many companies used its commercial equivalent. The 80 and later 144 slide circular horizontal slide tray was ubiquitous. One could also buy a device to quickly show a box of slides on a Carousel without using a tray.

On pages 77 and 78 In this July, 1947 Popular Photography advertisement, Kodak introduced its very sheik and elegant ‘Kodaslide Projector, Master Model‘ which had a choice of lenses of at least 5 different focal lengths and bulbs of up to 1,000 watts in power consumption for projection of colour slides up to 20 feet wide! A beautiful design with impressive specifications. At the time all it lacked was a tray and a means to mount it, hence its replacement in time by newer designs in spite of its otherwise very flexible specifications.

Many thanks to fellow photo historian and PHSC member, George Dunbar, for sharing this marvellous find.

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if at first you don’t succeed …

August 1948 ad for new Spartus cameras.

Toronto. … try and try again! And that is what Spartus did. A new name?A new town? A new camera style? The company began around 1934 in NYC as the Utility Manufacturing Company. It moved to Chicago in the 1940s and became the Spartus line as part of the Spencer Company. They tried box cameras, built-in flash box cameras, 35mm style cameras, twin lens reflex designs, etc. The cameras continued into the 1960s under yet another company – Herold Manufacturing founded by an officer of the Spencer Company.

The cameras had one thing in common. They were all cheaply made. The various cameras usually had bakelite bodies with thin metal in places and somewhat indifferent lenses. The advertisement from page 8 of the August, 1948 issue of Popular Photography shows a couple of typical camera styles used by the Chicago company/ies.

Their film burners of the day never really overcame the mighty Kodak or the more modest Ansco line in pursuit of a vigorous slice of the retail camera scene. The company owner and his wife did become wealthy over time using many loop holes in the law along the way. Today, even collectors are indifferent to Spartus cameras.

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a nasty piece of work

Plutonium core of Fat Man Atomic Bomb

Toronto. Seventy six years ago on August 9th, 1945 the Japanese city of Nagasaki woke to a terrible calamity. Around 11:00am, the second Atomic Bomb called “Fat Man” was dropped by the US Airforce, levelling a wide area of the city. Within days Japan capitulated and in the following month WW2 was officially over, saving a huge number of troops on both sides of the war while laying waste to a city and its civilian population.

The Atomic bombs were so called ‘dirty bombs’. Fission broke heavy elements into lighter elements plus massive amounts of energy and ionizing radiation. The later Hydrogen Bombs by comparison were ‘clean bombs’ created by fusion where light elements were merged to make slightly heavier elements plus even more massive amounts of energy. Check out wikipedia on Nuclear Weapons for more details.

The event was recorded in 1945 and is shown here on the “Rare Historical Photos” website. I read the book “Brighter Than a Thousand Suns” about the Manhattan Project and the Atomic bomb back in the late 1950s/early 1960s.

The site shows a colour photograph of Harold Agnew (right) and a fellow soldier who is unidentified. Agnew kept this photo. The silver scratchings? They were done by the FBI to ‘declassify’ the photograph.

A big thank you to friend and fellow PHSC member George Dunbar for sharing this photographic record and commentary on the final days of WW2.

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ZOOM Executive #17

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was ist das?

Ad for the 1946 Vokar I camera

Toronto. Post WW2, umpteen American companies tried to hop on the American made camera bandwagon. One was the Vokar line made in Dexter, Michigan. The design was said to have originated pre war from the mind of Dick Bills. Mike Butkus has the instruction book here.

While it was advertised during 1946, the line never took off and disappeared a few years later into the dark and silent bowels of history. Even camera collectors seem uninterested in valuing the line more than the retail price quoted in the late 1940s.

This ad from page 141 of the August 1946 issue of Popular Photography is courtesy of my friend George Dunbar who has generously shared the illustration above. According to Camera Wiki, the ads began in January 1946.

Note, the post title is German for “What is this?” which I can picture the German camera industry saying as they laughed at the camera’s features and price using design ideas that originated over two decades earlier in Europe.

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