it ain’t no Leica

Post WW2 Clarus Camera

Toronto. Like many 1940s, and ’50s 35mm cameras in contemporary ads, Clarus touted quality comparing the camera indirectly to a Leica, but far less costly.

Like the famous little camera manufactured in Germany by Leitz, Clarus was small, compact, chose simple solutions, used a cloth focal plane shutter (1/25th to 1/1000 second), and Wollensak lenses (Leitz NY used Wollensak lenses when war stopped German exports).

But unlike the Leica, the American-made Clarus was bigger, heavier, had poor materials selection, crude tolerances, and was not at all an ergonomic design. As one wit put it, cleaned and synchronized, it was still a Clarus.

My thanks to Les Jones, sports photographer, writer, past president of the PHSC, phenomenal programme director, etc. for the idea and the images of the ill-fated Clarus camera. Les writes, “Just came across a Clarus camera, an almost Leica lookalike. It was the first one I had seen although they were apparently common in the US in the late 40s and early 50s.

“It had so many initial defects that by the time adjustments were made to make it an excellent camera its reputation caused the company’s demise. It was the only model they manufactured before going out of business.”

Les suggests this site for a more balanced discussion of the Clarus. Visit our upcoming auction and fall fair to see if there is a Clarus there for your collection.

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the stone kids

c1895 glass plate photograph by Jacob Stroh – courtesy of the WPL collection

Toronto. Giass was king of the photographic base materials for decades covering wet plate, dry plate, and into the film era. Glass was an ideal medium for photography. It was transparent, flat,  grain free – if carefully made – and light sensitive emulsions could be made to adhere to it.

The only draw back was weight. The larger the glass plate negative, the heavier. This was overcome by use of smaller size plates and eventually by film and of course digital when it arrived.

One fine example is held by the Waterloo Public Library just an hour or so west of us. George Dunbar writes, “An interesting archive, particularly for those interested in glass negative images. Jacob Gaukel Stroh’s glass negative collection (126 images) – Waterloo Public Library” (WPL).

The photo at left by Stroh is of his daughters c1895 on a boulder? stump? in a field. Visit the WPL for more photos by Stroh and others. This is another example of historic photos held in archive collections.

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focus eruptus

Mt Pelee in eruption, June, 1902. glass slide – courtesy of the Art Gallery of Ontario.

Toronto. Photography was used to record volcanic activity over a century ago, an activity that continues to this day. A more recent example being a colour video of  an eruption in Hawaii (shown on TV).

The record of an eruption was depicted recently in AGO’s Foyer magazine. In the magazine, AGO wanted to see how other artists depicted volcanos, so their staff was asked to search for examples and write about them.

This example from the AGO archives, by an unknown photographer, shows Mount Pelee in eruption over a century ago in June of 1902. The photograph is a glass slide from the  Montgomery collection of Caribbean photographs.

Have a read of this article as well as other articles and issues in Foyer magazine. And if you are here in Toronto, or visiting the city, be sure to drop by the Art Gallery of Ontario (AGO) in the downtown!

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Camera Technician Horst Wenzel 1939-2023

Horst Wenzel of Vancouver

Toronto. My friend Tonchi Martinic in BC writes, “… we have very sad news to share with all of you. Our best friend and well known camera technician Horst Wenzel has passed away. We share our sadness with all of you who knew him. We have lost a great and talented man. The skills and knowledge he brought will be irreplaceable, and his loss will be felt by the entire camera community.”

In 2004, Horst lost his mother-in-law, the late Jean Mary Strang.  Over a decade later, BC photographer Rennie Brown wrote this 2016 article on Horst while Horst inspected his Rollei. Another Vancouver Photographer, Alex Waterhouse-Hayward,  wrote this 2007 article in his blog complementing the work Horst did for him at his Vancam repair business.

 

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when the stars come out

Mary and Doug entertained our great grandparents on the new fangled radio thing

Toronto. My good friend and fellow PHSC member sent along a note with an image of  stars Mary Pickford and husband Douglas Fairbanks at Montreal’s French radio station CKAC in 1922, the year it first went on the air.

“Pickford’ was born here in the big smoke on University Avenue about where Sick Kids now stands. In the silent era, she and her then husband were famous movie stars in Hollywood. ‘Pickford’ continued briefly as a star in the talkies era but unfortunately Fairbanks did not make the transition.

The image is from the ‘Library and Archives Canada (LAC)’  website. After visiting the site, George wrote, “Many photography archives hold visual evidence of early technological advancements.”.

In the case of radio, the first commercial station using audio went on the air about 1919/20 (the year is a bit muddy since various even earlier audio efforts had some success too). Coded radio signals using morse code  (eg. the Titanic sent out distress calls “CQD” and “SOS” on striking an iceberg in the spring of 1912) were the first regular radio transmissions.

And once again we see how history is served by photography and the libraries and archives that hold old and historic photos.

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going to the Van’ this fall?

Toronto. I received a note the other day from Tonchi Martinic out in BC. The folks in the Vancouver area will be holding their next camera show this coming October 1st.

If you are out that way, drop in at the show for things you can add to your collection, or possibly something that you can use in your photography – film or digital.

The poster below covers the where and when details,. Anyone wishing to get a table can email Tonchi at contessacameras@gmail.com

Vancouver Camera Show – October 1, 2923

 

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a hint of fall

A sample of the Fall Auction lots

Toronto. No, not the overnight chill or the balmy days, but the September 17th auction. Our president and auctioneer, Clint Hryhorijiw, has delivered the first batch of lot photos to me. And the auction will be memorable! Rare subminiature cameras like the Ticka shown here; hard to find Stanhopes; scare photography books; and more are all coming your way this fall.

Keep an eye out for the poster and slideshow in coming weeks. A couple of new ideas this time: the images in the slide show will also show the lot number and a separate pdf list will itemize each lot for you. Both  slideshow and pdf will be updated as new lot photos are shot.

Be sure to circle the date: Sunday, September 17, 2023. It will be an auction to remember!

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hop a bus, Gus

A trolly bus c1922 on Merton Street in Toronto. The area today is totally changed.

Toronto. The photograph here shows a 1922 trolly bus on Merton Street in Toronto. The photograph is part of the vast collection at the City of Toronto Archives.

As we have said many times before, archives are a rich source of historic photographs. The local branches of banks often blow up and colourize these photographs to mural sizes to show what once stood on the land used today by the banks.

Be sure to browse your local archives, be they city or library based. You are sure to find photographs of your city and realize how photography can preserve local history – the photos are worth far more than a ‘thousand’ words …

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no rolling stone in this park

Behind the scenes – cameras capture photos in Moss Park community – courtesy of Brian Gregory

Toronto. My friend and fellow executive member, David Bridge, sent me a note recently about a project at Moss Park by Sara Jabakhanji, who wrote the story in this link.

Being an historical society, we often forget that photographs taken today are ‘future history’ if such a term can be used.

Read the story and take a look at the photos shown in the above article. In 50 -100 years these too will become history. We (at least this person) didn’t see the rapid transition from film to digital  technology. Digital technology today means rapidly improving resolution, full colour and instantaneous results. We still need that ‘photographic eye’ to get an arresting photograph worth sharing and printing.

Be sure to visit the Moss Park exhibit. You may be pleasantly surprised at the growing talent base in this city.

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analogue not film now

PhotoEd notice to ‘Go Analog(ue)’ A.K.A. Film this summer

Toronto. In the days before digital we used film and processed and printed  it in a darkroom. Today we use digital and a computer or smartphone to ‘process’ the images in daylight printing the results (usually) on an inkjet colour printer.

A few brave souls still use film for the charm of film and chemical based prints made in a darkroom. During the transition to digital, professionals took photographs on film, processed the film, and scanned the best shots to computer to be ‘developed’ with software like Photoshop and printed on an inkjet printer, sometimes a massive machine using specialized paper.

Analogue is simply a continuously variable process, usually electronic in nature. Since modern cameras are digital, the film process became known as analogue or analog (analog is usually the spelling down south). In the current MailChimp notice, my favourite editor, Rita Godlevskis, of PhotoEd fame says, “Summer is the perfect time to go analog. These lovely daylight hours won’t last long – step away from a screen and into the sunshine!“.

While Rita’s notice suggests Downtown Camera for all film needs (I used Downtown Camera even  before the shop left the Bloor and Yonge area), don’t forget our next event – the Fall Auction on SEPTEMBER 17, (Sunday) 2023 at the usual location – Legion Hall #101, 3850 Lake Shore Bl West, Toronto, ON, M8W 1R3. As the date approaches I will be posting many lot images here. The actual auction times will likely be later than the last fall auction and will appear on the coming poster.

NB. The title of this post was inspired by a 1953 song sung by They Might be Giants, “Instanbul (not Constantinopol)”.

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