the future looks fascinating

a $25,000US camera body with ultra high sensitivity by Canon

Toronto. When digital came along, photography was revolutionized. Pictures were technically perfect with a digital ‘auto everything’ camera. It still took a professional or knowledgeable amateur to understand framing, lighting, etc for a shot that was steady and captured feelings.

Over the next few decades, sensors increased in size, sensitivity,  and resolution with a reduction in noise. Small sensors have also increased in sensitivity and resolution with lower noise.

Modern smartphones are all camera-equipped and have amazingly tiny sensors and computers to auto correct images. The box camera brigade have no idea how complex their tiny cameras are to create decent images in spite of them.

My first Sony (F828) even had night vision allowing infra red (IR) photos up to a few feet away in total darkness. Recently I had security cameras installed. For them, modern technology means video is on 24/7 and any motion is captured. A hard drive records the video which can be scrubbed back and forth later. A copy of any suspicious activity can be easily downloaded for action,

Once filled, the hard drive begins to over write the oldest videos. Amazingly, at night the cameras automatically switch to IR and record motion activated videos in monotone for the same distance as day time!  Using an outdoor light means the camera is automatically adjusted for white balance and colour videos are recorded. The camera are all digital using an ethernet connection for signal transmission to a recorder and low power transmission to a camera.

The blog Review Geek covers  Canon’s  MS-500 with its spectacular new sensor. While very costly, the sensor hints at the future of digital photography. Modern cameras have low end sensitivity that was once high end and high end sensitivity beyond our imagination two decades ago. In time the cost of these new Canon sensors will drop (think of CD/DVD recorders) and such ultra high sensitivity will be the standard for digital cameras.

 

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botany and the first book with cyanotypes of specimens

Ms Atkins c1861 from Wikipedia article

Toronto. Did you ever wonder about the first time a book was printed with photographs included? And the topic? and the author?

Well, wonder no more! My good friend and fellow PHSC member, Les Jones, (author, sports photographer, past president of the PHSC, etc.) sent this message along to me with a brief extract from a book review in Nature magazine:

Anna Atkins was a pioneer of botany [and a friend of William Fox Talbot] at a time when women were largely excluded from scientific discussions. In 1843, she started using a then-brand-new technique called cyanotype [shown are three cyanotypes of (from left) Laurencia pinnatifida, Aspidium denticulatum and Dictyota dichotoma. Credit: Sepia Times/Universal Images Group/Getty] to produce hundreds of ghostly white-on-blue photos of algae and ferns.

“Her book, which became the first to contain photographic illustrations, is now among the rarest of rare. Historian Peter Walther’s print compilation Anna Atkins reveals more than 500 of her images. ‘To leaf through them is to rediscover an era of painstaking observation and preparation, far removed from a casual snap with a smartphone,’ says science writer and reviewer Georgina Ferry.”

An interesting story about an historic figure in the history of our favourite art form. Oh yes, and the review covers a 2023 book entitled Anna Atkins: Cyanotypes by Peter Walther and published in Europe by TASCHEN.

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Lucy again

another brass Camera Lucida over a century old – courtesy of Les Jones

Toronto. No, not the TV series, “I Love Lucy”, and the madcap antics of Lucille Ball, her husband Desi,  and friends. but the tiny drawing aid, the camera lucida. In an earlier post this year (Feb 19th, 2023) titled simply Lucy, I noted the relationship this brass accessory has to photography and the negative/positive process we grew up with in the days of film.

My friend Les Jones, who provided the image for this post, said along with the images, “I have a couple of old ones – always been fascinated by them”. I have the one shown in the ‘Lucy’ post in a wooden case with a green velvet interior. At the time I acquired it, the late Bill Belier mentioned his interest in the little brass device – some 4 decades or so back. I also have three that fit microscopes. They are much newer (used with slides to draw objects seen in a microscope).

The original Camera Lucida is another tiny bit of photographic history, a painter’s aid that sparked the idea of a fundamental system of photography used for over a century and a half. The ‘lucida and an inquisitive and creative English gentleman created an enduring concept; one used by niche enthusiasts in this time of digital technology.

Browse our auction and fair this fall – you may just find one for your collection.

 

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one quarter photographer

photographs by Paul McCartney of Fab Four Fame

Toronto. Beatlemania hit North America in the 1960s. I knew a girl in Montreal who had every Beatles LP ever pressed. Of the Fab Four, it was Paul Mc Carney who also made a name for himself as a photographer.

My good friend, George Dunbar, wrote this review of McCartney’s 2023 book and shared it with us.

1964: Eyes of the Storm
photographs by Paul McCartney
review by George Dunbar

“Another amazing book of photography. This one with photographs by Paul McCartney, taken during the Beatles’ Liverpool, London, Paris, New York, Washington and Florida tours of 1963-64. I’ve just received a copy from the Toronto Public Library and am also ‘amazed’ by its weight – I hold it on my lap with great difficulty (10″x11″x1″, 335 pages, more than 275 images).

“Unlike my recent viewing of the fantastic photography by Gene Smith, these photos must be categorized as ‘family snapshots.’  That’s certainly not to dismiss them as boring or useless, but rather to welcome and enjoy the very candid and personal views of McCartney’s band of buddies, friends, associates, fans and photographers who followed them everywhere during these tours. We get a real feeling of the intimacy, joy and pleasure of the Beatles’ memorable road trips.

“The book is based on negatives and contact prints that were given to the National Portrait Gallery after the tour. Paul writes of the nostalgia he felt when viewing once again these old photos, unseen since the ’60s. We have his recollections of those marvellous, youthful days in the lives of the Beatles.

“The text by McCartney and other observers is enlightening and it’s a pleasure to read the revealing, behind-the-scenes activities of these unique young men. This was the America tour that included the famous Ed Sullivan TV appearances. Particularly of interest to me  is a chapter on Paul’s working relationships with so many famous photographers, film makers and others who often spent days with the Fab Four.”

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auction-time … and the bargains are many

Visit our fall auction Sunday, September 17th, 2023

Toronto.  Next month will be fall … and Auction time again! Be sure you mark the date: SUNDAY, September 17th. It’s another INDOOR AUCTION down in the Long Branch area of Toronto at the usual venue and our slightly later time (the details will be on a poster due up in a few weeks).

This Estate Auction has stuff for both film and digital folk – photographs, cameras, lenses, accessories, books, and more. Click on the AUCTION tab here or in the menu bar above for directions.

Everybody is welcome. Lots will be from ESTATES this time. Stanhopes, cameras, images, photo paper-weights, etc  – really good items (some rather rare). As usual, all lots are in the order chosen by our auctioneer, Clint, to whom we owe a big thanks for photographing the lot examples shown. (PS more will be added over the next few weeks).

Meantime, here is a preview of just a few of the items up for auction! Click on the image at top left, then on the ivory Stanhope, and then on any lot icon to see it larger. Your left/right arrows will work to move from one enlarged photo to another. NB all items are identified by lot (usually a red tag). Enjoy!

Nb: Remember the musical Porgy and Bess? This post title is a riff on a poplar tune from there  – Summertime.

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it ain’t no Leica

Post WW2 Clarus Camera

Toronto. Like many 1940s, and ’50s 35mm cameras in contemporary ads, Clarus touted quality comparing the camera indirectly to a Leica, but far less costly.

Like the famous little camera manufactured in Germany by Leitz, Clarus was small, compact, chose simple solutions, used a cloth focal plane shutter (1/25th to 1/1000 second), and Wollensak lenses (Leitz NY used Wollensak lenses when war stopped German exports).

But unlike the Leica, the American-made Clarus was bigger, heavier, had poor materials selection, crude tolerances, and was not at all an ergonomic design. As one wit put it, cleaned and synchronized, it was still a Clarus.

My thanks to Les Jones, sports photographer, writer, past president of the PHSC, phenomenal programme director, etc. for the idea and the images of the ill-fated Clarus camera. Les writes, “Just came across a Clarus camera, an almost Leica lookalike. It was the first one I had seen although they were apparently common in the US in the late 40s and early 50s.

“It had so many initial defects that by the time adjustments were made to make it an excellent camera its reputation caused the company’s demise. It was the only model they manufactured before going out of business.”

Les suggests this site for a more balanced discussion of the Clarus. Visit our upcoming auction and fall fair to see if there is a Clarus there for your collection.

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the stone kids

c1895 glass plate photograph by Jacob Stroh – courtesy of the WPL collection

Toronto. Giass was king of the photographic base materials for decades covering wet plate, dry plate, and into the film era. Glass was an ideal medium for photography. It was transparent, flat,  grain free – if carefully made – and light sensitive emulsions could be made to adhere to it.

The only draw back was weight. The larger the glass plate negative, the heavier. This was overcome by use of smaller size plates and eventually by film and of course digital when it arrived.

One fine example is held by the Waterloo Public Library just an hour or so west of us. George Dunbar writes, “An interesting archive, particularly for those interested in glass negative images. Jacob Gaukel Stroh’s glass negative collection (126 images) – Waterloo Public Library” (WPL).

The photo at left by Stroh is of his daughters c1895 on a boulder? stump? in a field. Visit the WPL for more photos by Stroh and others. This is another example of historic photos held in archive collections.

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focus eruptus

Mt Pelee in eruption, June, 1902. glass slide – courtesy of the Art Gallery of Ontario.

Toronto. Photography was used to record volcanic activity over a century ago, an activity that continues to this day. A more recent example being a colour video of  an eruption in Hawaii (shown on TV).

The record of an eruption was depicted recently in AGO’s Foyer magazine. In the magazine, AGO wanted to see how other artists depicted volcanos, so their staff was asked to search for examples and write about them.

This example from the AGO archives, by an unknown photographer, shows Mount Pelee in eruption over a century ago in June of 1902. The photograph is a glass slide from the  Montgomery collection of Caribbean photographs.

Have a read of this article as well as other articles and issues in Foyer magazine. And if you are here in Toronto, or visiting the city, be sure to drop by the Art Gallery of Ontario (AGO) in the downtown!

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Camera Technician Horst Wenzel 1939-2023

Horst Wenzel of Vancouver

Toronto. My friend Tonchi Martinic in BC writes, “… we have very sad news to share with all of you. Our best friend and well known camera technician Horst Wenzel has passed away. We share our sadness with all of you who knew him. We have lost a great and talented man. The skills and knowledge he brought will be irreplaceable, and his loss will be felt by the entire camera community.”

In 2004, Horst lost his mother-in-law, the late Jean Mary Strang.  Over a decade later, BC photographer Rennie Brown wrote this 2016 article on Horst while Horst inspected his Rollei. Another Vancouver Photographer, Alex Waterhouse-Hayward,  wrote this 2007 article in his blog complementing the work Horst did for him at his Vancam repair business.

 

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when the stars come out

Mary and Doug entertained our great grandparents on the new fangled radio thing

Toronto. My good friend and fellow PHSC member sent along a note with an image of  stars Mary Pickford and husband Douglas Fairbanks at Montreal’s French radio station CKAC in 1922, the year it first went on the air.

“Pickford’ was born here in the big smoke on University Avenue about where Sick Kids now stands. In the silent era, she and her then husband were famous movie stars in Hollywood. ‘Pickford’ continued briefly as a star in the talkies era but unfortunately Fairbanks did not make the transition.

The image is from the ‘Library and Archives Canada (LAC)’  website. After visiting the site, George wrote, “Many photography archives hold visual evidence of early technological advancements.”.

In the case of radio, the first commercial station using audio went on the air about 1919/20 (the year is a bit muddy since various even earlier audio efforts had some success too). Coded radio signals using morse code  (eg. the Titanic sent out distress calls “CQD” and “SOS” on striking an iceberg in the spring of 1912) were the first regular radio transmissions.

And once again we see how history is served by photography and the libraries and archives that hold old and historic photos.

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