going to the Van’ this fall?

Toronto. I received a note the other day from Tonchi Martinic out in BC. The folks in the Vancouver area will be holding their next camera show this coming October 1st.

If you are out that way, drop in at the show for things you can add to your collection, or possibly something that you can use in your photography – film or digital.

The poster below covers the where and when details,. Anyone wishing to get a table can email Tonchi at contessacameras@gmail.com

Vancouver Camera Show – October 1, 2923

 

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a hint of fall

A sample of the Fall Auction lots

Toronto. No, not the overnight chill or the balmy days, but the September 17th auction. Our president and auctioneer, Clint Hryhorijiw, has delivered the first batch of lot photos to me. And the auction will be memorable! Rare subminiature cameras like the Ticka shown here; hard to find Stanhopes; scare photography books; and more are all coming your way this fall.

Keep an eye out for the poster and slideshow in coming weeks. A couple of new ideas this time: the images in the slide show will also show the lot number and a separate pdf list will itemize each lot for you. Both  slideshow and pdf will be updated as new lot photos are shot.

Be sure to circle the date: Sunday, September 17, 2023. It will be an auction to remember!

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hop a bus, Gus

A trolly bus c1922 on Merton Street in Toronto. The area today is totally changed.

Toronto. The photograph here shows a 1922 trolly bus on Merton Street in Toronto. The photograph is part of the vast collection at the City of Toronto Archives.

As we have said many times before, archives are a rich source of historic photographs. The local branches of banks often blow up and colourize these photographs to mural sizes to show what once stood on the land used today by the banks.

Be sure to browse your local archives, be they city or library based. You are sure to find photographs of your city and realize how photography can preserve local history – the photos are worth far more than a ‘thousand’ words …

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no rolling stone in this park

Behind the scenes – cameras capture photos in Moss Park community – courtesy of Brian Gregory

Toronto. My friend and fellow executive member, David Bridge, sent me a note recently about a project at Moss Park by Sara Jabakhanji, who wrote the story in this link.

Being an historical society, we often forget that photographs taken today are ‘future history’ if such a term can be used.

Read the story and take a look at the photos shown in the above article. In 50 -100 years these too will become history. We (at least this person) didn’t see the rapid transition from film to digital  technology. Digital technology today means rapidly improving resolution, full colour and instantaneous results. We still need that ‘photographic eye’ to get an arresting photograph worth sharing and printing.

Be sure to visit the Moss Park exhibit. You may be pleasantly surprised at the growing talent base in this city.

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analogue not film now

PhotoEd notice to ‘Go Analog(ue)’ A.K.A. Film this summer

Toronto. In the days before digital we used film and processed and printed  it in a darkroom. Today we use digital and a computer or smartphone to ‘process’ the images in daylight printing the results (usually) on an inkjet colour printer.

A few brave souls still use film for the charm of film and chemical based prints made in a darkroom. During the transition to digital, professionals took photographs on film, processed the film, and scanned the best shots to computer to be ‘developed’ with software like Photoshop and printed on an inkjet printer, sometimes a massive machine using specialized paper.

Analogue is simply a continuously variable process, usually electronic in nature. Since modern cameras are digital, the film process became known as analogue or analog (analog is usually the spelling down south). In the current MailChimp notice, my favourite editor, Rita Godlevskis, of PhotoEd fame says, “Summer is the perfect time to go analog. These lovely daylight hours won’t last long – step away from a screen and into the sunshine!“.

While Rita’s notice suggests Downtown Camera for all film needs (I used Downtown Camera even  before the shop left the Bloor and Yonge area), don’t forget our next event – the Fall Auction on SEPTEMBER 17, (Sunday) 2023 at the usual location – Legion Hall #101, 3850 Lake Shore Bl West, Toronto, ON, M8W 1R3. As the date approaches I will be posting many lot images here. The actual auction times will likely be later than the last fall auction and will appear on the coming poster.

NB. The title of this post was inspired by a 1953 song sung by They Might be Giants, “Instanbul (not Constantinopol)”.

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on what basis?

cover shot of a horror novel for photo fans

Toronto. George Dunbar wrote me recently regarding a new ‘horror’ book. George writes, ” For those who like horror-novels and photography too, this new book may be just the thing.

“‘Silver Nitrate’ by Silvia Moreno-Garcia apparently refers to the dangerous film stock used in the early days of photography. Silver nitrate film stock was used in many of the earliest motion picture films and was finally banned because of its dangerous habit of combustibility. A review of the book will be found here.”

The nasty film base that tended to burn on its own was actually ‘nitrate’, short for nitrocellulose while silver nitrate was a solution that once coated glass plates, blackened metal plates, and film bases. Combined with a salt solution, it formed light sensitive silver halides.

You may have wondered why Kodak once touted various films as ‘safety’. These were films that did not use nitrate as a base.

After WW2 surplus stores sprung up in cities all over. I mentioned in an earlier post in 2017 that I bought some ‘nitrate’ cut film to use in a 6×9 film camera. Some years later, I had reason to check my exposed negatives. Sure enough, I smelt the characteristic odour of acetic acid (vinegar) and when I looked at the nitrate cut film, the emulsion had wrinkled, warning me of  a potential fire by self combustion. Out went the cut film, images and all.

On the  plus side, nitrate films were clear like glass, but unless the storage room was cool and temperature controlled, there was always a serious risk of fire. Later films used a cellulose acetate base (safety film) and still more recently films used a polyester base (think Kodak’s ESTAR line).

Regardless, you fans of photography, track down a copy of ‘Silver Nitrate’ and enjoy the read. But keep a light on!

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it’s in the book

c1890 trestle bridge in BC (CPR Archives) courtesy of the book

Toronto. I got an email the other day from George Dunbar. George writes, “I’m attaching just two of the hundreds of photographs and illustrations from a wonderful 700 page book on the history of Canada.

“‘TheMuseum Called Canada, 25 Rooms of Wonder‘, with essays by Charlotte Gray, is an extraordinary book for anyone with an interest in this country and its pictorial history. Published in 2004, it’s sure to be available in our public libraries.

This remarkable book shows another example of how history can be recorded and viewed by future audiences. I wonder if anyone thought this photo would be so memorable over a century later when trains as the cutting edge of elegant travel was long past us?

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photography and the back stitch

a dozen stitches close the skin post surgery

Toronto. I did a few posts on the value of photography in medicine like this post, “medical-photography” in 2019. The focus in these posts is the value of photography to the physician. But what about the patient? Can it help him too in a personal and practical sense?

This post addresses just such a situation. A patient returns home after minor surgery on his back, but cannot see the surgical area. Enter photography. Here at left you can see the stitches on the back after the surgeon has removed a portion of the skin that contained basal cell carcinoma cells in previous biopsies.

Without photography, one could perhaps get a brief glimpse by convoluted mirrors, or a description by an observer. With photography we can actually see the result and mark the progress as the stitches are removed and the skin heals. Another fine example of medical photography, this time from the patient’s point of view.

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simply the best

Tina Turner in Hamilton – 1980 photo by Diane Liverpool courtesy of Foyer

Toronto. Here is a great example of the quality and charm of a professional backstage shot. The photo was snapped by Diane Liverpool, a photojournalist at the time for an early Toronto Black newspaper, the Contrast.

You can easily read the whole story in Foyer right here. The late Ms Turner has been one of my favourite singers for many years. Her singing voice is immediately recognizable.

The photographer, Diane Liverpool has captured many famous people. Do a Google search for Diane to learn more about this iconic Torontonian from the Caribbean.

And here is Tina singing, “(Simply) The Best“.

 

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dream street

The Walk to Paradise Garden by Eugene Smith c 1946

Toronto. The 1970s were heady days for me. I discovered many names in photography. The photograph of “The Walk to Paradise Garden” by W Eugene Smith I found when I bought “Darkroom” by Lustrum Press (sold by Light Impressions in Rochester). The book is a series of photographs and articles by American names in photography. The articles discuss the techniques each photographer uses in the darkroom.

Recently,  George Dunbar read a book on Eugene Smith’s project on Pittsburgh PA. George was so impressed, he wrote a brief review of the book which he shared with me.

Dream Street, W. Eugene Smith’s Pittsburgh Project
Edited by Sam Stephenson With a Forward by Ross Gay
University of Chicago Press 177 pages $39.00

George writes, “A marvellous collection of hundreds of beautifully reproduced images is a wonderful memorial to the magnificent photography of W. Eugene Smith. This is his epic photographic essay on Pittsburg, Pa. during the 1950s.

“Smith’s Herculean task to produce and publish this magnificent work during his lifetime (1918-1978) is revealed in fine detail by editor Sam Stephens along with the overpowering photos by Smith.

“Smith is considered by many to be one of the greatest photojournalist of the 20th century. In this new publication we learn much of the intention, efforts and hardships during the making of his greatest lifetime achievement.

“The result is an amazing revelation of the very life of a city; its industry, atmosphere, people, beauty, joy and suffering. This book will surely become one of the most valued books of photography to grace the library of any photographer and admirer of wonderful images.”

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