Tag Archives: film

photographic ideas that fizzled

Posted on February 11, 2022 by Robert

Toronto. In 1939, some people disliked photographic darkrooms because they were ummm – dark. So somebody came up with contact print paper with a built-in orange filter and a special ‘flexible frame’. As a filler, Popular Mechanics published a small … Continue reading →

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more than skin-deep

Posted on February 9, 2022 by Robert

Toronto. Do you remember when you had an annual chest x-ray to detect TB? No? You must be a lot younger than me! This Popular Mechanics article from the January, 1939 issue shows how Westinghouse made an ‘electronic flash’ gizmo … Continue reading →

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we have a winner!

Posted on February 7, 2022 by Robert

Toronto. Sometimes a low price and great hype pay off. This combo paid off in spades for the Universal Camera Corporation in the late 1930s through the very early 1950s when its Univex 8mm movie cameras introduced a huge number … Continue reading →

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a camera called Iris

Posted on February 3, 2022 by Robert

Toronto. After the minicam revolution took off, some camera makers tried to ‘fake’ their products as great minicams. Univex in the States tried a number of different models and business plans (guessing this from models and ads). For the Iris … Continue reading →

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four flasher

Posted on January 28, 2022 by Robert

Toronto.  … or more than one way to skin a cat (sorry cat fanciers). In the February 1941 issue of Popular Mechanics, a filler article suggests using two  special synchronizers for a Graphic camera to quadruple the light output over … Continue reading →

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read da fine print, dummy

Posted on January 27, 2022 by Robert

Toronto. The February, 1941 issue of Popular Mechanics came out when I was a little kid still figuring out when to use a spoon (not really). Six years later, I took a bus ride with the rest of my grade … Continue reading →

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the Graflex of movie cameras

Posted on January 25, 2022 by Robert

Toronto. Professional camera men in Hollywood for the most part used Mitchell cameras. The Mitchell was to Hollywood cameramen like a Graflex camera was to newshounds – Fully professional and a sturdy work horse. In 1922, when silents were still … Continue reading →

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the jig’s up

Posted on January 24, 2022 by Robert

Toronto. My good friend, George Dunbar, spotted this 1947 ad by Kodak portraying Mr Hitler dancing an inappropriate jig in 1940 during the fall of France. George high-lighted one line in the advertisement which proclaimed, “with unique reality and objectivity”. … Continue reading →

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will that be 8 or 16?

Posted on January 18, 2022 by Robert

Toronto. Bell & Howell was a respected name in Hollywood movie equipment. For home movies, they used the “Filmo” brand. In the March 1940 issue of Popular Mechanics, B&H advertised both the 8mm and the 16mm versions of their Filmo … Continue reading →

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a rose by any other name

Posted on January 14, 2022 by Robert

Toronto. One of the earliest ambitions of film makers was to expand their film’s sensitivity spectrum down to the reds. By the mid 1930s when Agfa-Ansco made this film, yellows, greens through near violet blues could be captured. Such a … Continue reading →

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