creating a buzz

WW1 POW camp in Germany courtesy of the Sovereign Hill Museums Ascn., Australia

Toronto. George Dunbar sent me an email recently regarding another source of photo-history. George writes, “Another unique online archive gallery here. The site uses eHive which is a CMS (Collection/Content Management System) like WordPress. In fact there is a plug-in for WordPress. eHive was created by Vernon Systems in New Zealand.

They say on their website, “Vernon Systems has more than 30 years’ experience in creating software for the museum, gallery and cultural heritage sectors.  Our systems are used around the world by institutions to catalogue, manage and publish information about collections.

You can join SHMA and share images with others. The example shown here is a POW camp in Germany during WW1. It is from the ‘Sovereign Hill Museums Association‘ in Australia (the SMHA above). This photo is of personal interest as my wife’s two grandfathers fought in WW1 along with some of my relatives.

Image collectors may find this site and others using eHive helpful in their research.

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unintended consequences

M3 metal pressure plate courtesy of Jim Lager and his coffee table size trilogy on Leica

Toronto. In 1954 Leitz blazed a new trail in the minicam saga with the introduction of the M3 model Leica – Its first post war design, the camera had  features galore over the modest screw-mount line. Gone forever was the ‘bottom-place-access-only’ for film insertion.

In the M series, Leitz offered a hinged camera back plus the bottom plate! To complement this camera back feature, the metal pressure plate was replaced with a glass pressure place, eliminating any risk of  ‘tram tracks’ due to a rough edge on the plate and to ensure a solid , perfectly parallel film – lens distance.

Cold dry weather had a surprising impact on the early M3. Fast movement of the film across the plate generated static electricity … this occasionally caused a spark … the spark illuminated the film briefly … and created a lightening like image in the negative.

After manufacturing about 3,000 M3 cameras (Dr Alex Wight’s “The Collector’s Checklist of Leica Cameras ..“, 4th edition, 1980). Leitz swapped the glass plate for a metal plate that used the more conventional smooth edges to eliminate any risk of ‘tram tracks’. During the Summer Olympics in Montreal, I saw a customer who accidentally created the nefarious ‘tram lines’ (and some ghostly writings) in spite of the plate’s change in material – he had scratched his name on the metal pressure plate using the conveniently hinged camera back ….

Note, I have all three of Jim’s massive books published in 1993 – 1998, purchased directly from him as each was first published. A wonderful visual history of the little camera that had such a huge impact on photography.

 

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shelter from the dust …

shutter dust shield added to the Leica Standard, Leica III and later

Toronto. When Leitz produced the Leica, they used a removable base plate to replace films and help reduce the area open to air borne dirt and dust. This worked for models without lens interchangeability.

When the model II gave way to interchangeable lenses, the lens mount offered a gaping opening for dust to penetrate the tiny camera during lens changes. A solution was to add metal barriers to the rolled  shutter curtains previously left open to the lens mount. This change was added to all models after the Leica II.

Sadly some copied versions were based on the Leica II but offered lens interchangeability – and an opening to dirt and dust.

Inspiration for this post came from Dylan’s 1974 song, “Shelter From  the Storm” on his album Blood on the Tracks (I have the CD version).

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not all that glitters …

using a ‘gold’ coating to sell

Toronto. .. is gold. Some camera makers did use a gold coating occasionally to sell a particular model to those with expensive tastes. For example, Leitz sold a Leica model it called a ‘Lexus”. It was made with typical Leica quality and has a special coating – gold on the metal; a rare material for the traditional gutta percha.

Others implied a camera had gold trim or was made of gold. In that case, a word resembling gold was used  in their advertising to sell less expensive, more pedestrian cameras. My friend George Dunbar in his search for photographic history amongst old ads and articles, found this rather small ad by Bass Camera from the mid-west in the first issue of LIFE magazine. Here they call a small half frame (half vest pocket)  ‘folder’ a GOLDI.

The camera may have been made expressly for Bass by a small German factory. The Goldi comes with a variety of lenses and leaf shutters. The version promoted by Bass in this ad is at the less expensive end of the range offered by the maker, Zeh.

 

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après la pluie

after the rain – a rainbow to enhance the landscape photo

Toronto. Landscape photos seem better when we add in some bad weather effects. This example shows not rain, but the effect of rain when it ends.

Rainbows have traditionally meant that better times were ahead. For a photographer, a rainbow can be incorporated in a landscape shot to enhance the impact of the shot on the viewer.

The rain soaked landscape seems to have saturated colours. Puddles or runoff can often be worked into the image to create drama. Both B&W film, colour film and digital cameras can use rainbows (and rain) effectively.

Rainbows remind me of Kermit the Frog on Sesame street and his soulful little song,”Rainbow Connection“. Here the song is sung as a duet by Kermit and Barbra Streisand.

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a real brick …

January 1957 ad in LIFE magazine for the Argus C-3

Toronto. We have commented on the famous Argus C-3 camera many times, but this beautiful ad was just too hard to pass up.

Fondly known as the ‘brick’, the C-3 (C3) was by far the best selling camera of the entire Argus line. The camera was even shown in ‘action’ in some Hollywood movies in implausible jobs or by actors who could easily afford far better quality cameras.

Please excuse the images here. While Photo AI, Affinity Photo, and Focus Magic improve the image and larger text, Photo AI does a number on the small print at this stage in its life.

Thanks to my good friend, George Dunbar, for sharing this wonderful colour advertisement by Argus in the January 28, 1957 issue of LIFE magazine. Film, Argus, LIFE, and the C-3 are but memories to those old enough to have read, saw, or used and relied on such antiquities.

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Landfall

the PhotoEd LAND issue is now published

Toronto. Back in September we did post on the PhotoEd request for articles on LAND.

Our friend and favourite editor, Rita Godlevskis just announced the latest print issue of PhotoEd is now available. The issue shows the photos and articles selected from her request for submissions a few months back.

Pick up a subscription today – or visit a newsstand to see the wonderful content. Especially great for those new to the industry and ready to learn from photographs by others.

Rita also asked for two submissions: First for the Aids Committee of Toronto (ACT) and “Snap for Action” photos for their photo contest; and second, submission for the LIGHT issue of PhotoEd this spring.

 

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Exposing Photography: Anything But A Small Business

Print from a glass plate negative in the
B F Childs Photographic Gallery collection

Toronto. My friend Cindy Motzenbecker sent me an email about an upcoming event coinciding with a current exhibit by the Marquette Regional History Center (MRHC). As this will be a ZOOM event, you will need the meeting link. Email me at info@phsc.ca  for the link.

Cindy writes, “MiPHS/Cindy Motzenbecker is inviting you to a scheduled ZOOM meeting:

“Exposing Photography: Anything But A Small Business/Marquette Regional History Center

Tuesday, Dec 12, 2023 02:00 PM EST

“This presentation is free.  The actual presentation will start at 2:30. (The extra time is for potential “technology issues”.)  Jack Deo helped a lot with this exhibit, and is a long time Michigan Photographic Historical Society (MiPHS) member.  (MiPHS.org)   Jack was lucky enough to purchase the B.F. Child’s photographic Gallery including THOUSANDS of glass negatives of the area around Marquette and Lake Superior.  He and Don Balmer are the UP representatives of MiPHS.  (“UP” is for “upper peninsula” for the non-Michiganders.) ”

As Cindy mentioned, the images are from around Marquette in Michigan and the surrounding Lake Superior area. The images will interest many image collectors. Please join Cindy and our sister society MiPHS this coming Tuesday the 12th via ZOOM.

Continue reading

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measuring sub-second time etc.

lens/shutter from a telephone traffic camera once used to record trunk registers

Toronto. Those of us who once prided ourselves for shooting that special film moment know all about sub-second time; time measured by a shutter that allows light from the subject to reach the film for the prescribed fraction of a second.

Today, with cameras that literally do auto-everything, most would be photographers are not aware of shutter speed, or even care as long as the image of the scene ‘looks’ okay.  But what if the scene doesn’t ‘look’ okay?

The more sophisticated (or deeper pocketed) of us use a standalone camera with a setting for shutter priority and a means to set the shutter speed. Oh yes, and the knowledge of how to use the setting.

For everyone else, photographer Brian Matiash of Florida has a great explanation in his third ‘Lightroom Everywhere Newsletter‘ issue under the title of, “Important Shutter Speeds for Photographers“.

Have a read and learn about this feature of photo control. Brian’s words can both instruct and refresh. Looking at his photos may help you get a better shot, more in keeping with how you pictured the result would be.

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a cold winter’s night

taken nearly a decade ago in late February, 2013 in Toronto

Toronto. Nasty weather is the bane of a human’s existence – unless he is a photographer. For a photo, inclement weather can create a memorable exposure – witness Henri Cartier-Bresson’s “decisive moment” when a French commuter jumps a puddle and all elements in the image’s frame come together.

The landscape photographer can frame an arresting scene and record it for history, but adding a weather element can create a far more interesting result. Since the birth of photography, photographers have captured the environment, sometimes to record a famous locale, and other times to capture both a locale and the effect of nasty weather be it rain, snow or fog (even fog in Labrador). Looking back, photographs can portray a person, a place, tools, war, weather all to the aid of our understanding of history.

In this particular post, we remember the legion of landscape photographers who have captured the world as it once was – including mother nature’s weather in both its charm and vengeance.

This post bring’s to mind a 1944 song, “baby its cold outside” sung here as a duet by Michael Bublé and Idina Menzel.

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