down the line

a CNR yard engine circa mid 20th century (During or just after WW2)

Toronto. One specialty by photographers is photographing trains, lines and train stations. In our January 2016 meeting speaker Ralph Beaumont and his ‘sidekick’ Rod Clarke presented the story of  “Heckman’s Canadian Pacific“.

For many decades trains were the prestigious way to travel – until private automobiles and commercial aircraft took over. Even today, Canada has a nostalgic system call VIA rail running from Montreal to Vancouver over a mix of old CPR and CNR railway lines. When I travelled on it to Vancouver over two decades ago, the leisurely wealthy still owned private railcars that could be hooked to the train. On the way home, a tardy private car in Edmonton caused a long delay the train never overcame. The VIA train was hit by a farmer’s truck in rural Saskatchewan early in the morning – fortunately with no human casualties.

The railways are special to Canada. The Dominion was formed in 1867 to fend off any problems generated by the American Civil war. To attract British Columbia to the fold, the young country promised to join the colony to the rest of the dominion with an all Canadian line called the Canadian Pacific Railway (CPR) – ironically completed and run by a great American railroader named  W C Van Horne who moved to Montreal where he lived and died.

A few decades later, the federal government formed a second country wide line called the Canadian National Railway (CNR) formed with many of the small regional railways.  Ironically two of the largest railways in North America today are the CPR and CNR – neither government owned!

Photo collectors may already have ‘train’ photos in their collection. Photography collectors of all stripes need to attend our spring events to find more items for their collections (or user gear) and to meet old friends. Check the right hand sidebar for dates and places. Posts will be made closer to the events.

 

 

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getting it there

A Misquito bomber c WW2 and the pilot, Ms Violet Milstead.

Toronto. I received further material on Women in the Air late on the 5th. George Dunbar sent me this photo and link. It ties in nicely with an American story of similar female pilots ferrying aircraft on the West coast of the States.

Women joined our air services in the second world war but we civilians seldom heard of them. Their valuable contribution is noted in Canada’s History magazine for April, 2024 with the article, “Women and the War in the Air” written by Joel Ralph  and posted February 29, 2024.

The photograph above, left is captioned “Canadian pilot Violet Milstead stands in front of a Mosquito bomber. Milstead and other women pilots delivered bombers from factories to Bomber Command stations.” The image is courtesy of  the “BOMBER COMMAND MUSEUM OF CANADA”.

And once again we show the value of photography and photographers for making history interesting to all. It is worth noting that many of our members, including past president, the late Larry Boccioletti, worked for De Havilland in the facilities where the Mosquito bombers were built.

While we cannot promise you will find such exciting war photos at our events this spring, Come on out anyway this May to greet old friends and add to your collection or user gear! Just a hint – we will be adding a post as each event date  comes closer. Meantime, the basics are shown in the right hand sidebar of this site under PHSC EVENTS.

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an interesting archive to our east.

Library building in Whitby, Ontario but with Carnegie funds0

Toronto. The photo you see is from the Whitney Archive courtesy of the Pickering Library. You can see  many options here. The grid on the photos may be a newspaper halftone or a means to ‘protect’ these images.

Associated with this photo is the note, “Constructed [in Whitby] with funds supplied by American steel magnate Andrew Carnegie, this building served as a library from 1914 to 1973. It was designated as an historic building in 1985.”

Carnegie funded libraries in many communities in North America. Our local library was a typical example. To me, it was one of the finest buildings in my community, about an hour from Toronto. I spent many happy hours there browsing the stacks.

Image collectors and photo historians can delve into the archives and formulate more details about their community or collection. Our thanks here goes to my good friend George Dunbar for researching this amazing online facility in nearby Pickering.

 

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flight history

Book on Women and Flight History in Canada

Toronto. I have made earlier posts about how history has been helped by photography. Recently I was reminded of this fact by a note from my good friend George Dunbar. George writes, “Some interesting book titles listed here for those interested in both flight and exceptional women”.

The ‘here’ in George’s comments is the Niagara Falls Public Library‘s catalogue. The link George offers is this catalogue link to a book called “Canadian Women in the Sky” by Ms Elizabeth Gillan Muir.

The book is also available for purchase in paper back at Indigo Books. The book consists of 175 pages of short stories. There is even an organization (Achieve Anything) promoting women to embrace industries and disciplines out side their scope in history.

As to Muir’s book, with or without photos included, photography would certainly have improved the historical aspect by showing the people, machines, and times covered. Have a look!

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calling all collectors

a Kodak tank ready for auction this May 5th.

Toronto.  Who would have thought it? This is our 50th year. In the latter part of the 20th century clubs like ours proliferated. Some even became exchange members (we swapped journals rather than paid membership).

Once the digital era hit, interest in vintage cameras and photos waned. Only a small number of societies survived, including the PHSC.

Volume 50 of our journal will be published this year (only as a pdf file). And the core group of collectors -camera and image, film and digital –  look forward to our events with obvious enthusiasm. This spring our auction will take place in early May.

The image at left shows one lot. Featured will be cameras, lenses, books, accessories, darkroom goodies and more for both film and digital folk. As the auction date comes closer we will be adding special posts (hint: check the right hand sidebar of this site). We hope once again to add a slide show of all the lots in the auction (almost 100 lots have already been photographed and adjusted ready for the slide show).

Be sure to drop in and renew old friendships while checking out the goodies – lots for all to see. And you might find just the thing to add to your collection (or user gear).

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wild thing

baby male squirrel – fell from a maple tree in 2006 and survived

Toronto. One sector of photography is photographs of the wilderness and its inhabitants. At our January, 2012   Toronto meeting, we featured photographer Roy Ramsay and his magazine “Outdoor Photography in Canada“.  Photos of wild animals and their terrain have been taken for decades. Each year an award is given to a wildlife photographer and their work is placed on display.

This annual exhibition of wildlife photographs in Toronto is often at the ROM. PhotoEd magazine features a wildlife article timed for the ROM display. Part way down this message from PhotoEd (at  INBOX EXHIBITION) is notice of this year’s display. It is  on at the moment at the ROM. PhotoEd’s  message says in part, “Organized by the Natural History Museum in London, UK, the Wildlife Photographer of the Year exhibition is on until May 26.”

Collectors of photographs may already have images of wildlife. Come out to our events this spring – you may find even more photos for your collection, plus many cameras and lenses (film and digital) to add to a collection or precious user gear.

Oh, and on a final note, today is World WildLife Day.

 

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the tin men

a wet plate positive (tintype) – bought in 1978

Toronto. The advent of the wet plate process provided a means to continue on with the cased images like the daguerreotype, create a negative for paper prints, or expose a black Japanned piece of ‘iron’ to be cased or mailed or simply framed and kept.

The tintype was like the Ambrotype, but instead of a glass plate, a sensitized piece of flat iron sheet was exposed (underexposed for a better positive), processed and bleached to make a positive. The black Japanned surface substituted for the Ambrotype’s black backing. When cased, the tintype was  easily mistaken for an Ambrotype.

The fine example at left shows the dark sombre look of a correctly exposed and processed tintype. While tintypes eventually replaced Ambrotypes, and dry plates eventually replaced wet, they remained popular well into the 20th century serving as a novel means for creating reasonably fast positives at family friendly beaches and fairs.

You may have read Graham Greene’s thriller “The Third Man“, a post WW2 spy novella, or seen the dark, noir film of the same name based on Greene’s story (originally written as a guide for the movie) . This post title is a riff on the book and movie. An accompanying musical score is the haunting “Theme from the Third Man“. Shades of Harry Lime!

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the time before giant (cheap) TVs

Sage Crest Drive-In theatre in Nevada – courtesy of Ms Lindsey Rickert

Toronto. The devastation of industrial facilities in much of the world brought a new class of adventurer/photographer to the forefront. In parts of the world, It was cheaper to abandon facilities ‘in-place’ rather than remove them after decommission, to repurpose the land and/or facilities.

Do you remember as a kid hopping in the family car as the night fell and driving to the local drive-in theatre? Once there, dad hooked up the tinny little speaker to the window and headed to the refreshments stand and back. At the car, the family settled in and watched the movie in comfort as the car perched on the convenient rise.

Back in 2017, wrote an article in Atlas Obscura. on one photographer’s country-wide search for the “Last of the Drive-In Theaters – A fade to black for America’s outdoor silver screens”.

In another post we see the work of  Lindsey Rickert once again as she captures those once massive and mighty drive-in theatres in the USA. And like our friends ‘down south’, we too have seen these ‘billboards of progress’ fade into history as new technology and changing  personal interests washed over them.

In the PHSC, we had many Toronto meeting speakers who told of their adventures and photographs,  people like photographer Chris Luckhardt who spoke of his adventures at our January 2020 meeting. In one location, Chris and his gal Friday climbed into an  abandoned Soviet era space rocket,   photographed the interior and managed to escape to tell the story!

For this drive-in story, we thank my good friend George Dunbar for suggesting the theme and sharing a link and photograph with us.

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ambrosia

Ambrotype portrait of a bearded man in unpressed clothes. Date and taker are  unknown (soft image is due to my poor scanning practice).

Toronto. The “next big thing” in photography, after its announcement,  was the wet plate process developed by Frederick Scott Archer of the UK in 1851. Interestingly, the new process did not ‘catch on’ with all Daguerreotypists immediately. A few years later around 1854, an American James Ambrose Cutting, patented the Ambrotype process.

An Ambrotype was similar to a Daguerreotype in that it was a one off image. BUT being exposed on glass, it was much cheaper to make,  yet being cased it fit right in with a Daguerreotype.

To make an Ambrotype, an underexposed glass wet plate was reversed by a bleach bath that turned the black areas of the plate white. A black backing made the negative’s light areas appear black  completing the reversal to a positive image. After about a decade, the Ambrotype was replaced by the even cheaper tintype which was usually uncased and could be mailed without risk of breakage. Just in time for the soldiers in the US Civil War!

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off with their heads …

Old Leitz pocket tripod and small ball and socket head

Toronto. … said the queen in the famous “Alice” stories. Those of the smartphone generation have little use for tripods or tripod heads as the media (sensor) is so sensitive that the majority of shots are taken hand held. Only doing close ups with care and videos are such devices necessary – always used with a cradle  since  smartphones do not have any kind of socket to accept a tripod head directly.

During most of the plate/film era, a tripod was essential to hold the camera stable and steady, pointed at the subject. The early stands were used in studios to hold the heavy cameras at the correct height and distance. Outdoors a tripod was essential. The head gave a means of rotation and tilt whereas the tripod’s legs could be adjusted for stability and balance.

A later alternative was a ball and socket head so the camera could be tilted, turned and tipped as needed. As film neared the end of its life, media sensitivity was still too low for hand held photos in poor light or carefully framed shots in any light. Now that digital  sensors are so sensitive such stands and heads have generally been relegated to history.

Nevertheless, if you have a need for such accessories, you may well find a suitable tripod or head at one of our auctions or fairs (coming up fast this May).

 

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