Marg’s camera

VN Press camera

Toronto. In issue 24-2 Bill Belier continued his column “A Treasure From My Collection …” with a discussion of a British Press camera – the VN Press Focal-Plane camera. This VN was picked up at one of our fairs by Bob Lansdale. The VN has a special meaning to his wife, Margaret, also a photographer.

Bill begins, “The “VN” focal-plane press camera was first introduced in 1919 by Peeling & Van Neck Ltd. of London. The camera is referred to, in The British Journal Almanac of 1921 as “the British Anschütz” a reference to the popular Goerz product of that era. Other models with minor modifications were to follow until its demise in the late 1950s.

“Marg’s camera appears to be one of the later versions. To use an old expression, the VN is “built like a truck” and has the weight to prove it. The body is leather covered and of all metal construction with a single fold bellows of heavy leather. The pull-out front lens panel is held rigid by collapsing struts on each side, top and bottom.

“The camera is fitted with a focal plane shutter… 1/10 – 1/1000 sec. It comes equipped with a sports-type view finder and six 9×12 holders. As described above, the camera was offered at £30.0.0 in a B.J.A. advertisement in 1934… Lenses were extra.

“Marg’s camera is equipped with two Ross Xpres lenses, a standard 6”- f4.5, and a wide angle 4”- f4, both in helical mounts. One oddity… the focussing scale is not calibrated in feet or in meters, but in yards.

Members can read the complete article in the 24-3 pdf on the free members-only DVD/thumb drive. See above or at right to join, Send any questions to Lilianne at member@phsc.ca.

Drop in at our 2025 events – you may find a VN camera, or something else to augment your collection! Next up is our Trunk Sale on July 13th.

Posted in history | Tagged , , | Comments Off on Marg’s camera

when Leitz made Leicas and lenses in Midland

a Midland IIIf Leica showing top plate serial number and internal matching number.

Toronto. Post ww2 Leitz decided to diversify their camera and lens production by adding a plant outside Germany. According to my friend, the late Bill Belier, the Canadian distributor, Walter Carveth, suggested Canada for the new plant  and in particular Midland, Ontario which has a short name like Wetzlar with friendly people and a country side not unlike parts of Germany.

My doctor’s father, who once sold Leicas to stores, was among the parties who immigrated here to set up the new plant, called E Leitz, Canada. Many, like Mr Holzapfel, and others like Walter Mandler, the famous lens designer, never left Canada.

The first cameras (IIIf series) were assembled here from German parts and proudly labelled Midland. Sadly the idea was a bust. People wanted a German camera so many Midland cameras were returned to Leitz and re-engraved as Wetzlar. The only way to identify a ‘Midland’ Leica was to check the serial number batch for the tell-tail ELC.

A few kept the Midland cover and became very collectible. In issue 24-2 (fall 1998), an article by Hans O. Pieper of Vienna, Austria was reprinted with permission from the LHSA Viewfinder. Hans begins, “I’ve perused the recently received VIEWFINDER Vol. 30 No.2 and found the contribution of member Michael K. Steinberg quite interesting. I feel the same enthusiasm in collecting and researching screw mount Leica cameras and accessories, and their historical and economic background.

“One exciting feature, indeed, is the short postwar period. For a couple of years I’ve been looking for publications covering this particular field of interest. To start with, I’m sending pictures of my ELC RDDA IIIf camera Nr. 684742 emanating from the Canadian batch 684001-685000, of course with ELC engravings.

“It is obvious that those first LEICA cameras manufactured in the Canadian plant of Leitz at Georgian Bay in Midland were assembled from parts imported from Wetzlar, due to a lack of sufficient material from the Canadian plant.

“But listen to what happened then. The ELC management who were looking for working capital, hastened the completion of the first production batch by proudly engraving the top plates with Ernst Leitz Canada Limited Midland Ontario, and then tried to sell it to the Canadian market. However, the potential Canadian customers rejected the ELC engraved cameras for the funny but simple reason that they wanted German made and engraved Leicas.

“The wholesaler at that time returned the ELC IIIf’s to the company, bitterly disillusioned. By a special agreement with the Canadian government the top plates of those cameras were changed by ELC to receive Ernst Leitz Wetzlar Germany engravings so the cameras then could be sold to the Canadian market.

“It is therefore a real rarity to find today three genuine Leica IIIf RD — or RDDA with ELC engravings as I did some years ago. At that time my ELC III RDDA was furnished with an Elmar lens 5 cm 1: 3,5.” …

Members read all of this interesting reprint on the pdf file for issue 24-2 which is on the free members-only DVD (or thumb drive). Joining is easy – just follow the directions above (cheque or cash) or at right (credit card or PayPal account). Email any questions to Lilianne at member@phsc.ca.

Posted in history | Tagged , , , , | Comments Off on when Leitz made Leicas and lenses in Midland

ye gads! where are my Dags?

Southworth & Hawes
Whole-plate daguerreotype, Medallion of a Young Woman

Toronto. Some time back (October, 1997) we had a talk by Michael Pritchard of Christie’s Auction house. Their NY branch recently announced the online auction of “The Maillet Daguerreotype Collection” with bids accepted until June 26th. The  notice was carried by The Daguerreian  Society. which alerted me and I did this post.

While most Dags are estimated to be worth a few thousand or so USD, others are eye popping in perceived value. Many have unknown subjects and/or photographers but an arresting display. The ‘medallion’ shown here was taken by the famous studio of Southworth and Hawes. It is estimated to go for $30,000 to $50,000 in USD.

Some have an estimated value of $150,000! Babbitt’s Whole-plate daguerreotype of “Niagara Falls through the Mist in Summer, c. 1850″ is valued at $20,000 to $25,000 US. Use the Christie’s link above and down-load all the items up for auction.

Got deep pockets? Here is a great chance to augment your collection!

Posted in activities-other | Tagged , | Comments Off on ye gads! where are my Dags?

summertime is coming – exec meeting #59

PHSC president Clint Hryhorijiw

Toronto. Meeting #59 via ZOOM was held last week with many regulars unavailable for a variety of reasons, mostly personal. Once again there were no urgent issues to be minuted and voted.

The spring fair, like the spring auction was a great success. Anticipation mounts for the 2025 Trunk Sale on July 13th.

Treasurer John Morden sent out his report before the meeting as usual and is doing the  fiscal year end government filings.

Newsletter editor Patrick Gunn  sent in a written report. The use of a QR code when soliciting newsletter emails is under test by Patrick. Issue 25-5 was released and 25-6 is planned for this month (June). Those wishing to buy/sell items can contact me at info@phsc.ca and I will pass along their email.

John Allman, as our  O3C representation, arranged for the spring fair poster to be included in the O3C newsletter before the fair was held and provided the exec with travel, etc. instructions.

Membership Secretary Lilianne Schneider sent in a written report listing a few questions regarding new and renewed memberships. Note: Regarding membership (new and renew) our journal is in ‘pdf format only’, so an email address is essential. A MailChimp notification is sent to all member emails when each journal pdf is produced and uploaded.

If you are a member but HAVE NOT seen any notification for Photographic Canadiana since you registered or renewed, please email Lilianne at member@phsc.ca.

There was no “programs” report this month, but ZOOM arrangements were handled by Celio. The minutes will be written and issued by Clint.

Arrangements for the trunk sale are well underway. Jon Morden will issue a poster (done last week and now posted).

Journal issue 51-1 underway with work to continue later this month

Social media editor, Ms Markovic provided a brief update for instagram and has posted the auction images taken by Patrick Gunn.

a sampling of exec members

Posted in activities | Tagged , , | Comments Off on summertime is coming – exec meeting #59

shooting birds of different feathers …

the famous first model – 1600F Hasselblad

Toronto. Victor learned his hobby before ww2 and post ww2 he designed what he felt was an ideal ‘birder’ camera, and built it in his own factory. It was a 2-1/4 SLR using a Kodak lens.

The initial commercial model was unveiled in NYC and became an instant success. A later model was used on the moon! While a Kodak lens seems an odd choice, Victor’s company was the agent for Kodak in Sweden. A few years later, Victor switched to the widely renown lenses by Zeiss.

His camera models became the darlings of studios all over and late last century became desirable collectors items. Today, most people with some photograph experience recognize the Hasselblad camera and its quality.

In issue 24-1 an article by Robert Lansdale celebrates the 50th anniversary of the Hasselblad cameras including many photos courtesy of the company, Victor Hasselblad AB. The article gives a brief history of the famous marque and begins, “The Hasselblad company of Sweden can point to a number of important dates throughout its long history, but this year [1998] is the 50th anniversary of the introduction of the Hasselblad camera system.

“In 1948, Victor Hasselblad chose New York City for a launching ceremony which revealed to the world the first medium format single lens reflex camera with interchangeable –lenses, –film magazines and –viewfinders. This was the Hasselblad 1600F, equipped with focal plane shutter and Kodak Ektar lenses.

“But the history of the company dates back to May 15, 1841 with the birth of the F.W. Hasselblad & Co. which dealt mainly in the wholesaling and retailing of knives, scissors, needles, buttons, pens, toys, and soap. First import shipment through the Göteborg Customs Office was 25 pounds of liquid scent, and being progressive in their search for new-fangled goods they were the first to introduce accordions and flush toilets to Sweden.

“An 1870 inventory lists from France – “lanternes magiques”, photographies and stereoscopic pictures. As photography flourished the company in the early 1890s began to import more photographic materials and contributed to the first photographic catalogue in Sweden.

“That catalogue illustrates both the Kodak No. 1 camera (for round images) and the Kodak No. 5 Folding camera. Interestingly, it also contains a camera named the Hasselblad Swedish Express (9×12 cm) which was marketed between 1895 and 1910.

“Expansion made it necessary to form a new company, Hasselblad Fotografiska AB which became general agent for the Eastman Kodak Company, a deal that was sealed by a handshake and lasted until 1966. The company assigned photographers to tour the country recording churches and other impressive buildings which then became another business activity to produce picture postcards and mounted albums.

“Much of this photographic interest was awakened when the founder’s son, Viktor, purchased a camera on his honeymoon in 1885. But the main thrust into the photographic industry would come from the next generation by Fritz Victor Hasselblad, born March 8, 1906.

“As a self-taught ornithologist and bird photographer, he travelled widely in pursuit of his hobby and was a pioneer in the field, publishing in 1933 a classic book on migratory birds, Flyttfågelstråk which has become a  collector’s item.

“When Victor, in 1925, returned from a study period at Kodak in Rochester, he brought with him a Graflex reflex camera (3 1/4 x 4 1/4 in) to continue his study of the remaining stork settlements in his native country, Lapland, Holland and France. Although the best possible camera at the time for that task with proven superiority of the reflex viewing system, it was heavy and unwieldy.

“A Leica, equipped with a reflex attachment next became his favoured tool in documenting the autumn migration of west coast birds; this became a new book in 1935: Highways of Migratory Birds. But the desire for more flexible and easy-to-handle equipment persisted.” …

PHSC members can easily read this and all articles in issue 24-1 by opening the relevant pdf on the free members-only DVD/thumb drive. To join, see above or to the right. Questions? Email Lilianne at member@phsc.ca.

Visit our 2025 events – you may just find a Hasselblad, or other gem for your collection! Next up is our Trunk Sale on July 13th (see the poster here for details).

Posted in history | Tagged , , | Comments Off on shooting birds of different feathers …

ready to roll

John makes a bike – courtesy of  the NB Provincial Archives

Toronto. The cover of issue 24-1 features John Morrison Taylor on the bike he built in Fredericton, New Brunswick. It was the first hand made bike made in Fredericton.

John was the brother of G T Taylor who photographed John on his bike. The picture is a one of a number from the article, “Fredericton Marks Its 150th Anniversary [1848-1998]” by Wesley Waye. The photos are all courtesy of  the NB Provincial Archives, G.T. Taylor Collection. And the article addresses the Anniversary of New Brunswick’s capital city.

Wesley begins the article, “A lot has happened along the Saint John River in 150 years and the proper tribute begins with a journey through the archives, museums and libraries of the city, and through trunks full of memories in search of the threads of community that connected the people to their surroundings. In such a search every bit of heritage, lovingly preserved, owes much to the visual impact of photographs which have outlasted their subjects and their makers.

“Although always a thriving capital city, Fredericton’s population remained small throughout its first 100 years of incorporation. There was usually no more than two or three active photographic studios in business at any one time, as compared to the 23 professional photographers currently [c1998] listed in Fredericton’s Yellow Pages.

“The photographers who have graced this riverside settlement, however, have left us a visual lesson of “what life was like…”. A visit to the New Brunswick Provincial Archives, makes one aware of how well the story of Fredericton had been documented with photography.

“The highlight is the George Thomas Taylor  Collection, from Fredericton’s first established photographer. His detailed work includes aerial panoramics from atop the church spires, action on the pioneer streets and the stillness of a land untamed.

“George Thomas Taylor, born September 6, 1838, was recognized for his exceptional artistic ability at an early age. He supplemented his schooling with diligent home studies, showing particular interest in the “science” of photography. In 1860 at the age of 22, he had developed a thorough knowledge of the collodion (or wet) process and was building his own rudimentary cameras by hand.

“His first studio began at the corner of Queen and Carleton Streets, where the Royal Bank now stands, launching a career and passion that would last roughly half a century.” …

To read all of this article and others in issue 24-1, members referred to the relevant pdf file on the free members-only DVD/thumb drive. See above or at right to become a member. Questions? Email Lilianne at member@phsc.ca.

Posted in history | Tagged , , , | Comments Off on ready to roll

suddenly, a shot rang out …

Leitz 1938 accessory “RIFLE” with a modified mirror box and telephoto lens, plus a IIIb Leica – courtesy of Leitz Photographica Auction

Toronto. In the pre-ww2 days of film, the media was relatively slow and lenses were of generally smaller aperture, especially as the focal length increased. The result was to make it difficult to keep longer focal length lenses steady for hand held shots.

To solve this, manufacturers designed various accessories to hold their cameras steady with longer lenses. One of the rarest accessories was made by Leitz New York in 1938 and dubbed RIFLE The accessory was a rifle shaped support  (what else in America?) for a telephoto lens, light box and camera. The whole outfit consists of the above components.

Less than a dozen were ever made and one outfit was recently auctioned reaching some $165,000 USD.

While such a find would be very unusual today, our 2025 events do offer to augment your collection, whether you favour film gear, digital gear, or photos. Next up in 2025 is our Trunk Sale on July 13th. See the poster here for details.

NB. The title was brought to mind by a line in the famous poem by Robert Service, “The Shooting of Dan McGrew“.

Posted in history | Tagged , , , , , | Comments Off on suddenly, a shot rang out …

snapping some zzzzz’s

Nikon Z-mount. Image courtesy of Phiarc under the wikimedia commons copyright

Toronto. Many of us recall the Nikon ‘F’ mount. A few years ago, Nikon came out with the larger ‘Z’ mount for its digital cameras. This larger mount is used on both full frame cameras and the smaller APS-C format cameras.

My first venture into digital cameras was the Nikon ‘Coolpix’ line. I eventually moved over to Sony and its NEX line. Of course, I later ended up using my iPod Touch camera instead since it was always with me.

Nikon introduced many cameras using the Z-mount. Most recently both of Nikon’s seven year old cameras, the Z6 II and the Z7 II, received firmware updates.

You may wonder why an historical society spends its time on digital cameras like these. Well, digital is about three decades old now and some collectors have added digitals to their collection.

More modern digitals seem to be on borrowed time since the majority of photos today are taken with a smartphone (a modern day version of the old trusty folder?). In a few decades these remarkable stand alone cameras may well become as rare as wet-plate cameras are today.

Regardless, drop by one of our 2025 events and check out the gear and photos – you may even add to your collection, be it film, digital, or photos! Note that the next 2025 event is our Trunk Show on July 13th.

Posted in history | Tagged , , | Comments Off on snapping some zzzzz’s

picture of an era

the famous photograph of  I K Brunel with the chains of the SS Great Eastern for a backdrop – taken by Robert Howlett

Toronto. The picture at left is that of UK engineer I K Brunel in 1857 in front of the massive chains of the ‘SS Great Eastern’ taken by Robert Howlett a year or so before Howlett’s early death at 27.

We often think of photography as a means to enhance history, but in this case one photograph captures the essence of the Victorian era and its ideals.

The story of the photograph is reproduced from the Autumn 1997 issue of This England and begins, “A photographer on special assignment from a London magazine, 140 years ago, managed to persuade the great Victorian engineer, Isambard Kingdom Brunel, to stand still long enough for him to take a picture.

“It was to become one of the most famous shots in history. The power of the image is still arresting. There stands Brunel in muddy boots and stovepipe hat, cigar firmly jammed in mouth, hands just as firmly thrust in pockets. Behind him: the massive hand-forged launching chains of his Great Eastern, then the world’s biggest ship, symbolize the size and scale of his achievements.

“Robert Howlett, described by a contemporary as “One of the most skilful photographers of the day,” was commissioned with Joseph Cundall to make a record for the Illustrated Times of the building of “Leviathan”, as the press dubbed the iron ship.” …

Members can read the entire article in the pdf file of issue 23-5 on the free members-only DVD/thumb drive. See above and at right to join. Email Lilianne at member@phsc.ca if you have a question.

While copies of this photograph by Howlett are rare, you may well discover other images etc, to complement your collection at one of our events – next up being the July 13 Trunk Sale.

 

Posted in history | Tagged , , , , | Comments Off on picture of an era

who the heck was Geo E Smith?

George E Smith and the famous CCD created by him and Willard S Boyle in the early 1970s

Toronto. We all know about the contributions of Daguerre, Fox Talbot, Scott Archer, Dick Maddox, and George Eastman to photography. Most were eccentric, sometimes well-to-do individuals whose ideas have become sign posts along the way in photographic history.

By the time photography entered the digital era, development of technology had shifted to scientists working in institutions and commercial laboratories. For example, last century (c1947), the transistor was developed by a trio of scientists at Bell Labs in New Jersey starting the digital revolution.

About a decade later,Texas Instruments (and Fairchild Semiconductor) manufactured integrated circuits (ICs), to save space and manufacturing steps. I still have a darkroom timer I built around a then popular IC by Signetics, some switches, tantalum condensers, and a few other bits and pieces.

In the case of digital technology, Bell Labs scientists (again) came up with the basis for sensors – the means to create electronic files based on photons bounced off the subject. Dr George E Smith and his associate, Dr Willard S Boyle, came up with the idea, of a charge couple device (CCD) as they called it, in 1969 and registered it 5 years later.

So if you use a digital camera of any sort (and who doesn’t these days) the device works thanks to a sensor based on the Nobel prize winning idea of the CCD.

My thanks to my good friend and fellow PHSC member, 90+ year old George Dunbar, who took the time to send me the NYT article on the late George E Smith.

Posted in history | Tagged , , , , | Comments Off on who the heck was Geo E Smith?