1949 Leica Ad

Toronto. Leitz NY published this ad for Leica cameras in the March 1949 issue of Popular Photography as they tried to capture the magic  these little cameras had before the war intervened. My friend George Dunbar sent along this wonderful old ad.

The Leicas offered were actually very old designs, The IIc and IIIc were  late 1930s while the standard dated back even earlier -to 1930. Standard referred to the standard film to lens flange distance and ability to interchange lenses.

The IIIc series used a casting for the spacing box between the shutter and the lens flange and was slightly longer from side to side than the IIIa series. The IIIb and IIId series didn’t sell very well for some reason. Both are much rarer today.

Models like those offered in 1949 opened the door for the Japanese rangefinders and SLRs. The IIIf series came out a few years later followed by the vastly superior and more successful M3 series.

The M series was initially better than the SLRs of the day (i.e the Exaktas). But the SLRs took over when better quality zooms came out along with SLRs that had auto diaphragms and mirrors that returned  on their own.

The quality of the Leica kept it going for many years. I bought my M4 in 1972 because my Exakta was just too hard to focus with my aging eyes, especially indoors and at the time of day I preferred to shoot – evening and early night-time.

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float like a butterfly …

BBC on  University of Tokyo high speed video camera

Toronto. My friend Russ Forfar dropped me a note the other day. Russ found refence on a BBC web page about a camera capable of shooting 1,000 frames a second making a fast moving object seem to be stationary to the eye.

The BBC article refers to a project at the University of Tokyo in Japan. The ultra fast camera is tied to a computer to make the background move while the object appears stationary.

This got me thinking. Modern sensors exceed 25,600 ISO. What if the frame speed could be made faster so a strong light and the fastest ISO would make for ultra slow motion video letting the eye see what was once too fast – like Edgerton’s famous high speed flash shots.

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New Diana F+ camera celebrates a decade.

Diana F+ celebrates ten years

Toronto. The folks at Lomography are rightly pleased that their rendition of the 1960s classic Diana camera as the Diana F+ ten years ago is still popular with thousands of photos sent in since the little camera was first offered.

The camera details are given in the pdf news release.

Congratulations to Lomography for reaching the first decade birthday of their Diana F+ (the original  Diana cameras were offered at various PHSC fairs and meetings over the years past).

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at home with monsters – AGO exhibit

AGO del Toro exhibit

Toronto. You may have read in the recent PHSC News that the AGO is hosting filmmaker Guillermo del Toro and his cabinet of curiosities. The exhibit is called “At Home with Monsters“.

With Halloween fast approaching, this exhibit, which opened in January of this year, is more that appropriate. Take a look and be scared, really scared!

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Posters by Swann Galleries

Mt Buffalo Park in Australia. Lot 58: Percival Trompf, circa 1920s

Toronto. Augment your collection by hanging a few of these posters in your collection display room!

Nicholas Lowry of Swann Galleries in NYC coordinated this lovely set of posters, some with a photographic theme, and many with a travel theme, especially steamships.

Reviews begin today and the auction takes place a few days later on October 26, 2017.

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Shanebrook on Kodak Film

Toronto. November 15, 2017 PHSC Meeting
Robert Shanebrook: Making Kodak Film in 2003

Toronto November 15, 2017  PHSC Meetin

We received a note from Mr Shanebrook offering his book at a special price. Click on Continue reading below for details.
Continue reading

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a tree grows…

Car inside a red cedar tree in Vancouver’s Stanley Park

Toronto. When I was a kid, we bought our own school supplies including books. The prices were a much lower percentage of wages then and Canadian publishers printed our textbooks. I remember walking to Witty’s Drugstore one September to buy my school books, and in particular the Ontario Public School Geography, a large (to my eyes) text by W J Gage & C0. Limited of Toronto. This text was published before the turn of the last century and updated as new data was available.

One photo in particular fascinated me –  two people sitting in an automobile inside a giant red cedar tree in Vancouver’s Stanley Park. The above link is to the 1922 edition and the tree is on page 118.

All this came to mind after George Dunbar sent me this link to photos of unusual trees on the NPR Website. The tree photos are in an article by Sasha Ingber back on Sunday, October 15th in NPR’s Goats and Soda column. While the photos and articles are interesting, NPR stands for National Public Radio. It is American and does have an American slant to news items.

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check it out!

Dr Neill Wright’s Checklist for Leica collectors

Toronto. In the 1970s, there was lots of information on the history of Leica cameras, lenses and accessories. The trouble was, this information was widely scattered in catalogues, manuals, patents and magazines. Dr Neill Wright and Colin Glanfield in England set about solving this problem. They did this by publishing a book in manuscript form which they called The Collector’s Checklist of Leica Cameras, Lenses and Accessories, and Leica Biography which was first published in October of 1974, the same year as our society was established. The authors credit Ivor Matanle, Tom Marsh, Sam Tamarkin and many others for assisting.

Later publications provided detailed records of camera and lens serial numbers thanks to the generosity of Leitz and the fact the factory in Wetzlar survived the second world war intact unlike Zeiss Ikon. Late in the war the city of Dresden was totally flattened by allied bombs. After the war ended, Jena, the home of Zeiss, found itself in Russian hands until East and West Germany were reunited with the fall of the Soviet Union. The best source of Zeiss-Ikon data today is Larry Gubas’ massive and beautiful book Zeiss and Photography.

I bought the third and fourth editions of Checklist published June of 1977 (3rd) and March of 1980 (4th). I passed the third edition on to a member of the PHSC and a fellow Leica collector. I still have the fourth edition of some 185 single-sided type-written pages. Neill’s Checklist predated the series of Hove catalogue and manual  reprints  and the more recent coffee table sized Leica books with their high quality illustrations and fonts. Checklist remains one of my go-to books for Leica information.

 

 

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end of an era…

OOTGU focoslide for M-seiries cameras

Toronto. The last of the Leitz focoslides was the OOTGU model first sold in 1957 only to disappear a few years later. This model was intended for the M series of cameras and reverted to locking the camera body to the focoslide by its lens mount, just like Willard Morgan’s attachments nearly 30 years earlier.

I bought my example at Simon’s Camera Exchange in Montreal down on Craig Street near St Lawrence Blvd on February 9th, 1979. It came according to the sales clerk with a special 5x focusing viewer, an old nickel LGCOO which fit the OOTGU but was intended for the screw mount mirror box (which was fine with me). The nickel plated LGCOO was much rarer than the LVFOO (I have a few LVFOOs with various  metal coatings from satin chrome to black enamel to the more recent black crackle finish which matches the OOTGU in age)!  I made the buy only after learning a valuable lesson in social graces.

A few months earlier, I had visited Simon’s and seeing the focoslide, I commented strongly to the clerk that his goods were over priced now compared to a few years ago. This was in earshot of the owner, Mr. Mendelson, who calmly took the accessory from his clerk and said politely to me that it was not for sale but was in the display case in error.

With the advent of SLR cameras it became easy to frame a close up object and use  extension tubes, a bellows, or close-up lens elements to bring the camera and its lens into the macro photography range. The traditional focoslides intended for rangefinder cameras were a disappearing breed. The OOBAZ and OOTGU both used lens heads and massive focussing mounts with 51mm threads rather than the usual camera lenses and mounts. These focoslides seemed to be intended  for the Reprovit professional copy stands, not for amateur photographers.

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a new day dawns…

1958 OOZAB (OOGAN) with N 51mm lens mount for the new heavy and large focomounts

Toronto. In 1958 Leitz Wetzlar began to make and market a new massive focoslide OOZAB (some references list the code name as OOGAN) for its Reprovit series of professional copy stands.

It had a smooth rectangular shape and a new lens thread called the N thread with a 51mm diameter. The new device used the honking big lens mounts the size of big Tuna tins. They were offered in various styles depending on the lens head to be used.

This was the last focoslide (1958-1963) to be made for the screw mount cameras which were quietly disappearing from the scene in the face of the Leica M3 camera series and its popularity. I bought my example from Ron Anger in May of 1981.

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