the old way to get pictures quickly

Polaroid ad in 1949

Toronto. In the film era you waited days or weeks to see the results of your camera efforts – unless you owned one of the marvellous Polaroid cameras that gave you a picture in a minute! Edwin Land came up with a technology that gave you a black and white – later full colour – positive print either in camera or later in your hand!

To his credit, Land designed a very elegant and complex camera which, like an Apple computer today, just works. The camera he designed had little scope or need for adjustment. Like the big Kodak sellers of the day, the camera was a folding bellows model. For an amateur snap shooter the Polaroid had a couple of serious flaws: it made expensive prints and the prints were one of a kind – no fast reprints unless the shot was taken again and again.

The June 13,  1949 issue of LIFE magazine had the Polaroid ad you see when you click on the above icon. The ad shows a prospective user just how easy it is to use a Polaroid Land camera and see your print in seconds. There is no mention of the cost of the camera or the film and prints … Polaroid went on to make many different camera models and captured enough market share to gain the attention of Kodak who began to compete with its own camera and film. Kodak lost the eventual court battle and were forced to buy back all their Colorburst cameras (or just the name plates) so few are ever seen today with the name plate in place.

And today? Both Kodak and Polaroid mis read the coming digital wave at a terrible corporate cost. And every smartphone has a built-in camera that gives faster and far better prints than you could ever expect from Polaroid (or Kodak), prints ready to be sent to web sites or fellow smartphone users in an instant!

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sure they are tiny but do they work?

LIFE article
summer 1949

Toronto. For a time there was a sub category of camera collecting – collecting sub-miniatures. In practical terms, only the Minox was well engineered. But it, like all the others, suffered a fatal flaw: tiny negatives. Negative material (a.k.a. film) was just too grainy and low definition to compete with larger cameras. The Minox was seen at camera shows and camera retail stores and occasionally in spy movies, often being used in a way that defied the science of the day.

I owned two Minox cameras –  a used model IIIs which was lost in the mail; and a new model B that I used to snap an in-concert photo of a young Bob Dylan when he played Montreal. I eventually traded the model B plus a Minox enlarger and developing tank for a Leica IIIf. In our 2015 Show and Tell, John Linsky brought along his Petal camera and a full kit that accompanied the tiny marvel.

Clicking on the above icon shows a LIFE magazine article dating back to its June 20th 1949 issue. Like the magazine, the tiny cameras have disappeared in the mists of history. Modern day smartphones offer sharper images in full colour at resolutions impossible with tiny film negatives – and the camera comes free with the phone!

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who shot Ott on wot and why?

Fred Ott from the
Douglas Collins 1990 book

Toronto. Well, some time around the 1893 World’s fair in Chicago, Edison chose his employee Fred Ott for a movie experiment. Why Ott? Ott was notorious for his violent sneezes! On this occasion he needed a little help to “pull the trigger”.

The short movie of his sneeze went on to be famous as the very first movie close up. Douglas Collins wrote a coffee table size vanity press book called The Story of Kodak in 1990 which devotes page 79 to the epic sneeze. A biography of Eastman was published in 1996 by Johns Hopkins called simply “George Eastman: A Biography“. It was written by Elizabeth Brayer who had access to the Eastman papers at George Eastman House. Betsy was our speaker back in October 2007.

Continue reading

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Douglas Kirkland exhibition in Paris, France

 

Bridget Bardot in Mexico
Douglas Kirkland

Toronto. Our friends at GadCOLLECTION over in Paris are hosting an exhibition this summer from May 24th to July 3rd 2018.

If you are in Europe this summer be sure to visit GadCOLLECTION and see this showing of images taken by the famous Douglas Kirkland.

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PHSC News 17-10 for April 2018

Say Cheese!

Toronto. Another magnificent theme based issue of our favourite newsletter went out this morning to all who are on our list (just drop me an email to join).

The wacky little (really little) digital camera looks like a wedge of cheese, but it works. This is Sonja’s April Fool’s issue so be careful what you read …

Movie Star Bettie Page starts this issue in “Risk Appraisal” while page 2 covers our two delightful speakers this month. page 3 and PHOTO BOOK 101 discusses the work of Victorian Samuel Overton Boring. …

Next is a poster for the coming Camera Fair on May 27, 2018. This is followed by an article called “Photos before Fix” in which Sonja considers “Witchcraft versus the Non-Disclosure Agreement”. Meantime, our PHSC Labs and Mr Bridge debate the virtues of solar-powered meters to match battery-less film cameras of years past.

This is followed by the ever popular WEB LINKS column and Louise has found some doozies this time! We wrap up with PHSC Talks, Ask Phinny, and THE CLASSIFIEDS. Click here or on the cheesy camera above to read and print this issue.

 

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Vivian Maier exhibition in Austria May 29 to Aug 19, 2018

Maier_032, 5/3/13, 6:25 PM, 16C, 5732×6036 (154+883), 100%, Custom, 1/60 s, R43.0, G14.7, B28.4

Toronto. Our friends at WestLicht gallery in Austria, are exhibiting a number of prints by the late Vivian Maier of Chicago. Her work was discovered by accident shortly after her death. Click here to read the full details in the WestLicht press kit.

On view at WestLicht are more than 100 works from the early 1950s to the late 1970s – Maier’s classic black-and-white pictures, mostly taken with a Rolleiflex, and additional colour photography taken with a Leica. “

 

 

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Cinema Through the Eye of Magnum – HotDocs

USA. Reno, Nevada. 1960. Film set of “The Misfits” by John HUSTON, with US actors Marilyn MONROE, Clark GABLE, Montgomery CLIFT and Eli WALLACH and writer Arthur MILLER.

Toronto. Our favourite education editor, Rita Godlevskis at PhotoED magazine always has an exciting perspective which shows in her magazine.

Rita recently sent me this PHOTO EVENT HOT LIST! If you would like to join Rita and the gang on April 20th at our city’s HotDocs, drop her an email.

Rita says, “Our friends at HotDocs CINEMA in T.O have a few tix to share with friends of PhotoED for the Friday, April 20, 6:45pm screening Cinema Through the Eye of Magnum.

“Founded in 1947 by Henri Cartier-Bresson and Robert Capa, Magnum Photos is an elite photo cooperative that has produced some of the most memorable images of our times. On its 70th anniversary, Cinema Through the Eye of Magnum chronicles the agency’s unique relationship with the world of film.

“Over the decades, Magnum’s on set photography has immortalized such classics as Alfred Hitchcock’s Notorious and countless stars including Marilyn Monroe, James Dean, Elizabeth Taylor and Kate Winslet.

“Discover the previously untold stories of Hollywood’s most iconic photos and get an extraordinary behind-the-scenes look at the magic of cinema in the making.”

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a child’s camera for Christmas

A contact 127 snap c1949

Toronto. My friend George Dunbar sent me an email the other day that got me thinking of my childhood. Like the Ansco Panda, Kodak’s Baby Brownie was targeted at children, especially around Christmas and birthdays.

When I was in grade six, I took a school bus trip on a day outing. Accompanying me was my new Baby Brownie. The little box camera took 127 film and I tracked down the fastest black and white film of the day – Kodak Super XX. I should have stuck with Verichrome! None of my indoor snaps came out needless to say since the camera was about f/16 at 1/25th second and free of any features like a flash gun.

At least the trip was exciting, so much so I was almost left behind on the return trip. Fortunately my teacher, Miss MacGregor, was sharp eyed and responsible! She did a head count before leaving each stop.

Thanks to George for discovering this old May 30th, 1949 Kodak ad from LIFE magazine. Those were the days …

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so you want to do fashion photography?

Fashion by STRUAN

Toronto. Well, you are in luck! Toronto photographer, producer, director and cameraman Struan will be at Ryerson’s School of Image Arts beginning May 10, 2018 teaching “Advanced Fashion Photography with Struan“.

Read about Struan on his web site.

And be sure to use the Continuing Education Code CDFP 381 when you enrol.

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and where did you buy photo supplies in 1909?

Ramsey & Co Photo Supplies – Owen Staples 1909, Toronto

Toronto. Well, if you were here, you might have gone to J O Ramsey & Co Photo Supplies. This photo was taken in 1909 by Owen Staples (1866-1949) at the NE corner of Bay and Melinda. It was used by Staples to make a line drawing for the Evening Telegram (Sept 13, 1909, page 9) to illustrate an article on the demolition of buildings to make way for the new Toronto General Trusts building to go up on that corner. Of course you could also visit a large department store of the day, like the T Eaton Co. and buy your supplies. Canada at the time was more closely associated with Britain rather than the USA.

Thanks to George Dunbar for spotting the Ramsey sign. And the photograph? It’s in the Baldwin Room at the Toronto Reference Library (Asquith and Yonge) just above Bloor and Yonge. The Reference Library has a number of old city photographs and drawings, many now online on their web site too.

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