light where you need it

MY-T-MYTE flashbulb ad

Toronto. In the days when photographers used flash to create the light needed to take a shot indoors, prints with burned out highlights were common. One company promoted the solution to be the MY-T-MYTE flashbulb – a lower output bulb by Norelco which was less likely to over expose the photo. Everywhere else the company was known as Philips but Philco in the states managed to block the use of the name so Norelco was used in the States – of course up here Norelco meant Northern Electric Company…

Thanks to George Dunbar for bringing to light:-) this advertisement on page 66 of the November 23, 1953 issue of LIFE magazine (LIFE is a wonderful source for nostalgic photographic ads as are the various old issues of National Geographic magazine.)

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a new meaning to coated lenses

correcting chromatic aberrations

Toronto. Mid last century science perfected a lens coating that improved the contrast of lens designs allowing even more elements to further correct lenses,  paving the way for the complex zoom lenses commonplace today.

And now modern coating technology has evolved to allow chromatic aberrations to be corrected so that all colours focus at the same plane without resorting to additional elements.

My thanks to Russ Forfar who enjoys Science Daily and its research news. On November 20, 2018 in an article written by Harvard’s John A. Paulson School of Engineering and Applied Science (SEAS) researchers report how a single layer of nano structures can be used to correct chromatic aberrations. This has implications in the design of miniature lens systems for smartphones as well as designs for complex microscope objectives.

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stoned on movies

Keystone ad in a late 1953 LIFE magazine

Toronto. When I went to Labrador to maintain a tropospheric scatter communications system that Bell selected to service communities in the far north of Quebec and Labrador, my dad said he would like to do movies, so I bought him a cheap GE tan light meter, some reels of Kodak colour film, a Eumig P8 projector and a Keystone Capri turret 8mm camera (the Boston company made a model K-8 in the 1930s).

I grew up in a small Ontario town and Keystone was a common name back then in consumer movie equipment. This was brought back to me when George Dunbar sent an email around touting a November 2, 1953 LIFE magazine ad on p122 for Keystone cameras.

Sadly, like the Polaroid camera of later years, tiny 8mm movies never caught on with my parents. Tiny, blurry, scenes projected in a darkened room just didn’t compare to B&W stills in print form that all could touch, view, and admire in bright daylight.  No special gear. No need to thread and start a special projector. No screen to set up.

I can still remember one movie of a wedding. My mom panned so fast that watching it made my head swim. The various outdoor scenes drifted from over to under exposure and back as the camera erratically moved around to capture the guests. Fortunately most shots were in focus and correctly exposed. At least I could recognize people I knew.

 

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PHS of NE

Toronto. A year before our society was established, the PHSNE began operations and like us are a non profit organization. They are exchange members with us since the early years of our organization.

You can visit their new web site here. All members can enjoy the latest and earlier issues of their pdf newsletter “snapshots”.

The PHSNE has provided us with speakers like the late Jack Naylor as well as  many unique publications like Jack’s pre-Leica 35mm cameras booklet which came as an insert to a journal from one of our other exchange organizations, LHSA (Leica Historical Society of America)

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end of an era

Kominek’s

Toronto. Kominek Camera and Optical Instrument Sales and Service was just south of Wellesley on Yonge. It was opened in the 1950s and in 1960 I spent Saturdays driving to Toronto in search of books, camera gear and war surplus junk. I remember the Kominek sign on a door on the east side of Yonge.

Decades later, when I spent a summer working for Bell in St Catharines, I came across some old traffic register cameras. Each had a neat label stating it had been serviced and calibrated by Kominek of Toronto. When Kominek retired, he sold his business to two PHSC members – Russ Forfar and the late Hugh Cooley.

Russ carried on after Hugh died, but over time the mechanical gear Kominek specialized in repairing disappeared as newer digital technology took over leaving less and less components capable of skilled repair and adjustment. For the past few years the business has moved around, first to College Street and then to Russ’s home. And now it is closed.

Russ writes, “Hi Robert. It’s official.

” ‘Thank You‘ almost sounds trite compared to the 68 years of trust and support we received from our many loyal customers who followed us through our 3 moves.

“It is now time to wind down Kominek Camera and Optical Repair. Technicians have retired, died and now leave too many empty benches.

“Then there was the cynical direction that the industry took. My email and phone number will remain the same and I do try to answer them. I’m living on Hummingbird Hill now but, I’ll try to keep doing the 6 used camera shows which are great social events. I hope to see you there, Russ.”

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another brick in the wall

Argus C3 (the Brick) ad in LIFE.

Toronto. After the war, in the late 1940s – 1950s, the USA tried to capture market share in cameras from the German industry. The result was print ads like you see here from the October 26, 1953 issue of LIFE magazine (p110). The ads touted American cameras as able to match German models for half the cost or less.

Then the Japanese onslaught hit offering cameras at cheap prices plus quality approaching the German industry. As a result, American cameras disappeared. Like the Leonard Cohen song says, “[they] sank beneath your wisdom like a stone”(the church called Our Lady of the Harbour in this song is real and I have been on its roof). A half century later, and print advertising began to suffer a similar fate, this time from the digital tsunami.

Meantime, enjoy this nostalgic ad for the Argus C3 and its auxiliary lenses. The C3 of course was fondly known as the Brick… A big thanks to George Dunbar for suggesting this ad in LIFE magazine.

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a spark of light

Worthington’s spark photo c 1900

Toronto. We all (almost all) can remember Dr Harold Edgerton of M.I.T. and his famous speed light shots in the early days of electronic flash. These shots allowed us to see phenomenon that was too brief for the human eye to observe. One famous photo was his 1957 record of the milk drop coronet.

Few of us however, have heard of  Arthur Mason Worthington, FRS. He was a British Physicist who pioneered high speed photography decades before Edgerton’s remarkable work in Boston. Worthington, a professor in fluid mechanics used an electric spark to create short duration illumination to record splashes photographically.

A tip of the hat to member George Dunbar for this reminder of the century plus experiment in speed light in Britain.

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things we take for granted

LIFE September 28, 1953
ad for Polaroid

Toronto. See a great photo. Out comes the smartphone. Click, click, click, click, and one of the rapidly taken shots is a real winner. Upload to home and friends. Phone into pocket and we continue on. Just a normal sunny day in the life … Well it wasn’t that way over a half century ago, not  by a long shot!

Most pictures were black and white, not colour. Processing (unless you had a darkroom or access to one) took a week or longer. And you took only one or two carefully composed shots – prints cost money back then- real money!

Polaroid came out with their picture in a minute process in 1948 and five years later they  were STILL trying to convert amateurs into regular users. But the one minute Polaroid process was limited to one print, and a very pricy print at that. Too many amateurs decided to keep going with traditional film and prints. Sure it was slow, but really, really cheap compared to Polaroid and their big clunky folder cameras (shades of Kodak decades earlier).

In response, Polaroid made ads like the page 5, 1953 LIFE ad above to encourage amateurs to go for their pictures in a minute process for the fun involved. My thanks to PHSC member and good friend George Dunbar for bringing back memories of those days of old when pictures in a minute were truly revolutionary.

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smartphone portraits

Austin Mann using an iPhoneXR camera and software

Toronto. Studios have been disappearing rapidly these days. One possible cause is the ubiquitous smartphone. The example at left was shot with the iPhone XR’s  12 megapixel camera which has a lens equivalent to a 35mm lens but with a much wider depth of field.

Can’t see the wide depth of field? That is because internal software allows both HDR and depth control so the shot looks like one taken with a regular camera using a 35mm lens set to something like f/2!

Apple is using shots like this portrait by travel photographer  Austin Mann to highlight the potential of its newest smartphones. Read this article titled, “Apple Highlights Photos Shot on iPhone XR” on the MacRumors website.

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