Photo Review Benefit Auction in Philly

Julia Margaret Cameron Portrait c1864

Toronto. Fancy a quick trip to the city of brotherly love this month? Stephen Perloff sent me an email this past Monday to announce the latest Benefit Auction this Saturday in Philadelphia. Benefits go to the Daguerreian Society.

Stephen writes, “I wanted to alert you that The Photo Review Benefit Auction is this Saturday evening in Philadelphia. We have a wide range of wonderful 19th-century images from George N. Barnard and Julia Margaret Cameron to Édouard Baldus and Achille Quinet, as well as great 20th-century and contemporary prints from Ansel Adams and Duane Michals to Michael Kenna and Maggie Taylor.

“You can view the catalogue and bid online at http://www.photoreview.org/auction.
“Bids can be made live during the auction at Invaluable (https://www.invaluable.com/catalog/2mjqr2exsq) and Live Auctioneers (https://www.liveauctioneers.com/auctioneer/844/the-photo-review/)
“Stephen Perloff
Editor
The Photo Review and The Daguerreian Society Quarterly and Annual
340 East Maple Avenue, Suite 200
Langhorne, PA 19047
USA
215-891-0214
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Ansco camera ad in 1953

Ansco Cameras in a 1953 ad

Toronto. Ah! Ansco. This ad appeared in 1953, about 25 years before Ansco became GAF (it was a subsidiary of GAF since 1939).  Never strong up here, one bought Ansco to avoid the leader of good inexpensive cameras – Kodak.

Have a look at the ad and reminisce on the good old days when one bought Ansco to defy “Big Yellow”. Personally, I used Anscochrome colour slide film. At 32 ASA, it was faster than the Kodachrome (I used it too) of the day. And more importantly, it was sold in bulk and you could develop it yourself! The film and process were patterned on the Agfa process which also used large molecule colour couplers.

My thanks once again to friend and PHSC member George Dunbar for taking the time to ferret out this bit of memorabilia from over six decades ago when film was king with no alternatives in sight!

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Eaton Drug Co photographic catalogue II

Eaton Drug Co. Cameras 1909/10

Toronto. Around this date last year I did a post on John Morden’s pdf version of the Eaton Photographic catalogue provided by Bob Wilson for one of our anniversaries.

The other day my good friend George Dunbar emailed me about finding a spread of photographic gear from Eaton Drug Co, in the Toronto Public Library system (TPL). If you collect, do a browse of your local library, archive, school, etc. you may just find a long forgotten gem!

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PHSC Fall Estate Auction this Sunday Dec 2, 2018

Dec 2 PHSC Estate Auction

Toronto. Our next auction will be held this coming December 2, 2018. As it will be an estate auction, no lots will be accepted at the door this time (Sorry). Just click the bookmark at left to get details on time, location, etc. Remember there is free admission and free parking.

We will have many high end items to auction including the sampling of Hasselblad, Nikon, Sinar, electronic flash guns, etc. shown below.  First click on the Sample lots image below, then click on the Leica IIf icon to see more. Then click any image to see an enlarged view and get the arrows to see an enlarged view of the other lots.

We added our second batch of lots November 22 from another estate. Take a look. Leica, Canon, Zeiss, Nikon, digital, film, movie, and more! Some items are boxed and unused.

And on November 30th we added some more sample photos at the end of the slides – including digital cameras (many boxed), movie cameras, and Kodak folders. See you this Sunday!

N.B. All photographs taken in situ by our president and auctioneer, Lewko (Clint) Hryhorijiw.

Sample lots – click for more

 

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a new Canadian Photographic magazine

New Canadian Magazine

Toronto. Last Sunday, at PHSC’s Fall Fair, PHSC Membership Secretary, Wayne Gilbert was handing out a new free Canadian magazine issued by  Henry’s. The magazine was just the second issue, A letter size 52 page glossy, it promoted both Henry’s and the products it sells in it store chain.

Catering to modern day professionals and talented amateurs, most articles are a page or so in length, with lots of interesting and informative adverts. Lots of photos to attract the eye accustomed to screen time rather than text.

Like the heavier and more mature Photo News, this magazine appears to use advertising to cover costs and avoids direct technical comparison of competing products. I enjoyed this issue. If you missed getting a copy, drop into your local Henry’s or go online and have a look for yourself!

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The Daguerreian Annual 2000

Cover of Annual for year 2000

Toronto. At our Fall fair last Sunday, The Daguerreian Annual 2000 was offered free at our membership booth. Sadly, few took up the offer and missed out on a wonderful soft cover book of some 280 letter sized pages.

This particular issue, besides its gorgeous pictures, and numerous articles on photography’s early years, covered two future PHSC presidents. Dr Mike Robinson (2003-2005) both wrote and displayed many images in his possession at the time. Dr Robinson is one of a handful of practising Daguerreotype photographers today.

He spoke to us on November, 2014. His studio has been a fixture in the east end of Toronto for many years. Featured in his article on “The Making of Twenty Daguerreotypes” is another PHSC president and father of a current PHSC VP, the late Bill Kantymir.

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Staats exhibition extended to year end!

Photographer Harold Staats

Toronto. One of the people I spoke with at the fair on Sunday was Toronto photographer Harold Staats. He was delighted that his exhibition (rare silver gelatin prints of music’s best Rock Stars, caught by Harold at their many concerts) has been extended twice due to popular demand. The second extension runs past this Christmas to year end 2018!

Well worth the visit to Brigitta’s, 1899 Queen St East in the Beach (Toronto’s east end)!

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a c1890 Photosphere camera

c1890 Photosphere camera
at fall PHSC fair

Toronto. In 1871, Dr Richard Maddox in the UK announced the dry plate process which replaced wet-plate photography which for decades was a standard process replacing the Daguerreotype in popularity. Dry plate went on to be the under pinnings of film photography, lasting in one form or another until the digital era we use today.

For the first time in the short history of photography there was a sensitive media available that demanded a shutter to expose in daylight and exposure accuracy since processing and exposure could now be separated significantly by time. In the late 1800s a strange little camera was offered by the French company “Compagnie Française de Photographie” in Paris. Called the Photosphere, this metal camera had a hemispherical front to house the unusual hemispherical shutter. The odd looking camera survived for just over a decade.

A “Hercule” bicycle clamp was offered in 1900, just before it ceased manufacture. By the way, Our speaker this month is Lorne Shields,  an avid collector of old bicycles, their images, and bicycle ephemera. He is a well know bicycle historian.

In the decade plus that the Photosphere was made, it evolved from a small single glass plate model to  various larger sizes plus a stereo model,  and was offered as well with a 12 plate magazine back.

One early model was on display at the recent PHSC Fall Fair for close to two thousand dollars. An example also exists at International Museum of Photography at the GEH in Rochester. See details in the late Eaton S Lothrop‘s book “A Century of Cameras“. Eaton spoke to us in June 1999, three months before I began to photograph and post the presentations.  His topic: “My 37 Years of Collecting”.

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review of September talk on tintypes

Digital shot of a wet-plate photographer (Bob Lansdale captures likeness of Stephen Brule)

Toronto. Stephen Brule, a young Ryerson graduate practicing the ancient art of wet-plate photography, spoke to us in September. Stephen brought along a slide presentation plus his home made plate preparation and development desk, a massive studio style 4800 watt-second flash and a colourful sparkling backdrop.

Stephen divided his talk into three parts: the presentation proper; set-up and studio exposure of a subject; and preparation, exposure and development of a wet-plate tintype.

He was a bit uncertain and hesitant as he started his talk, but quickly warmed to the audience and blossomed into a truly professional speaker once he began his demonstration. His spoke of growing up in rural Ontario in the rich farmland of the Lake Erie – Niagara corner of our province. He spoke of his family’s old Kodak Six-16 camera and the dreamy views he saw when looking through its tiny view finder. Earlier days spent hiking the Niagara gorge area prompted his like of nature in his photography. Continue reading

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a fair day in the fall

A row of Agfa-Ansco box cameras shown by a collector from New York State

Toronto. Bob Lansdale and I scooted down 27 and along Evans to the Trident Hall. On this bright but chilly day, the parking lots and fair were packed by the time we arrived a bit after 10 in the morning.

Mark and Clint had arrived about 2 am to find the Labour-Ready folk  were non-shows one and all. Fortunately the Hall staff were there cleaning up after a late running event and helped Clint and Mark place the tables ready for our fall fair. The step ramps had disappeared since we last used them in the spring and the exhibitors had to go long ways around by the admissions doors or brave the short series of steps.

Mark said a number of exhibitors had signed up just the day before the show and he had to open the gymnasium as a result.

Lots of goodies were offered for sale and display. Bob Lansdale happily photographed some rare old items. Willy Nassau brought along his hand made samples of Talbot’s “mouse-traps” – hand size wooden cameras used around 1839 by Henry Fox Talbot in his positive/negative process which competed with the daguerreotype. Willy said his biggest challenge was the lens for each tiny camera, not the woodwork. The lens was made of one or more meniscus element.

We saw many familiar faces and enjoyed the chatter and ambiance. It was a great day and a wonderful venue for finding both usable items and additional collectibles. See you in the spring! Next up for us is the image show in late November and our estate auction in early December (the dates and places are listed in the right sidebar).

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