PHS of NE

Toronto. A year before our society was established, the PHSNE began operations and like us are a non profit organization. They are exchange members with us since the early years of our organization.

You can visit their new web site here. All members can enjoy the latest and earlier issues of their pdf newsletter “snapshots”.

The PHSNE has provided us with speakers like the late Jack Naylor as well as  many unique publications like Jack’s pre-Leica 35mm cameras booklet which came as an insert to a journal from one of our other exchange organizations, LHSA (Leica Historical Society of America)

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end of an era

Kominek’s

Toronto. Kominek Camera and Optical Instrument Sales and Service was just south of Wellesley on Yonge. It was opened in the 1950s and in 1960 I spent Saturdays driving to Toronto in search of books, camera gear and war surplus junk. I remember the Kominek sign on a door on the east side of Yonge.

Decades later, when I spent a summer working for Bell in St Catharines, I came across some old traffic register cameras. Each had a neat label stating it had been serviced and calibrated by Kominek of Toronto. When Kominek retired, he sold his business to two PHSC members – Russ Forfar and the late Hugh Cooley.

Russ carried on after Hugh died, but over time the mechanical gear Kominek specialized in repairing disappeared as newer digital technology took over leaving less and less components capable of skilled repair and adjustment. For the past few years the business has moved around, first to College Street and then to Russ’s home. And now it is closed.

Russ writes, “Hi Robert. It’s official.

” ‘Thank You‘ almost sounds trite compared to the 68 years of trust and support we received from our many loyal customers who followed us through our 3 moves.

“It is now time to wind down Kominek Camera and Optical Repair. Technicians have retired, died and now leave too many empty benches.

“Then there was the cynical direction that the industry took. My email and phone number will remain the same and I do try to answer them. I’m living on Hummingbird Hill now but, I’ll try to keep doing the 6 used camera shows which are great social events. I hope to see you there, Russ.”

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another brick in the wall

Argus C3 (the Brick) ad in LIFE.

Toronto. After the war, in the late 1940s – 1950s, the USA tried to capture market share in cameras from the German industry. The result was print ads like you see here from the October 26, 1953 issue of LIFE magazine (p110). The ads touted American cameras as able to match German models for half the cost or less.

Then the Japanese onslaught hit offering cameras at cheap prices plus quality approaching the German industry. As a result, American cameras disappeared. Like the Leonard Cohen song says, “[they] sank beneath your wisdom like a stone”(the church called Our Lady of the Harbour in this song is real and I have been on its roof). A half century later, and print advertising began to suffer a similar fate, this time from the digital tsunami.

Meantime, enjoy this nostalgic ad for the Argus C3 and its auxiliary lenses. The C3 of course was fondly known as the Brick… A big thanks to George Dunbar for suggesting this ad in LIFE magazine.

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a spark of light

Worthington’s spark photo c 1900

Toronto. We all (almost all) can remember Dr Harold Edgerton of M.I.T. and his famous speed light shots in the early days of electronic flash. These shots allowed us to see phenomenon that was too brief for the human eye to observe. One famous photo was his 1957 record of the milk drop coronet.

Few of us however, have heard of  Arthur Mason Worthington, FRS. He was a British Physicist who pioneered high speed photography decades before Edgerton’s remarkable work in Boston. Worthington, a professor in fluid mechanics used an electric spark to create short duration illumination to record splashes photographically.

A tip of the hat to member George Dunbar for this reminder of the century plus experiment in speed light in Britain.

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things we take for granted

LIFE September 28, 1953
ad for Polaroid

Toronto. See a great photo. Out comes the smartphone. Click, click, click, click, and one of the rapidly taken shots is a real winner. Upload to home and friends. Phone into pocket and we continue on. Just a normal sunny day in the life … Well it wasn’t that way over a half century ago, not  by a long shot!

Most pictures were black and white, not colour. Processing (unless you had a darkroom or access to one) took a week or longer. And you took only one or two carefully composed shots – prints cost money back then- real money!

Polaroid came out with their picture in a minute process in 1948 and five years later they  were STILL trying to convert amateurs into regular users. But the one minute Polaroid process was limited to one print, and a very pricy print at that. Too many amateurs decided to keep going with traditional film and prints. Sure it was slow, but really, really cheap compared to Polaroid and their big clunky folder cameras (shades of Kodak decades earlier).

In response, Polaroid made ads like the page 5, 1953 LIFE ad above to encourage amateurs to go for their pictures in a minute process for the fun involved. My thanks to PHSC member and good friend George Dunbar for bringing back memories of those days of old when pictures in a minute were truly revolutionary.

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smartphone portraits

Austin Mann using an iPhoneXR camera and software

Toronto. Studios have been disappearing rapidly these days. One possible cause is the ubiquitous smartphone. The example at left was shot with the iPhone XR’s  12 megapixel camera which has a lens equivalent to a 35mm lens but with a much wider depth of field.

Can’t see the wide depth of field? That is because internal software allows both HDR and depth control so the shot looks like one taken with a regular camera using a 35mm lens set to something like f/2!

Apple is using shots like this portrait by travel photographer  Austin Mann to highlight the potential of its newest smartphones. Read this article titled, “Apple Highlights Photos Shot on iPhone XR” on the MacRumors website.

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PHSC News newsletter 2018-11 issued yesterday.

Daguerreotype Camera from PHSC News Vol 18-05 (November 2018)

Toronto. Did you miss getting this issue directly? Just let me know your email and name as I will add you to our MailChimp list. This tasty edition of Sonja’s latest thrilling newsletter is available by clicking the thumbnail daguerreotype camera at the top left, or by clicking the word NEWSLETTER here or on the menu bar. The front page is titled “Into the Soup” from a book by Belgian artist, photographer and filmmaker Marcel Broodthaers (1924-1976).

This is followed by the announcements for our November speaker, our fall Image Show and our fall Estate Auction. A page covers the latest exhibition at the RIC, and John Morden covers the challenges faced by early underwater colour photographers.

David Bridge and his lab rats cover “Designer Cool before the Age of Apple” in his Equipment Review.

“Web Links” compiled by Louise Freyburger (and hot linked too) have a trio of arresting topics.   A page covers “PHSC Talks and Events” over the next few months while “Vi asks Dot” chats about paradigms, tattoos, and changes of mind.

 

 

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Corktown

Toronto. The city of Toronto is formed from many, many neighbourhoods, one of which in the south east area is known as Corktown (really).

If you haven’t a clue about Corktown or its people, you need to read Coralina Limos’s book of the same title which will be published and issued on December 3, 2018.

Check her web site here for current news,  and read the press release here on this book about an historic part of our city.

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small club, huge impact

Martin Scott of TPHS in Rochester NY

Toronto. The Photographic Historical Society (TPHS) across the lake in Rochester has always been a small organization but its impact is world wide. This tiny group organized the famous Symposium, generally held every three years. The group was founded in 1966, eight years before us and is one of the oldest if not the oldest photographic collectors groups in the world.

Some of our members also belong to the TPHS and at least one of their members regularly proofs our journal. Their speaker this evening is Edith Cuerrier of Newfoundland who currently works at the GEM cataloging their Cromer collection. Edith had an article in our Journal (issue 37-3) on George Eastman and his visit to Newfoundland.

This issue of their 2018-10 newsletter has, amongst other items, a short history of the TPHS. Read and enjoy!

 

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