who needs a mirror now anyway?

Ben shows how DSLRs and Mirrorless cameras differ.

Toronto. Digital cameras – is there any other kind these days? I often resort to my iPod Touch (I have an iPod Touch 7) since its 8 mp camera is usually in my pocket while all the other cameras are in my den. The site Cultured Kiwi has this nifty comparison chart at left between mirrorless and DSLR designs. Personally, once a decent eye-level view was added, I was sold on the design. Most professionals use the bulkier, heavier,  DSLR cameras that seem to do better at light balance and noise control.

Generally the newer the design, the higher the resolution and ISO of the camera sensor. My back-up Sony F828 is a beautiful camera but too slow and a bit low resolution these days. RAW shooting is painful with the F828 unlike my NEX-6 (now a really old mirrorless design) which is fast to use in RAW mode and has a far higher ISO.

An added benefit to mirrorless is that the shorter lens to sensor distance of the design means there is room for an adaptor between lenses and the camera making the use of many traditional lenses practical. For example, I have a basic adaptor that allows most Leica lenses and lens accessories to be connected to my Sony NEX-6.

Modern day phones have a built-in camera that usually makes jpg files easily downloaded to computers, sent to others electronically, and developed either in phone or computer. My iPod Touch uses the HEIC wrapper as a default. This “still” format wraps a short video giving the Apple look to stills which can be easily converted to jpg files for all to view.

N.B. Take a peak at Ben Kepka’s Cultured Kiwi site and enjoy your virtual visit to New Zealand.

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just like the other one

Toronto. Well, we held our second executive meeting via ZOOM and co-ordinated by Celio (great work!). The PHSC will continue using ZOOM at least until the pandemic restrictions are lifted.

Screen Grab May 6 2020

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gizmos and gadgets

Ricoh Auto Shot ad in LIFE c 1964

Toronto, In the 1960s, camera makers fought to gain market share. A fresh idea might be swept up by the competition – or left to linger and die an orphan. Ricoh cameras were made by Riken Optical in Japan.

According to McKeown’s Price Guide to Antique and Classic Cameras (11th edition), Riken is the anglicized Japanese abbreviation for the “Institute for Physical and Chemical Research” founded in 1917. The company exists today as Ricoh. In 1937  Riken bought out Olympic Camera Works to make its own cameras. In 1963, the company became Ricoh Company Ltd and continued to manufacture many business products like copiers as well as cameras.  Seeing the way the film camera was going, Ricoh ceased camera manufacturing to put its resources elsewhere.

This advertisement from the May 15, 1964 issue of LIFE magazine (page R6 – about p 102) shows how Ricoh camera attempted to carve out its niche in photography. The idea of using the camera’s conical lens cap as a flash gun was clever, but no one else seems to have copied the idea. The spring wound shutter and film wind mechanism is reminiscent of the German Robot cameras. Ricoh does say the light meter surrounding the lens is CdS although it looks like a selenium cell as described by McKeown’s book.

Thanks again to my good friend George Dunbar who discovered this bit of history and sent it along to me. By the way, LIFE magazine ads can also show other consumer product histories in North America as well as the various ad campaigns of the last century.

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Rokkin’ lenses

LIFE ad December 1963 for Rokkor lenses and Minoltas

Toronto. By 1963, the Japanese Optical industry was a tsunami roaring across the Western world. No longer viewed as copy cats of German technology, Japan was rightfully recognized as a serious contender for high quality optical products.

A December 6, 1963 advertisement in LIFE (p 91) was typical of the new view of Japan and its products.  Minolta touted that “these lenses [Rokkor]  are one reason you get better pictures with Minolta cameras“. Just over six years earlier I bought my first good 35mm camera – a Minolta Super A with an f/1.8 Rokkor lens. I was blown away with that lens’s clarity and quality. The camera used a behind the lens leaf shutter and had a small contingent of alternative lenses – all Rokkor lenses. The biggest selling point to me: it was a fraction of the price of an equivalent German camera in 1957.

Quietly, I was impressed by the quality of both the photographs it took and the care taken in its manufacture. About a year later I bought a high end German camera made in Dresden (Russian at the time) – an Exakta VX IIa. The lenses by Steinheil and Angenieux were well made but the camera was a disappointment in its construction. It went back to Toronto to fix a pressure plate that scratched the film and returned with the same plate now polished and bright – no flat black coating (like the original had) was ever added.

The mirror return failed and thereafter I had to take off the lens and set the mirror by hand. The lens mount eventually failed and I had to manually spread the tiny slots to make the camera hold lenses steady once again. Interior stops shredded over time. Gears were thin, not robust like the Leicas of the day. About 15 years later, I bought a Leica M4 which was exceptionally well built, but even today I remember the little Minolta and how well it was made and worked. The Rokkor lens put to rest my own view of Japanese vs. German quality.

My thanks to George Dunbar for passing along this bit of history.

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we usually eat our peppers …

Edward Weston – Peppers (partial) 1929

Toronto. Edward Weston (1886 – 1958) was a famous American photographer. in 1973 I bought a coffee table sized book celebrating 50 years of his work including a biography written by Ben Maddow and published by Aperture Books. The 285 page book was published on fine quality paper and reproduced a selection of his work at the highest printed image standard. Hard to imagine such quality today, especially when the book cost $25 at the time.

Weston was as notorious for his affairs (like that with photographer Tina Modotti) as he was famous for his photographs. Do a search online and learn more about this accomplished American photographer and his most famous works.

 

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a touch of plastic

making a spash

Toronto. The folks at Lomography are offering a simple film camera complete with a roll of their colour film (positive or negative) and a clear waterproof housing good for about 10m depth.

Their press release states, “Dear Film Photography Friends and Press Partners,

“We are excited to announce the release of Analogue Aqua – Lomography Simple Use Reloadable Camera + Underwater Case. Available from our online shop and selected retailers, the latest addition to our reusable Simple Use family lets you dive down to depths of 10m and comes in two preloaded editions – with our Color Negative 400 film for classic analogue character or with our LomoChrome Purple film with special color shifting compounds that yield extraordinary violet hues.

“Available at 39.9 USD
“Delivery in May
“Preloaded with Color Negative 400: https://shop.lomography.com/simple-use-underwater-camera-lomography-cn400-film

“Preloaded with LomoChrome Purple: https://shop.lomography.com/simple-use-underwater-camera-lomochrome-purple-film

” lightweight, pocket sized, reloadable film camera is the perfect travel companion. Whatever the weather, the special edition Simple Use Reloadable Film Camera + Underwater Case is a must for any analogue adventure. Built to last and super versatile, this intrepid image maker is perfect for beginners and includes three vivid Color Gel flash filters and a powerful in-built flash.

“An analogue original with added underwater appeal, this is an entirely reusable unit. Once users have shot their first film, they can either refill their Underwater Case with a brand new preloaded Simple Use Reloadable Film Camera or reload the camera itself with any 35 mm film.”

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and you think printer …

An Epson 2019 Pano winner. Yashihiko Wada of Japan

Toronto. The massive Japanese company, Epson, is known for its printers and other electronic accessories. But it also hosts the annual photographic contest called, “The EPSON International Pano Awards” with its traditional large number of categories and prizes. Their 11th annual programme (for 2020) is now open for its early-bird entries.

Have a look! And see what YOU can do this year!

 

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if you can read …

Famous Photographers School – LIFE ad from 1964

Toronto. … you can learn! Or so the American “Famous”schools touted last century.  Famous Artists School and Famous Writers School operated by correspondence on the premise that reading could make you an artist or writer.  In the same spirit, Famous Photographers School would teach you how to be a photographer and reduce the number of high demand jobs going unfilled, or earn money as a local photographer.

This full page ad by LIFE on page 7 of the February 21, 1964 issue used their in house and contract photographers as the experts who would train you as if you apprenticed to them. An idealistic advertisement that infers reading is comprehension and anyone interested in the subject can be taught to be a photographer.

Many books were published on all aspects of the art, but realistically, the truly successful photographers had unique talent and spent long hours and hard work to rise above the lesser lights. My thanks one of those talented folk, retired photographer George Dunbar who discovered this advertisement in the course of his research into photography as it was over a half century ago.

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a Canadian icon dies at 90

Ted Grant (from book by Margaret Lansdale)

Toronto. I received an email Friday from George Dunbar. He happened to browse a copy of the Globe on Thursday. George writes in part, “Did you see the huge (two-page) obit for photographer Ted Grant in Thursday’s Globe & Mail?

“I was at a drug store yesterday and decided to buy a newspaper……the first time I held a newspaper in 30 days. Before the lock-down, I often went to a library and read three Toronto papers. I miss that experience.”

A few hours later, Bob Lansdale also sent me an email. Bob writes, “First story on Ted Grant who I knew back in my press days…..  We tried to get him as a speaker but the timing would not work.”

Bob included this article from the LHSA by Helen Todd. Ted was well known as a Leica user and while he never spoke to us in person, we did see his DVD at our March 19, 2014  meeting in Toronto, courtesy of Bob Lansdale’s efforts.

Ted was within a few weeks of turning 91 when he died in Victoria, BC. The CBC posted this article 4 or 5 years ago. A more recent CBC article here mentions Ted’s death on April 19th, 2020. Ted was hospitalized after falling and breaking his hip this past February. He never fully recovered from the surgery according to his son (and photographer), Scott Grant.

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bakelite beauties

Leitz Bakelite products

Toronto. Leo Baekeland was born in 1863 in the Belgian city of Ghent. As a professor of physics and chemistry, he and his wife visited American universities in 1889 and he joined the photographic firm of E and H T Anthony. Two years  later, he resigned and formed his own company. He invented a photographic enlarging paper named Velox which became immensely popular after its sale to Eastman-Kodak in 1889. In 1907 in NYC he invented bakelite, the first synthetic plastic. Bakelite has had a long history since it was first sold (the name bakelite comes from the name of its inventor, Leo Baekeland).

Bakelite is easily moulded, stable, heat resistant and does not conduct electricity. From its invention through most of the last century it proved popular for radio, automobile, electrical, telephone and commercial products. In the mid last century it was used by Leitz to make lens cases, film cases, etc. (the ones shown are mine, taken with an iPod Touch on my desk under an LED lamp). Mid last century it was often used to mould inexpensive camera bodies by Kodak and its competitors. If you touch a telephone, a radio, or a cheap camera from mid last century, chances are you touched bakelite!

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