FIPP 2010-2019

FIPP ends in 2019

Toronto. Sad news from Freemantle, Australia last week. The Freemantle International Portrait Prize (FIPP) has been discontinued.

The originators wrote, “All good things must come to an end. The FIPP Committee recently decided that FIPP 2019 would be our last; committee members having spent hundreds of hours voluntarily planning, organising, and conducting FIPP over a decade.

“The Fremantle International Portrait Prize (FIPP) ran its first photographic competition in 2012. We staged our Fifth FIPP last year in 2019. In that time FIPP received more than 7,500 photographic entries from 48 countries, awarded more than $50,000 in cash and prizes to entrants and donated over $90,000 to charity. More than 20,000 people visited the five FIPP Showcase Exhibitions in Fremantle, Western Australia.

“FIPP is proud to have run one of the world’s foremost and ethical photographic competitions which has helped to put arts in Fremantle on the map. FIPP started in 2010 with zero funds and, after paying our prize money and donating to charity, remains in a strong financial position. In formally closing FIPP has distributed remaining funds to the two charities we have continued to support, namely The Arthritis Foundation of Western Australia and the Kai Eardley Fund.

“FIPP is extremely proud of its achievements and its contribution both to the arts and to charity. We are equally proud of the work of our hundreds of volunteers and support from Sponsors.

“In particular, we wish to thank you, the entrants. Each and every one of you for entering FIPP. Some of you are multiple entrants and some have been with us from the very beginning. Without you, the entrants, none of this would have been possible.”

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two for the show …

1935 high speed movie camera (Electronics Dec 1935)

Toronto. I began working for Bell just months after Toll Area was formed. In those days Bell Labs in New Jersey did a wide variety of research. This article from the December, 1935 issue of Electronics tells of the collaboration between Kodak and the Labs that resulted in a high speed (3,000 frames per second) movie camera furthering scientific research.

Not your usual camera or movie post, but one that shows the wide ranging incursion of photography in all aspects of industry and life! As an aside, the editor of the day at Electronics was Keith Henney, the editor-in-chief of “Radio Engineers Handbook” which I bought in 1958 and still have to this day (also own a copy of Fink’s book on TV Engineering).

Have a look at the December 1935 Electronics and especially the article on the Kodak/Bell Labs movie camera starting on page 7. My thanks to good friend George Dunbar who unearthed this story while searching for photographic history articles and advertisements.

NB. The title is part of the old catch phrase, “One for the money, and two for the show. Three to get ready and four to go* which I often heard as a youngster.

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happy new year everyone!

Toronto. Well thank god 2020 is over! What miserable year it was too! Let’s hope 2021 will be far better and let us get back to normal again by summer! All the best for 2021 from the Photographic Historical Society of Canada (PHSC), its members, and its executive (those worthy folk who bring you all the benefits and are totally volunteers).

all the best in 2021 – both images courtesy of Amazon

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take your time …

Days in the Sun by Regina Volkenborgh of the UK

Toronto. … as my mother used to say when she felt that I was dragging my heels. But sometimes taking your time is beneficial. Photographic media are sensitive to the volume of visible light hitting the sensitive surface. Traditionally two means were offered to control this volume: a shutter to determine its duration, and an aperture to set the amount of light hitting the media per unit of time.

The very simplest cameras were pinhole cameras – a fine pin hole for a lens and a piece of sensitive media, all in a light tight container. Photographer Regina Valkenborgh recorded the above photo in 2012. She calls it “Days in the Sun”. Regina used a beer can pinhole camera exposing directly on photographic paper for SIX MONTHS!

NASA accompanies the photo in its “Astronomy Picture of the Day” column with, “From solstice to solstice, this six month long exposure compresses time from the 21st of June till the 21st of December, 2011, into a single point of view. Dubbed a solargraph, the unconventional picture was recorded with a pinhole camera made from a drink can lined with a piece of photographic paper.

“Fixed to a single spot for the entire exposure, the simple camera continuously records the Sun’s path each day as a glowing trail burned into the photosensitive paper. In this case, the spot was chosen to look out over the domes and radio telescope of the University of Hertfordshire’s Bayfordbury Observatory. Dark gaps in the daily arcs are caused by cloud cover, whereas continuous bright tracks record glorious spells of sunny weather.

“Of course, in June, the Sun trails begin higher at the northern hemisphere’s summer solstice. The trails sink lower in the sky as December’s winter solstice approaches. Last year’s autumn was one of the balmiest on record in the UK, as the many bright arcs in the lower part of this picture testify.”

 

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metal detectors and photography

Victorian photo broach discovered in a field near Oswestry, UK

Toronto. You may think metal detectors and photography have little in common but sometimes they do! When I was young, I saw pictures of people using war surplus metal detectors to find “buried treasure” – usually a few coins and lots of junk.

Today, in the UK it is a hobby. So called “detectorists” search local fields for signs of lost civilizations. There is even a TV show (a comedy) on the art and its discoveries. Last fall, a hobbyist discovered an old Victorian broach and enclosed photo buried in a field in Oswestry. He posted an image of his find on social media, and to his delight, found out the name of the lady whose photo graced the broach.

The details are shown here. A big thank you to my friend and fellow PHSC member Celio Barreto. Celio handles our Toronto programme, Instagram account, and coordinates all ZOOM meetings while being a full time instructor at Seneca College in Toronto.

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how to tell when a topic is HOT

Ad in Nov 1928 issue of S&I magazine

Toronto. In the roaring twenties, a century ago, movies were all the rage. As a result, “get rich quick” ads were everywhere. A typical ad was this November 1928 ad in Science and Invention magazine on page 651. The ad promised that readers could earn one hundred dollars (US) per week taking movies or stills.

This was a magnificent sum in 1928 and promised by the “N.Y. Institute of Photography” in NYC . No cost is given in their ad copy but they say they will give readers a “professional still or movie camera” plus instruction on how to get started – no previous experience needed!

This and other ads promised outrageous salaries in hot fields for untrained readers.

Thanks once again to my friend George Dunbar who was a serious professional industrial photographer in both stills and movies/videos.

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the marvellous little Polaroid

Polaroid cameras that beep and buzz

Toronto. In 1969, the Polaroid ad in LIFE magazine touted its series of electronic and mechanical cameras with built in timers and signals to tell the user development was finished.

While Polaroid film and prints were somewhat expensive, the cameras were of an advanced design using electronics and CdS cells to ensure most snaps were technically correct saving money if the framing and pose was acceptable to the snap shooter. My friend George Dunbar found this ad from page 46 of the March 21st, 1969 issue of LIFE magazine and shared it with me.

The title of this post is a riff on Tom  Paxton’s rendering of “the marvellous toy“. I first heard this charming 1962 folk song by Tom Paxton back when it first came out. The song was sung either by him or the Chad Mitchell Trio back then. I was in university so it was likely playing when I was home.

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a searing legacy

Sears Roebuck typical camera pages 100+ years ago

Toronto. Well, Christmas and boxing day are over for most of us. Hope you managed to give/receive great gifts and find bargains in spite of the @#$#%^ pandemic we are all struggling with (well, most of us up here anyway).

Prior to the end of WW2, Canada was heavily oriented towards the UK and UK goods. The big deal each holiday season used to be Eaton’s catalogue. In the early years of the last century, Eaton’s also sold a wide variety of cameras and supplies. Bob Wilson generously allowed the use of his c1910 catalogue as an original for copies sent to all members along with our journal during the society’s 25th anniversary in 1999. Today, we have a pdf version of the same catalogue here under PRESS.

Eaton’s never operated in the States. Instead, in America, Sear Roebuck served the same purpose. Catalogues and mail order flourished over a century ago when most of North America was rural and not everyone could go shopping in the city. Like Eaton’s, the old Sears Roebuck catalog served its country’s population including professional and amateur photographers alike, but out of Chicago, instead of Toronto.

A typical Sears Roebuck catalog and its cameras and supplies can be seen on Archive.org in its Internet Archive section as shown with a typical spread. A thanks is due to friend and fellow PHSC member, George Dunbar for sharing this find.

 

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an old boxing day box camera

1930 50th Anniversary Box Camera by Kodak

Toronto. Boxing day on December 26th used to be THE day for sales. Then boxing day week, then black Friday, now COVID-19 and total lockdown over the holidays.

Still, it is fitting to celebrate boxing day with a box camera. Box cameras were the simplest of designs – fixed focus meniscus lens (about f/16), simple two blade shutter (about 1/25), simple viewer, and a box to keep out the light and hold the lens and shutter the correct distance from the roll film.

Kodak’s Brownie line saved money by using cardboard and a paper covering instead of wood and a leather covering. In 1930, to celebrate the 50th anniversary of Eastman-Kodak, Eastman badged a bunch of Brownie Hawk-Eye No 2 cameras with a round gold coloured paper circle and offered a camera free to anyone child who turned 12 that year on a first come basis (until all 550,000 or so  cameras were handed out by the retailers). A Brownie  linked site says “in North America” but the ad shown on the site says “America”. I vaguely remember a member saying the largess of Mr Eastman was limited to 12 year old American children in 1930.

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merry Christmas all!

good health this season and all of 2021 – courtesy of George Dunbar, source unknown

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