PHSC News newsletter for March 2022

Posted on March 14, 2022 by Robert

FED II copy of Early Leica Camera

Toronto. The FED II shown here is from the right top of page 1 in this month’s PHSC News newsletter. The FED was a Ukrainian copy of an early Leica camera, converted to interchangeable lenses.

What do you know? It’s March, 2022 already. We are anxiously waiting for the COVID rules to disappear as the pandemic subsides.

Meantime, our editor, Sonja, and team have produced another great  issue of PHSC News for you.  PHSC News (21-09) has the usual bunch of articles – short, crisp, and ripe for argument. Take a few moments and read them and feel inspired (or irritated) once again.

PUTIN’S FOLLY on page 1 touches on the invasion of the Ukraine as known everywhere but Russia where the government controls what is read and viewed. Page 2 in “PHSC PRESENTS (virtually)” discusses “Back to the Future of a Russian Revolution“. Page 3,  under NEO PHOTOGRAPHY posits “Helga Stentzel: Household Surrealism“with samples of photos. STREAMABLES on page 4, speaks of, “The Story of a Working Class Nero”; while page 5 in THE OTTAWA FILE offers another editorial on the OTTAWA situation called, “A Family Album of Ottawa Counter-Protest All-Stars“. In David’s EQUIPMENT REVIEW (upbeat and cheeky as usual) he looks at Kodak cabinetry (wood) for the darkroom. John Morden’s trio of thoughtful WEB LINKS on page 7 are all worth a visit especially the first link (the links are live, no need to ‘cut and paste’).

Page 8 gets ready for our special late April (not March) speaker event via ZOOM. The seminar is in collaboration with ESHPh and Dr Hanin Hannouch on three colour photography c1900. And our friends Ivy & Izzy, on page 9, posit “The Shallow End of Deep Fakes“. As usual, we wrap up this issue on page 10 with John’s compilation of shows, wanted ads, books, and exhibitions of interest to collectors & photographers everywhere.

P.S. As usual, every link shown in the newsletter is a hot link just waiting for your click!

P.P.S. You can visit this issue by clicking here, or by g0ing to the menu item NEWSLETTER at the top of the page. There is a drop down menu that takes you to older issues dating back a couple of decades to the very beginning.

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e is for effort

Posted on March 13, 2022 by Robert

1937 ad announcing the 16mm model E Ciné-Kodak movie camera

Toronto. In February of 1937, Kodak advertised this movie camera as the running mate to the inexpensive model EE Kodascope  (movie projector to you) using the American Cinematographer magazine to target potential buyers. 

This 16mm movie camera and associated projector were entry level gear for all prospective movie makers on a tight budget. Like all Kodak cameras, the intent was to encourage the sale of film and supplies.

A big thanks to our resident photo historian, my good friend George Dunbar, for sharing this neat little advertisement from back when the mighty Kodak company introduced the model E 16mm movie camera. 

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spend a wad at waddington’s this March

Posted on March 12, 2022 by Robert

Waddington’s lot number 2,
by Meaghan Ogilvie

Toronto. All those image collectors please note! Waddington’s is holding a SNAP Photography Auction March 11 – March 18, 2022. Have a look on their website here and see what you can get for your personal collection.

I chose a photo by Meaghan Ogilvie to highlight this post. Many of you will remember Meaghan as the bright young lady who spoke to us at our April, 2018 Toronto meeting in those cheery pre-pandemic days on Deep Sea Photography.

Thanks to Ian Archer for telling me about this photo auction. Ian is both a long time PHSC member and a frequent participant at our ZOOM sessions with many insightful and knowledgeable questions for our speakers.

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zooming to the future

Posted on March 11, 2022 by Robert

ad for 1932 B&H innovative zoom lens

Toronto. We take zoom lenses for granted today. Almost all digital cameras – mirrorless or DSLR – use zoom lenses. We have grown lazy and just adjust the lens to frame the scene rather thsn moving back or forward physically.

Not surprisingly, the first use of zoom lenses was on movie cameras. When I bought my Exakta IIa in the late 1950s, prime lenses were king. Zoom lenses for still cameras were expensive with a rather narrow range of focal lengths and modest apertures.

This announcement by Bell & Howell in the January, 1932 issue of International Photographer gave readers a taste of the future of photographic lenses. Today, smart phones are still in the prime lens stage with recent designs adding multiple lenses and technology to switch from one to the other. Soon we should see the zoom technology on the ubiquitous smart phone too!

A big thanks to our good friend George Dunbar for sharing this unique find with us.

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scanning for memories

Posted on March 10, 2022 by Robert

scanning negatives with Lomography kit and smart phone

Toronto. The folks at Lomography are best known for their odd ball films and inexpensive cameras and lenses. In this digital era, the film aficionados are in a minority. Those of us with negatives galore have discovered the virtues of digitizing the frames and using key words etc. in the resulting files as exif, etc. data. This discipline makes searches simple (if relevant key words were used).

We progressed from specialized scanners, to general scanners, to office machines that united printers, scanners and fax functions, to copy stands and digital cameras, to copy stands and smart phones. Software took off with means to store, retrieve, and ‘develop’ i.e. edit digitized photos.

Now Lomography has joined forces with a copy stand and light source to use  either a digital camera or a smart phone to ‘scan’ negatives (those taken on Lomography films and others as well). Check out the details at this web site. Prices shown are C$.

Note. The title of this post is a riff on the line ‘dialling for dollars’ in the song sung by the late Janis Joplin called “Mercedes Benz”. Joplin’s songs may be an acquired taste but this one like ‘Me and Bobby McGee‘ is worth a listen!

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accessorize your Ektra

Posted on March 9, 2022 by Robert

Article on accessories for the Kodak Ektra

Toronto.  When the USA joined the WW2 fight, it lost all the Germany minicams. In the mid 1920s, the tiny Leica set the close-focus standard for the normal (50mm) lens at 1 metre (or 39 inches). Closer shots meant using extension tubes or close-up lenses or other gadgetsuld

Once the European minicams were lost to America, Kodak stepped up to the challenge and created the Kodak Ektra, an amazing camera that out did the specifications for all traditional German high end  minicams. Kodak intended that the Ektra would fill the gap left by the loss of cameras like the Contax, Leica, and its own line of German-made Retinas.

If you happen to have an Ektra, especially without flash sync, then you have a rare camera indeed.  First sold in 1941, the Ektra was reintroduced again post war. Unfortunately, the Ektra suffered from a few fatal problems: It was very expensive; it had the worst shutter on any camera (shutter failure was almost inevitable); and every lens interchange was incredibly complicated.

The June, 1941 issue of Popular Mechanics has an article on accessories for this amazing design by Kodak. A big thank you is due to our good friend and fellow PHSC member, George Dunbar, for sharing this article with us! My friend, the late Bill Belier, also mentioned to me that the Ektra shutter was prone to mechanical failure and any potential camera buy for a  collection absolutely had to be tested.

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first brick in the wall

Posted on March 8, 2022 by Robert

Ad introducing the Argus C3 minicam which became very popular

Toronto. Talk about great timing! On the eve of WW2 Argus announced their new C3 camera. This ad from the March 1938 issue of International Photographer aims at the average America with these key points:  This miniature camera has features like more expensive or foreign cameras; the camera sells for a fraction of the cost of a German high end camera; it is fully made in America.

The C3 went on to be a long running top selling model for Argus. Many C3 cameras were sold here as well.

Since it had a box-like sharp edged body design and was rather heavy, owners affectionately called it “the brick”. A buddy of mine had a C3 and loved it.

Thank you, George Dunbar, for sharing this find with us!

Note, the title is a riff on a song titled, “Another Brick in the Wall” from Pink Floyd’s 1979 dual CD opus, “The Wall”. It was also an LP record and a movie!

 

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eenie, meenie, minie, eyemo

Posted on March 7, 2022 by Robert

February, 1938 ad from the International Photographer

Toronto.  Bell & Howell had many famous trade marks. One was the Eyemo movie camera for professionals.   This rugged camera was the darling of the movie newsmen of the day. Many of us saw their results in the movie house news reels that preceded the Main Feature.

Eyemos were used in the D-Day landings on June 6, 1944 as noted by the late Bob Lansdale and linked on our website. The Eyemo ad shown here is from the February, 1938 issue of International Photographer, about a year and a half before War in Europe broke out..

The post title is a riff on the ancient child’s counting rhyme, “eeny, meeny, miny, moe” popular in various wordings and spellings the world over. As a child, I remember it being used to choose the first seeker for a game of “Hide and Seek”.

A big thank you is in order for our good friend and photo historian extrodinare, George Dunbar who shared this advertisement with us.

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hey, Stewart – let’s make a movie

Posted on March 6, 2022 by Robert

Ad for the Stewart Warner movie camera back in 1933.

Toronto. I always thought Stewart-Warner made meters and gauges. But no, they also briefly made movie cameras before the company was reorganized and transformed into a winner from a loser.

The gory details of the company and its rebirth are told by the “Made in Chicago” museum (a fascinating site that I have quoted many times).

My thanks again to that intrepid researcher and long retired cinematographer (and still photographer), George Dunbar, for finding and sharing this advertisement with us. Oh, yes – the ad is from the July, 1933 issue of the American Cinematographer (1933 was the year of revolt at S-W and its rebirth).

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tish tash

Posted on March 5, 2022 by Robert

International Photographer article on Roy Tash and the Quints

Toronto. An article in the International Photographer for December, 1935 sure brought back memories. The article was called, “Shooting the Quints”. Both Roy Tash and the Quints were famous, especially here in Canada. Roy was an expert in cinematography, while the quints were the first quintet of babies ever to be born and survive back then.

Bill Belier and Ev Roseborough knew Roy and set out to meet with him back in October, 1988 for an interview to be published in a Journal article.  Sadly Roy was too ill to see them and died a few weeks later on that December. Bill Belier saw Roy’s daughter instead and finished his article titled, “Roy Tash – Canada’s Eyes and Ears of the World” for the Photographic Canadiana 14-5 (P16-18) dated March – April 1989.

My thanks to George Dunbar – good friend and enthusiastic photography researcher – for sharing this article on Mr Tash with us.

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