8mm to the rescue

fall 1932 ad for a new movie size for economic home movies

Toronto. By 1932, the world’s worst ever depression was well underway. Jobs were lost in droves. Fortunes disappeared literally overnight. Buying on margin became an instant pariah. Photo industry companies used novel ideas kept some of the amateur photographers active.

For example, to keep customers in this belt-tightening time, Kodak came up with the 8mm concept for home movies: use ’16mm’ film but get 100 feet equivalent projection time by splitting a special ’16mm’ spool of film in two – and selling it in 25 foot rolls (vs. 100 foot for 16mm). Along with the new film size were new cameras and projectors – all at less cost than 16mm films and gear.

The ad shown here appeared in the November 12, 1932 issue of the Saturday Evening Post (a magazine published every Saturday)! Weekly publication lasted into the 1960s. Today it is published about six times a year … .

My thanks to good friend and photo historian, George Dunbar. I remember the ‘post from reading copies in Nels Magee’s barbershop (back of the local drug store) as a kid in for my bi-weekly hair cut.

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more than one way to skin a cat …

how to capture a tenderfoot on a wild horse – 1939 style

Toronto. …. or ride a frisky horse. The May, 1939 article from Popular Mechanics shows how a stuffed horse could simulate a bucking broncho in a photo taken for the folks back home!

Notice how the professional photographer uses a view camera and tripod to capture the event. Typical media of the day would be a trifle slow, even in bright sunlight. The snappers of today with their digital cameras or smart phones have super sensitive sensors (and possibly optical stabilizers) and no need for a tripod – even indoors in the daytime.

A nod to my good friend and erstwhile seeker of photo history as recorded in magazines nearly a  century ago, George Dunbar, for sharing this clever ‘studio prop’ to dazzle the home-bodies.

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before there was Virtual Reality ….

VR future> curtesy of How-to-Geek

Toronto.  … there was Stereo. After all, Virtual Reality (VR) is just Stereo on steroids – i.e. interactive video in stereo. Modern day VR is experimenting with various techniques such as projecting directly on the human retina.

In the PHSC, for many years we had two very skilled experts in stereo – the late Dr Robert Wilson and Stan White. Bob was a geologist by trade and a stereo enthusiast by preference. Stan was a long time professional photographer and teacher. Both also belonged to the National Stereoscopic Association (NSA) in the states. Stan introduced the series of September Stereo sessions presenting his own work and that of the NSA.

We also had the pleasure of a couple of stereo presentations by a member of the PHSC in Buffalo – Paul Pasquarello. For the June, 2008 presentation, Paul brought his own projection set up and showed his own work which was wide view stereo. A second presentation by Paul was at  the October 2010 meeting.

We first saw Virtual Reality in action when we visited the DME lab at Ryerson University here in September, 2016.

A few individuals like Bob and Stan could ‘free view’ stereo stills and see the 3D effect (I didn’t cover the many folk who can see the once popular drawings in soft cover books that  could be ‘free viewed’ as well). For the rest of us or viewing projected stereo stills, stereo movies, VR, etc. some form of eye ware is essential to ensure images appear only to the correct eye. The two images – still or movie – are combined by our brain to create the 3D image.

Even today, TV or VR need eye waree to see the 3D effect. Rather unwieldily head gear for a VR experience.

 

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3D anyone?

A June, 1939 article on making 3D photos with a regular 35mm camera

Toronto. An article in the June, 1939 issue of Popular Mechanics shows a clever device for shooting live 3D with a normal 35mm camera. A mirror device affixed to the lens takes two images in a single frame – one for each eye. A special 1/2 frame  viewer allows the shutter bug to frame his/her shot.

Inexpensive gadgets used two mirrors and a solid septum. A more expensive idea used front silvered mirrors (prone to damage from over-enthusiastic cleaning). High end makers like Leitz used a prism instead of two mirrors to protect the reflecting surfaces and eliminate any ghost images.

Not mentioned is that the gadgets all made shots as if the camera was turned 90 degrees – ie portrait not landscape. Nevertheless, the gizmos worked great – I have a Leitz STEREOLY prism, arm, and viewer which was made in the 1930s. The few shots I made with it in both B&W and colour came out in beautiful 3D. My setup was intended for an earlier screw mount Leica, but worked fine on a IIIf.

A thank you to my good friend and fellow camera historian, George Dunbar, for taking the time to share this little article with us from the days when 3D was in vogue.

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watcha doin’?

a couple of pocket watches on auction August 9, 2022

Toronto. You may wonder why we are posting information on an  auction of, “Clocks, Watches & Scientific Instruments” by an outside auction house (Bonhams). Well it may surprise many of you but some PHSC members collect more than cameras and images. Over the years, I have known members who also collected telephones, radios, watches, clocks, tools, microscopes, etc and were often very skilled and knowledgeable about the contents of these collections (and even how to repair these unusual items).

So for those few, here is the latest catalogue from Bonhams-Skinner  for their “Live Auction August 9 | 10AM | Marlborough” which if you can’t quite place it, is a bit west of Boston down in Massachusetts.

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head west, young collector

Toronto. Our good friend Tonchi Martinic out on the lower mainland in BC sent me a message the other day about the Vancouver Camera Show on September 25th this year.

Tonchi writes, “Hi Bob and club members,

“I apologize for not writing you earlier. Our last camera show was on April 10th of this year. We expanded the size of our show, moving to a bigger room with more tables. I am happy to see our show gain more recognition. We had 5 new vendors from the States (California, Nevada, Colorado, Washington, and Maryland). I am also thrilled to see that the majority of attendees are younger people.

“I’ve noticed that many of those who are new to the hobby are understandably more familiar and interested in name brands and flashy high-speed lenses. I would like to encourage those people to expand their knowledge on cameras and photography in general. I think that our show is a wonderful opportunity not only to buy but to learn and gain new experiences.

“Our vendors are knowledgeable and passionate people who would be happy to share their knowledge with others. We’ve booked our next show for September 25th, 2022.

“Till next time my best regards.”

Since the poster below is a jpg, the links are not live. You can contact Tonchi at this live link dalmatia@shaw.ca. What a wonderful opportunity to enjoy Vancouver in the fall and add to your collection!

Vancouver Camera Show this fall

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who needs bells and whistles?

1939 ad for a $15 UniveX movie camera

Toronto. 1939 – what a year! The great depression of the dirty ’30s was a decade old and rapidly becoming part of the landscape. One of the worst wars ever (WW2) was about to erupt in Europe inspite of Hitler’s platitudes and the optimism of others.

Universal Camera Corp (UniveX) of the Big Apple, like many Kodak wannabe’s in America was busy flogging its special fifteen dollar home movie camera that used 69 cent film and had, “sensational high-priced features“.

This particular ad from the April 1939 issue of  Popular Mechanics shows a UniveX movie camera with a “faster f/4.5 lens” and a “built-in view-finder“. It was touted as having, “the simplicity of operation – the dependable performance – the thrilling life-like results you’d expect only from high-priced cameras“. While $15 dollars looks dirt cheap today, in 1939 it was easily a week’s wage for those in the target audience.

According to the ad the camera was as easy to use as taking snapshots – and cheaper!

A big thank you goes to my good friend George Dunbar for findings and sharing this advertisement with us. While we mostly collect still cameras and images in the PHSC, everyone seems to have an odd 8mm or 16mm movie camera in their collection too.

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where the girls are

Hannah Maynard’s studio in Victoria, 1888.

Toronto. Many photographers over the years were female, in spite of the majority being male. Some members have researched the history of women in photography, and occasionally given a presentation on the topic. Any discussion of women in photography brings to mind PHSC member Laura Jones who established the Baldwin Street gallery many years ago.

George Dunbar writes, “The latest issue of Canada’s History magazine (Aug/Sept, 2022) features the works of some of Canada’s earliest women photographers. Included are Alvira Lockwood, Mrs. Chauncey Miller, Elise L’Heureux Livernois and Hannah Maynard. Some great insights here for PHSC members.”

I can recall only Hannah Maynard, who was in business in BC with her husband and was the subject of a Photographic Canadiana article, and Elise L’Heureux Livernois of Quebec. I have a Livernois cabinet card and came across Elise while searching out information on the famous Quebec studio.

Thanks to my good friend for sharing this find with us.

Note: The title of this post is a riff on a song by Connie Francis called,”Where the Boys Are“. The song is from a movie of the same name, based on a book also of the same name.

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#28 – A Corner Gas Rerun

Toronto. Amazing! Our twenty-eighth  executive meeting via ZOOM was the first  Wednesday evening in July – the 6th. And as the song says, “… nothin’ much going’ on …”. Of course behind the scenes there is a lot going on. Next meeting is September 7, 2022 and most likely via ZOOM too unless otherwise noted.

Our TRUNK SALE is today, JULY 16th. The fall fair is at the Trident centre on October 1st this year.  Our speaker program will start up again in September as will our executive meetings and newsletters.

Have a great summer everyone and lets hope the seventh wave of COVID-19 and the restrictions it may bring are very modest at best.

Clint and a small group meet for the July Executive meeting – next meeting will be September 7, 2022

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seeing double

print viewer offered in the June Port Colborne auction

Toronto. “It’s deja vu all over again“, as Yogi Berra was thought to have said. This wonderful old tabletop viewer (stereo, I believe) was offered at the recent auction down in Port Colborne – our first auction outside Toronto and our first two-day auction.

In January of 1992 at a monthly Toronto meeting, the late Bob Wilson brought along his Taxiphote. The story of his Taxiphote and one displayed by our January, 1992 speaker, Peg Forbes, was written up in the next issue of Photographic Canadiana,  Volume 17-5. I have attached a copy of that issue in pdf format for your entertainment and enlightenment.

Our ancestors made and sold many remarkable photography related things to entertain and amaze one and all. As a matter of interest, Bob Wilson and Stan White formed the nucleus of a stereo group within our society. Stan went to great lengths to collect and donate our stereo collection (CSC or Canadian Stereo Collection) first to Sheridan College and years later to the AGO before it was ‘decollected’.

Perhaps the CSC will become of interest once again when the inevitable peaking of interest in ‘3D’ resurfaces.

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