in the dark of the night …

Toronto. First off, please take a minute today in silence to think about those brave souls who gave up their lives that we could enjoy this great country of ours. November 11th each year we commemorate all our fallen soldiers.

One serious necessity for any advanced amateur or professional photographer in the days of films and glass plates was a serious darkroom. The ad below from a 1907 periodical illustrates the offerings from a British company (remember, back then we stoutly followed the UK, not the USA). The ad adorns the back cover of our 18-3 issue of Photographica Canadiana.

Remember too, that our fall Auction is coming up fast (November 24) and the opportunity to augment your collection or user gear be it film or digital.

Ad for Dark-Rooms fabricated by ‘The Process & Engineering Co.’ of London, England

Posted in history | Tagged , , | Comments Off on in the dark of the night …

remembering Iris …

Iris McCaig and portrait of C G Milne – courtesy of Robert Lansdale

Toronto. In the article. “IRIS MCCAIG AND THE PORTRAIT OF CHARLES G. MILNE” the late Bob Lansdale relates his chat with Iris at 82 in the early fall 1992 journal issue 18-2. Iris is famous not only as a long time professional photographer,  but as the first woman to be president of the OSP (later the PPO, and later still the PPOC).

Bob begins his lengthy article, “Iris McCaig, aged 82 of Toronto, has vivid memories of her life in professional photography. Well into her retirement years “Coogles” as she is affectionately called by her closest friends, closed up her cameras in 1984 after an era of fifty-five years during which photography changed dramatically. She earned an honoured niche in the history of the Professional Photographers of Ontario by being the first woman President of that association in 1959 and ’60 when the association was named the Ontario Society of Photographers.

“‘I graduated from Art College in 1930 at the age of eighteen’, recalls Iris, ‘and my father suggested I try for a job with a portrait photographer that he knew through the Kiwanis.   We visited the studio of Charles Aylett near the bottom of Yonge Street; but he already had a young apprentice named Randolph MacDonald’. [Aylett, one of Toronto’s most accomplished photographers, was OSP President in 1923 and has been the only Canadian. to serve as President of the Professional Photographers of America.

“The apprentice, MacDonald, went on to become a leading Toronto society photographer and served also as OSP President in 1940. Lower Yonge and King Streets, since the earliest days of photography, was the centre for photographers studios. ‘Aylett arranged for me to see another photographer further up Yonge, a Mr. Charles G. Milne. I was taken on staff, forsaking my career as a trained artist, and was soon engulfed in the most wonderful world of professional photography. The 30’s were the best years for photography as portraiture still had a status aura attached to it’. …”

Well, I guess it bears repeating … members got the members-only DVD with the included  issue18-2 in pdf format. Above and at right are helpful means for you to join the PHSC and read the entire article. Any Questions, just give Lilianne a shout at member@phsc.ca.

Posted in history | Tagged , , , , , | Comments Off on remembering Iris …

Vera in 1930 …

‘Vera’ in 1930 – John Vanderpant of Vancouver

Toronto. Members of a certain age group (old coots like me) remember the movie Laura and the haunting song of the same name. Nearly a century ago, John Vanderpant of Vancouver took this then fashionably soft focus portrait of a young lady simply known as ‘Vera’.

The photo is a cover shot for issue 18-2 and introduces the article on John Vanderpant (1884-1939) by Brodie Whitelaw. Brodie was a friend of Everett (journal editor) as well as a professional photographer in his own right and had actually met Vanderpant.

Brodie begins, “I had been a photography hobbyist in Vancouver, having acquired my first camera (Kodak folding V.P.) at age 12. Later I tried my hand at portraiture and found I could make a dollar or two doing home portraits of friends and acquaintances, and gradually built up a small business on the side, seek ing advice and constructive criticism from some local professionals.

“By far the most impressive of these was John Vanderpant, a native of the Netherlands, a man thoroughly grounded in design and composition, with a flare for the unusual. Whenever I had enough new material in my portfolio I would use this as an excuse for a visit to the “Master”.

“A cultured man, John made his home in Western Canada after leaving Alkmaar, Holland, bringing with him an approach to art, and photography, quite different to the North American fashions of the time. …”

You know the drill … members got the members-only DVD with included  issue18-2 in pdf format. See above and at right to join and read the entire article (I still use one of the late Mr Whitelaw’s tripods). Any Questions, just give Lilianne a shout at member@phsc.ca.

Posted in history | Tagged , , , , | Comments Off on Vera in 1930 …

what a mouthful …

A home made stereo rig using a Kodak Monitor and 620 film

Toronto. Alldyn Clark was a fan of stereo. He concocted various pieces to create his stereo gems. In issue 18-2, Alldyn tackled a Kodak Monitor with amazing results. His article is titled, “Res[s]urrection of a Kodak Monitor 620 Camera”.

The tripod mounted apparatus took closeups of many subjects including eye, teeth, and berries. Alldyn begins his article with this information, “In the March/April 1990 issue of Photographic Canadiana, I wrote an article on combining dual motorized Hasselblad cameras to obtain the ultimate in stereo photographs.

“Looking back to the year 1948 I had been using a Kodak 35 camera, the first the company put on the market.  Kodachrome slides were taken until one day friends insisted on seeing prints, instead of slides, since these could be passed around as well as duplicated. So I decided to trade away from 35mm. and enter the roll film format.

“The first call was into Pylon’s Camera Exchange, then on the East side of Yonge St. in Toronto, without success. Young’s Photo, on Queen near Sherbourne, was just starting in business and didn’t have anything I wanted. I finally ended up at Lockhart’s Camera Exchange in a basement on Bay St. where I spotted a handsome Kodak Monitor 620 Camera.

“With a trade and an extra fifteen dollars I joined the world of the medium format. Many other cameras have gone through my hands since the 1948 trade for the Monitor and it had not been used for some time. An article on macro stereo inspired me to dig it up and see just what could be accomplished with it.”

Members could read the entire article (with photos) either in the hard copy issue or  later the pdf version on the members-only DVD. Membership is cheap and easy – see above and to the right of this page. Questions? Give Lilianne a shout at member@phsc.ca.

Our next event is the Nov 24, 2024 Estate(s) Auction. Come on down and join in the fun! See this post and poster for guidance.

Posted in history | Tagged , , , | Comments Off on what a mouthful …

Official Photographers …

Arthur S. Goss (1881-1940), City Photographer, Toronto.

Toronto. “… The Work of Arthur Beales, Arthur Goss and Alfred Pearson” is a topic for an article in issue 18-2 announcing an exhibition at The Market Gallery of the City of Toronto Archives (Second Floor, South SI. Lawrence Market, 95 Front Street East).

The formal announcement begins, “From 1911 to his death in 1940, Arthur S. Goss was Official Photographer for the City of Toronto. It was a period of dramatic developments in the provision of municipal services, especially in the areas of public works, transportation, health care and parks and in the course of his career Goss produced some 300,000 photographs documenting these developments.

“After suffering many years of neglect in the attic of the old City Hall, Goss’ photographic negatives were rediscovered in 1960 by the first City Archivist, A.R.N. Woadden. It was immediately clear that the collection was of great historical value and, once fully restored and catalogued, the surviving 26,000 negatives presented a visual record of the City remarkable for its scope and stunning in its quality.”

Arthur Goss made photographs that were amongst my favourites! To see some of them and those of other ‘Official Photographers’ and read the accompanying article, members viewed issue 18-2 in its original hard copy version or more recently the electronic pdf version on the members-only DVD celebrating our 45th Anniversary (offering volumes 1-40 of our Journal).

Not yet a member? See the information above and to the right! Membership is inexpensive and easy! Questions? Give Lilianne a buzz at member@phsc.ca.

Posted in history | Tagged , , | Comments Off on Official Photographers …

ur a Dorf my dear ….

a c1939 Studio S-11 Deardorff camera (catalogue photo)

Toronto. Issue 18-1, back in 1992, featured a lengthy copyrighted article by Ken Hough called, “Deardorff Designed Cameras, A Short History”.

Ken’s fully illustrated article gives a fine overview of this famous name in photographic history. He begins his article thus, “In any story about a manufacturing firm, one has to realize that there’s always a driving force behind the company. That driving force was a man by the name of Laben F. Deardorff. For the sake of simplicity. since his company’s name was L.F. Deardorff and Sons, we will call him L.F.

“L.F. started out as a camera repairman. He worked on bellows cameras, which in the 1880’s, were the usual type of camera in use. He gained a certain notoriety for interesting modifications of these cameras. Modifying Ansco cameras to have swings and tilts as we know them today, he also designed and built a few of his own; then he went to work for Rochester Optical company in the design department.

“There, he helped design the Premo cameras. LF did not necessarily design the entire line, but was a major contributor to certain features. The rear swings and tilts were his design.

“He then went to Chicago, working at a camera store selling and modifying equipment. He also noticed a certain lack of optical movements in professional cameras. These were the Ansco, Kodak, and various other view cameras. These had the rear movements necessary for architectural correction, but the actual movement of the rear part of the camera was not enough for good perspective control.

“He set about creating a folding field camera that was compact, had long bellows. and all the necessary rear movements for corrective photography; for example, rear swing, left and right, and rear tilt, forward and backwards. In addition to these movements, the camera also would have front tilt, rising and falling lens board, and  rising and falling front base.”

Members went on to read this article to the end in either hard copy or more recently the pdf file of issue 18-1 on the members-only DVD. No DVD? Not a member? It’s easy and inexpensive – see above or at right for details. Questions? Send Lilianne a message at member@phsc.ca.

Like Deardorff cameras? Checkout our fall estate(s) auction November 24th. You may not see a Deardorff but you will see lots of gear to augment your collection or user stuff (and maybe for a Xmas gift or two).

Posted in history | Tagged , , , , | Comments Off on ur a Dorf my dear ….

standing on the corner …

lot 121 at our fall auction on the 24th shows a few studio stands

Toronto. bidding as the lots roll by ….  Our fall estate(s) auction is November 24, 2024. We will have all sorts of goodies in the lots. As soon as we get lots photographed, we will post them online for you to view.

Included in the lots will be studio gear like the stands shown here (lot 121). Come on down and enjoy the ambiance as you meet old friends and place bids to augment your collection or user gear.

The post above gives all the gory details. Free admission. Free parking. Since Christmas is almost here, you could even squeeze in some gift shopping at the auction too … (just saying).

NB. The post title is a 1956 song title. The song is sung here by the four lads – hailing from the big smoke of all places!

Posted in auction | Tagged , , , , , , , , | Comments Off on standing on the corner …

ya feelin’ a bit bookish, matey?

Lot 151 – Kisselbach’s 1st edition (English) with an M3 illustrating the dust cover,

Toronto. Our fall estate(s) auction is coming up fast – Nov 24, 2024 – with many nifty things for your collection and user gear. Details are shown here in this post and poster.

Some lots feature books such as this English edition of Theo Kisselbach’s “The Leica Book” (lot 151). Originally published in German as “Das Leica Buch”, this edition is the first edition as shown by the M3 illustrated on the dust cover (I have the German 1st Edition 1955 (M3) and the English 2nd edition 1971 with an M4 illustrated on the dust cover).

Being the transition period (from screw mount to M-Series cameras) both the latest screw mount cameras (f series) functions and the M3 functions are shown within the book. Also included are the lenses of the time and the most popular accessories. (The book may also include info on the IIIg camera).

Come on out and enjoy the day at the Legion Hall down in the south-west corner of the city. Free admission. Free parking. Chance to by something for yourself or as a gift (Christmas is coming).

Posted in auction | Tagged , , , , , , | Comments Off on ya feelin’ a bit bookish, matey?

anthotype? what is that?

a sample Anthotype image

Toronto. The PHSNE has a zoom meeting tonight featuring Jesseca Ferguson, ‘JESSECA FERGUSON’S ANTHOTYPES: NEW WORK IN “GREEN PHOTOGRAPHY” – NOVEMBER 3 @ 7:30 PM’.

Until I saw the email from the PHSNE Saturday, I was unaware of the Anthotype images. Checking the internet, I found a wealth of information about the images and even how to make them.

Check out here for the PHSNE and how to sign up for this zoom session tonight and hear in person from an expert who has investigated and used this novel process.

The PHSNE introduce the process as, “The anthotype (ancient Greek for “flower image”) is considered an artistic process today, but the technique was invented in 1842 by the multi-talented British astronomer and chemist Sir John Herschel.

“Like many artists today, Jesseca Ferguson is deeply concerned about the ecological impact of her studio/darkroom. Since summer 2019, she has experimented with the anthotype, an early photographic method which uses only plants and the sun to produce images on artist’s paper.

“Ephemeral and very time-consuming, this process was quickly abandoned after its invention but is currently experiencing a worldwide renaissance with artists seeking “green” ways to make images.”

Posted in history | Tagged , , , | Comments Off on anthotype? what is that?

hunt for the Nikon in darkest Toronto

Fred discovers a rangefinder Nikon – photos courtesy late Robert McMann

Toronto. The late Fred Hunt was a professional photographer, a college teacher, a member of the PHSC, and a good friend of one of our co-founders, Larry Boccioletti.

In issue 17-5 Fred wrote an interesting article titled, “On an expedition into the wilds of midtown Toronto – Explorer Fred Hunt Discovers Nikon in Canada”. The article is illustrated by the late Bob McMann, once our Nikon authority; and Nikons from his collection. We lost Bob around the time our website was first established. Bob was technically skilled and encouraged the formation of our web site when few were aware of the internet and its power.

Fred begins his article, “I was a single-lens reflex (SLR) chauvinist!

“Pity my poor students at Centennial College who showed up in class with some obscure point-and-shoot or old folder camera! They would approach me at coffee break, offering their camera and remark: ‘This was my father’s camera. He suggested I take a course and learn how to use it.’ And then those fateful words: ‘How does it work?’

“I looked down at some strange beasty and felt like retorting: ‘Well, don’t ask me!’

“It was clear that if I wanted to be effective at Centennial College I would have to realize there was more to photography than SLR cameras. To this end, I would keep an eye open for non SLR cameras that caught my fancy.

“One Saturday in 1974 my friend Bill and I found ourselves on the second floor of the Toronto Camera Exchange. I was absorbed with something at the counter when Bill, several feet further along called: ‘Look, Fred, a Nikon rangefinder!”

Members read the entire story and more of issue 17-5 in the original hard copy. More recent members read the issue 17-5 pdf file on the PHSC members only DVD. It’s easy to join – see above or at right. Questions? Email Lilianne, our membership secretary at member@phsc.ca.

And if you hanker for a Nikon goodie, visit our fall auction this November 24th. Heck, come on down anyway! This post gives details and will be updated as more lots are photographed.

Posted in history | Tagged , , , | Comments Off on hunt for the Nikon in darkest Toronto