if it moves, shoot it ….

lot 384 – a GAF (Ansco) movie camera

Toronto. The old military expression was “If it moves salute it; fi it doesn’t, paint it” In this post I had in mind movie cameras. Our coming auction this Sunday has a wealth of lots – camera, lenses, movie cameras, still cameras and more.

Come down to Long Branch and enjoy the excitement of the auction – you may even get something to fill that hole in your collection/user gear. If not, how about a unique Christmas gift? See this post/poster for details (and a slide show of the lots). Free admission, free parking, and a chance to greet friends old and new. What a great way to enjoy a Sunday afternoon!

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origami and photography

lot 459 is a lovely blue Agfa Ansco folding camera

Toronto. You may wonder what on earth the Japanese art of paper folding has to do with our favourite pastime – photography. Glad you asked. Origami takes a flat object like a sheet of paper and in a few folds, makes a recognizable 3D object. Now reverse this! In the first half of last century, one camera design was the folding camera. A bellows separated the film and lens board for exposure of a subject.

When finished, pressing down on a unique pair of braces collapsed the bellows and lens board into the body of the camera and folded over the lens baseboard to cover the hole the bellows, etc. disappeared into. In fact, Kodak made so many cameras of this design that they are affectionately known as “folders” regardless of the maker.

Other makers used the folder design for cameras (like the Agfa-Ansco camera at left). Everyone needs at least one folder in their collection (I have).

Come on down to our auction this  Sunday (see post/poster here). The post includes a frequently updated slide show of the lots as photos are received. So far the slide show has been updated at least seven times! Free admission, free parking, friendly folk, etc.

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lots of little boxes

sample box lot from our fall estates auction Sunday

Toronto. Our fall auction on November 24th (Sunday)  will have many box lots – this feature means a successful bid will take all in the box (the auctioneer will emphasize the rare case when a box lot is not so covered – usually books).

Drop by on Sunday to add to your collection or user gear. Free admission, free parking and a great way to see fellow collectors and friends be they old or new!

The post/poster here gives details and a slide show of lots as they are photographed (seven updates have been made as of November 17th).

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getting to the auction day …

lot 179 – a digital Canon EOS and lens etc.

Toronto. …. with apologies to Dennis Waterman and the theme song for New Tricks. Our fall auction date of November 24th is less than a week away.

Mark your calendar now! It’s a great way to spend a late fall Sunday afternoon.

All the gory details are in this post/poster. And there is a slide show too. Many of the lots are on display now (six updates so far) – the post will continue to be updated as more photos arrive.

Come on down to Long Branch – free admission; free parking; and a way to add to your collection/user gear. Besides you will have chance to greet many friends old and new. Any questions? Drop Clint (our president AND auctioneer) a line at fair@phsc.ca.

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flights of film …

Lot 245 shows just some of the many film lots ready for the Nov 24 auction

Toronto. … or is it flights of fancy? Whatever. We are closing in on our fall auction date of November 24, 2024!

Be sure to join us and have a great Sunday, see old friends, find lots of neat goodies for the collection or user gear.

Details are dead simple! Just see the post/poster here. There are photos of many lots too. Free parking, free admission, easy access to the area. Be cozy indoors on this coolish November day.

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hot dawg, it’s a stereo …

c1903 Leroy – combination stereo and panoramic camera from France – Courtesy of Brian Coe, AB Nordbok,  and Crown Publishing

Toronto. … with apologies to the late Sam Shopsowitz and his catchy jingle. Sam’s daughter, Karen, Spoke to the society back on September 15, 2004 about her father’s home movies. This post is on a different topic – a rare and unusual stereo camera c1903.

In the later 1800s – early 1900s, the French seemed to have a passion for making unusual cameras. The ‘Leroy’ is typical. It is both a stereo camera and a panoramic camera depending on the rotation of one lens (rotation automatically swings the septum plate to block the second (and unused) lens.

The line drawing is from the late Brian Coe’s book ‘Cameras‘, copyrighted 1978 by AB Nordbok, Sweden and printed in the same year in the USA by Crown Publishers. Coe’s book is eye-catching as the illustrations are a mix of line drawings and drawn coloured illustrations – a book on photography and cameras with no photographs! If you don’t have a copy in your collection – keep an eye out for one! I bought mine new a year after publication and it is very slowly discolouring on each page edge (any book etc printed after the mid 1800s likely uses paper made from wood chips (pulp) and is prone to self destruction by the very air in a room converting the pulp and moisture into sulphuric acid).

 

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the Japanese Camera Museum c1992

Japanese Camera Museum in Tokyo

Toronto. From time to time the Journal reprints articles of interest to PHSC members. In issue 18-4, editor Roseborough chose to reprint a fully illustrated article on the camera museum in Tokyo. “This is another in our series of photographic museums throughout the world. It originally was printed in issues 16 and 17 of Olympus magazine VisionAge. Our condensed version is printed with the kind permission of VisionAge Editorial Office. Olympus Optical Co. Ltd. Tokyo. Japan.”

Enjoy this article in the fullest by joining the PHSC and viewing it in pdf format on the members-only DVD. It’s easy to join us, see above (and at right) for helpful means. Any Questions, just give Lilianne a shout at member@phsc.ca.

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Bill’s ‘something’ revisited …

Bill Belier’s ‘something’ identified and discussed by Bob Lansdale in Jan 1993

Toronto. Journal editor Ev Roseborough in issue 18-4 revisits Bill Belier’s ‘something’ after a lengthy conversation with future journal editor, Bob Lansdale and Bob’s correct identification of this bit of history.

Ev begins, “Gather round, dear readers, for the final episode of the great Photographic Canadiana ‘whatsit’ competition.

“Our members’ suggestions ran the gamut of photographica. The contest ended without a correct answer by the October 31, 1991, deadline. Fred Warner’s two-page letter was awarded a book for some ingenious sleuthing (PC17-4).

“In Volume 17 No.2 (Sept.-Oct. 1991) Bill Belier’s “Something” contest invited readers to explain:
(a) what is it?
(b) how it was used, and with what,
(c) the function of the ring gear,
(d) the function of the saddle,
(e) the presence of a burn,
(f) the peculiar styling of the handles, and
(g) the inverted lens mounting.

“In the meantime, I had written the answers in response to many inquiries but this is the first opportunity to publish them. In November Bob Lansdale spotted an illustration in Stanley Triggs’ book William Notman, The Story [Stamp ?] of a Studio which rang a bell and he lost no time in sending a print. Of course, he was right. …”

The rest of Ev’s article is available as a pdf on the members-only DVD. And to save you time to find out how to join us and get the DVD, see above (and at right). Any Questions, just give Lilianne an email at member@phsc.ca.

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An 1836 Letter on Stereo Vision

Rev George Maynard of UCC courtesy of UCC Archives

Toronto. A few years before successful photographic processes were formally announced, Reverend Maynard wrote his first letter letter on stereo vision to the Toronto Royal Standard. It was reproduced in issue 18-3 courtesy of Dr Robert Wilson of the PHSC.

Bob accompanies the letter and images with an article on the topic. He begins, “While the basic knowledge of binocular vision had existed since about 280 BC, it was not until 1832 when Sir Charles Wheatstone produced the first stereoscopic drawings and had an optical device (a stereoscope) produced in order to view these drawings.

“Wheatstone presented this work to the Royal Society in 1838. In 1840, shortly after William Henry Fox Talbot revealed his new photographic process, Wheatstone arranged for Talbot to make the first stereoscopic photographs using Talbot’s new calotype process.

“Sir David Brewster was a contemporary of Wheatstone and was also involved early in stereoscopic history, designing his own stereoscope in the 1840’s. In the 1850’s, Brewster and Wheatstone had an ongoing correspondence in The Times (of London). In these letters, reference was made to two letters on stereo vision which appeared in Toronto newspapers.

“The first of these Toronto items appeared in the Toronto Royal Standard on November 28, 1836 and was signed ‘Theophilus’. Twenty years later, the second letter appeared in the Toronto Times and the author identified himself as being Mr. George Maynard [a very controversial mathematics master at UCC]. Maynard sent a copy of this second letter to Sir David Brewster.

“Brewster referred to Maynard’s Toronto Times letter in his own correspondence with Wheatstone in The Times (of London) of November 5, 1856. In the Toronto Times letter, Maynard expressed the hope that the comments in his original 1836 letter would prove to be the first on stereo vision. While it turned out that it was not the first on the subject, the 1836 letter was indeed an early discussion, being published two years before Wheatstone’s paper to the Royal Society. …”

The rest of the article is available on the members-only DVD. And to save you the headache of finding elsewhere how to join us and get the DVD with the issue 18-3 pdf file, above (and at right) are helpful means for you to join the PHSC and read Dr Wilson’s entire article. Any Questions, just give Lilianne a shout at member@phsc.ca.

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get cha news here … read all about it ….

Cover shot, Professional Photographers, 1897 – photo by J H Hopkins, President, PAofC, St Thomas ON

Toronto. In the days before – long before – the digital era, we learned of new photographic processes and apparatus through magazines. In the 1950s – 1980s, I bought every photography magazine in sight. These magazines were kept for a few years, and then ‘tossed’. Today they are rare historic artifacts – the older the better, showing the way this wonderful form of imagery evolved.

In issue 18-3, the late Bob Lansdale wrote a massive, illustrated, six page article on Canadian Photography magazines titled, “Canadian Photo Magazines – 100 Years Ago [i.e. from about 1892]”.

Bob begins his article, “This article was originally intended to illumine one of Canada’s first mature photographic magazines, THE CANADIAN PHOTOGRAPHIC JOURNAL, which embarked on its short career one hundred years ago. But readings of microfilms this past summer suggest I widen the scope of this presentation to include other publications from as far away as St. Louis, Missouri .

“I was attracted to nineteenth century photographic journals after reading an article by PHSC Secretary Tiit Kodar published in THE ART AND PICTORIAL PRESS IN CANADA (Art Gallery of Ontario – (1979). In his treatise, “Northern Lights: Canadian Photography Journals Past and Present”, Mr. Kodar indicates  honours for the first photographic journal in Canada should go to Maclear & Co. of Toronto who published THE CANADIAN JOURNAL OF PHOTOGRAPHY in June 1864.

“Thomas Maclear, stationer and bookseller, printed and published the popular carte-de-visite portraits of notables taken by Toronto and vicinity photographers. Collecting photographic cartes was just as popular then as today’s fad of collecting sports cards.”

Here we go again … members got the members-only DVD with the included issue18-3 in pdf format. Above and at right are helpful means for you to join the PHSC and read Mr Lansdale’s entire article. Any Questions, just give Lilianne a shout at member@phsc.ca.

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