Tag Archives: enlarger

a Canadian-made enlarger

Toronto. Editor Ev Roseborough seems to have known and met dozens of eccentric folk in the photography business. Makers of darkroom equipment like enlargers were no different. Ev has an article in issue 19-4 of our journal titled, “J.M. Paquin, … Continue reading

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Bill’s ‘something’ revisited …

Toronto. Journal editor Ev Roseborough in issue 18-4 revisits Bill Belier’s ‘something’ after a lengthy conversation with future journal editor, Bob Lansdale and Bob’s correct identification of this bit of history. Ev begins, “Gather round, dear readers, for the final … Continue reading

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some fall down … sort of

Toronto. Most film enlargers are constructed to project an image vertically downward, but not all. In this article acquisition of a Klito horizontal enlarger is discussed (Klito is a UK trademark  for Houghton products). Sometimes you are in the right … Continue reading

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in the dark of the night

Toronto. One of the thrills (and skills) of film is to watch  a print miraculously appear in the developer tray in a darkroom lit by a dim rubyish light. Every darkroom has its enlarger and/or contact printer ready to crank … Continue reading

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flattop revisited

Toronto. A few days ago I did a post on a February, 1950 ad for Kodak’s enlarger – the Hobbyist. Two months after that ad, Kodak did another one on the Hobbyist, this time explaining the way the Hobbyist ensured … Continue reading

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flattop

Toronto.  Post WW2, Kodak made goods to be all things photographic ensuring any new comer to the hobby would automatically think ‘Kodak’ when outfitting his/her camera, darkroom, studio, etc. Enlargers were no exception. In the early 1950 ad shown, Kodak … Continue reading

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PHSC News newsletter for January 2023

Toronto. The Camera Obscura shown here is from the right top of page 1 in this month’s PHSC News newsletter. The ‘Giant Camera’ once in San Francisco, California, was coloured like a huge Ektachrome box. What do you know? It’s … Continue reading

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all sizes great and small

Toronto. From the beginning of analogue (a sensitive coating and emulsion) most cameras were the size of their negative (or in some cases the positive) as prints (if needed) were contact printed. Glass Plate and film sizes varied to match the … Continue reading

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Oh Sun-Ray Days

Toronto. When minicams became the norm, enlargers were no longer an option but became a necessity to make prints from the tiny minicam negatives. Amateurs reluctant to buy high end enlargers (Durst, Omega, Beseler, Leitz, etc.)  costing much more than … Continue reading

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copy cats

Toronto. I wonder who came up with the “small negative, big print” idea? I always thought it was Leitz as part of the minicam revolution and demonstrating that a negative can be tiny and still be enlarged for a great … Continue reading

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