aptly chosen words …

Preston Springs Hotel by Stan White, c1996

Toronto. Various photographers have chosen to pick popular city locations which were photographed many decades ago, and show what they look like today given roughly the same field of view, etc.

In our journal issue 22-1, the late Stan White chose to compare stereo views “then and now”. The example here is the “Preston Springs Hotel”, just a bit west of the city. In his article titled, “Then and Now”, Stan begins, “Many people think that history finished the day they were born. It comes as surprise to an old man to find that the young consider him history. Many of us see our short sojourn through life as though from a railway station looking back down the tracks of time.

“We should be thinking of ourselves as passengers on a train speeding into the future at the same speed it is leaving the past behind – a train whose passengers are feverishly making history.

“It behooves all historical societies not to become s0 involved in the past that they have no time for the present, for the present is the history of the future. We live in a young society. In Ontario, even if we include the aboriginal tapestry, there is little tangible pictorialhistorical evidence that goes back more than 250 years. Perhaps a little more or little less in other parts of Canada.”

Members can read Stan’s thought provoking article in the issue 22-1 pdf file on the members-only free DVD which contains the first 40 volumes of “Photographic Canadiana” including an index of all articles (the index is in various formats). Those not a member at present can follow the instructions above (paying by cheque, etc.) or at right (paying by credit card or PayPal account). Questions? Email Lilianne at member@phsc.ca.  PS: Help us out, please indicate whether your membership is NEW or a RENEWAL. Enjoy!

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mr Garrett continues …

Helena Burroughs by Halsey and Sadd (?), 1840 – McCord Museum collection, Montreal, QC

Toronto. The late Graham Garrett was our guest speaker at the 20th anniversary supper. One one hand he could be downright prickly to deal with but on the other hand, he was the epitome of  a photographic researcher: determined, thorough, fussy, and very, very detailed as shown by his CD of Canadian Daguerreotype photographers (1839 – 1841).

Part one of his article titled, “Photography in Canada 1839-1841 – A historical and biographical outline” appears in issue 21-5. Part two in issue 22-1 begins, ” As to the first attempt at commerciaportraiture with the daguerreotype process in Canada, it seems to have begun in the province of Quebec by newlyestablished partnership of Halsey and Sadd who arrived in Montreal during the middle of September 1840 from New York.

“Little is known of their activity while in Montreal, however they may not have been entirely successful because of bad weather and by the end of the month they had departed for Quebec City

“Despite overcast conditions that followed them to the provincial capital, thfirst week the skies were clear and they appear to have made the most of thopportunity. The editor of the Quebec Mercury stated on October 10th that they had been ‘extremely fortunate in being favored with the clear weather and bright sun since their arrival here. They have been enabled, every day, to take a number of miniatures by this process, by which the likenesses are wonderfullaccurate.’ … “

Members can read BOTH articles in the respective pdf issue files on the free members-only DVD. To join, see MEMBERSHIP above (cheque, etc.) or at right (credit card, PayPal account). Questions? Email Lilianne member@phsc.ca. To help us, please indicate if this is a new or renewal membership. Thank you!

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in the beginning …

Matthew Isenburg – a modern daguerreotype by Mike Robinson – courtesy of NGC

Toronto. The National Gallery of Canada [NGC]  houses one of the most auspicious photographic collections. This month, writer Nathan Mandigo wrote a detailed article on the collection, its original collector, and their background in the magazine of the NGC titled, “THE ISENBURG COLLECTION: THE BEGINNINGS OF PHOTOGRAPHY“.

The late Matt Isenburg spoke to us back in April, 2000 on “Evolution of the Camera”   and again in September, 2005 on modern day collecting (Ramblings and Recollections).

Matt amassed an eclectic collection photographica. Both he and Mike Robinson of this city were elected as president of the Daguerreian Society. He was well known to Mike and our late editor, Bob Lansdale. Mike catalogued the collection when it was sold and housed in Toronto before moving on to the NGC.

The above article is well worth the read, especially if you are a bit foggy on history of photography.

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Newsletter 25-2 issued

PHSC News – issue 25-2

Toronto. Editor Patrick Gunn has put together an impressive issue for February. A fine example of his artistic and writing talent – the issues just keep getting better!

Patrick tells us the basic framework including non time-sensitive articles are already created.

Click here for a copy of this issue or visit NEWSLETTER above for this and other issues. Want a personal copy with notice sent directly to your in box? Then just email news@phsc.ca and I will add you to our MailChimp list.

This issue contains many news items and announcements in its 16+1 pages. Have a gander at the striking layout and articles. Remember, drop Patrick or me a line if you have/want photo gear.

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a visit to the great yellow father (north)

a trio of Amigos – Bill Kantymir, Les Jones, and Larry Boccioletti visit Kodak Canada

Toronto. In March of 1996 (same year as this site was launched), president Les Jones and two side-kicks, Bill Kantymir and Larry Boccioletti visited the facilities of Canadian Kodak. The photo at right is from the issue 22-1 enhanced by Topaz Photo AI and Affinity Photo.

Ev Roseborough recorded this event in issue 22-1 of our journal with the article, “PHSC Guests of Kodak Canada”, written by Larry Boccioletti. Larry’s article begins, “In March, President Les Jones, Bill Kantymir and myself were guests of Bonnie Chapman, Kodak Canada ‘s Director of Corporate Sponsorships.

“We were privileged to be given short tour of the Kodak plant. Because of the need to prevent contamination, meticulous attention to cleanliness is evident, and we donned white coveralls and hair coverings. Every door we went through had sticky pads on the floor so that any dirt on our shoe soles would be removed.

“We watched rolls of support materia(uncoated film base) being unwound inta coating machine by robotic vehicles running on magnetic tracks in the floor. After coating, the rolls, 39 inches wide and weighing hundreds of pounds, wersent to the next building, for either export to other Kodak facilities worldwide, or for slitting and spooling for the Canadian market.

“In the manufacturing area we enterean elevator, and as the doors closed, the lights went out and our escort produced a flashlight throwing very dim green illumination. The elevator too, had dim green lights along the baseboards but it was still impossible for me to distinguish any images. Im sure it would take a long time for my eyes to become accustomed to the darkness.

“Our escort, Gord Morse, guided uinto what seemed like a very large hall way which lead to the control room. It too, was lined with green dim lights alonthe baseboards. He call ed to a persositting in the dark and they had conversation. It was strange knowing thathese persons spent the better part of day in total darkness.”

Like all good things the film and phot paper industries were decimated by the influx of digital technology. Kodak’s mighty presence here and in Rochester was similarly decimated – building were destroyed, and her a remaining building was to become a subway station.

Members can always see the rest of Larry’s article in the pdf version of issue 22-1 on the free members-only DVD. Join now – the MEMBERSHIP menu above for paying by cheque or the PayPal paragraph at right to use  a credit card or a PayPal account. Questions? See Lilianne at member@phsc.ca.

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where oh where has my …

a glass slide of a dog (terrier) taken in Bath, England by a George Bath c1920s or 1930s

Toronto. … little dog gone? As the singer sang so sadly. At left is one of two glass slides of terriers with no date, purpose, etc.

Photo collectors often group their collection by kind and search shows, fairs, auctions, antique shops, junk shops, etc, for a specific type of photo to add.

The photo shown here could be categorized as glass slide, positive, animal, dog, pet, etc. by various collectors. The original is well exposed and sharper than shown here.

Be sure to attend our events this year for items that complement your own collection. Date and location, once confirmed are shown to the right. A post is pinned to the top of the front page as the event date draws closer.

PS. If you live in Ontario, be sure to vote today!

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fair weather coming …

PHSC spring fair, May, 2009

Toronto. In response to our newsletter editor’s request, president Clint Hryhorijiw promptly offered this list of coming fairs and auction of interest to photographic collectors everywhere:

PHSC Toronto auction (date to be determined)
London Ontario Vintage Film Camera Show on Saturday, April 26
PHSNE Photographica Show, Boston, (also) Saturday, April 26
Montreal Camera Show Sunday, April 27
PHSC Toronto Spring Fair Sunday, May 25 (noon to 4:30)
Toronto Camerama Sunday June 6
PHSC Toronto Trunk Sale,  Sunday, July 13, 8am to 1pm
Toronto Camerama, Sunday, September 28
Ohio Collectors’ Show, Sunday, September 6
MiPHS Detroit Camera Show, Sunday,  October 5
PHSC Toronto Fall Fair, Sunday, October 26 (noon to 4:30)

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under the double ‘U’

Rusty in 3D using Polaroid colour film and a Leitz stereo adaptor for an old Leica

Toronto. Before television ever existed and even before movies gained any traction, we had stereo B&W cards made by Underwood & Underwood. As a child in the mid 1940s, I  remember visiting a relative’s farm near-by and being enthralled by a basket of stereo cards and a viewer while the grown-ups talked in the next room. Originally the cards were intended as entertainment, travelogues, and educational accompaniment.

The other day I received an email from member Jeff Ward in Halifax N.S. Jeff recounts in the email. “I am sharing a recent CBC news item from St. John’s  NL (below) because it may be of stereo-photographic interest.

“It is about a mystery being solved by a CBC reporter to determine the name of the photographer who visited a number of outport communities in Newfoundland around 1911, resulting in a fascinating series of about 40 stereoviews. The reporter determined that the images were likely created at the behest of a Methodist organizer from Ontario named Frederick Clark Stephenson (1864-1941) who had once worked as an agent in Canada for Underwood and Underwood. He intended the stereos as a way to show would-be missionaries what it was like in the outports.

“The CBC reporter thinks she has hit a brick wall, but I am just wondering whether members of PHSC or stereo collectors may know who U&U’s photographers were, and who it might possibly have been that was sent to Newfoundland. The images are quite nicely done.”

If you can assist, drop me a line at info@phsc.ca and I will pass it along. And remember to visit our events this year. You never know but there might be a stereo gadget or special card just for your collection!

NB. The post title is a riff on an old song, “Under the Double Eagle“. The song (march) is played here by the US Navy Band, I first heard it on an Audiophile recording I bought that used 33 1/3 stereo technology and a speed of 78 rpm (about 10-15 minutes per side of a 12 inch LP).

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a lighter shade of pale

showing the effect of ‘blown highlights’ exposure? processing? fading?

Toronto. In the days of film and plates, especially those of ultra slow media, photographers struggled to get correctly exposed and developed negatives and prints. Judicious use of  lighting helped with the slow and contrasty media.

Both highlights and shadows in the print had to show some detail to be deemed properly exposed and developed. Sadly there were many cases with blown highlights or inky black shadows.

The studio cabinet card here shows the effect of blown highlights – no detail what-so-ever in the ‘whitest’ areas of the print. Under-exposed  or under-developed negatives or prints led to this situation as did fading over time.

Collectors today strive to get crisp, well exposed, well developed prints for their collection. Sometimes a less technically perfect print is accepted, especially if the content is unique: outdoors, a work scene, attractive subjects, or a famous person.

Be sure to visit our events for collectible photos, cameras, etc. Check the right side of this web site for our 2025 events as they are confirmed. A post will be pinned to page one a few weeks before the event.

The post title is a riff on Procol Harum’s  monumental song, “A Whiter Shade of Pale“.

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Hey! … four eyes!

a four lens camera creates a quartet of ‘identical’ portraits on one plate – photo by Bob Lansdale

Toronto. Little school kids can be unintentionally cruel. Any kid who falters or has an obvious medical issue gets an immediate ‘nick name’. For example, children who have corrective glasses are almost automatically called ‘four eyes’!

In the first decades of photography one way to over come copy issues was to use cameras with multi lenses – four or more. The cover shot for issue 21-5 shows an example of a four lens camera. I used that  image from a pdf of 21-5, adjusted in Topaz  Photo AI, Focus Magic, and Affinity Photo.

Inside the issue the photo is described as follows, “Four lens wet-plate camera owned by Les Jones is typical of the system used to produce duplicate images on one photographic plateImages are usually unrecognized as stereos.”

An article in the issue (21-5) called ” The Unnoticed Stereo” was written by Bob  Lansdale,  assisted by Bob Wilson. It begins, “This story started to unfold when Irwin Reichstein of Ottawa submitted a Xerox of two cartes-de-visite by George F. Maitland. Both photos looked identical but one carried the stamp of Maitland ‘s St. Catherines Gallery (1868-1874) while the other indicated his location as Buffalo, New York. It appears Maitland followed the style of other Canadian artists by establishing a studio in the more active market of America’s largest inland port.

“The photos show the grave of William Maitland with a lady (inscribed as “Minnie) sitting close by. The picture had either allegorical interpretation or a close family connection.

“I was quite surprised when Bob Wilson, free-viewing the rough Xerox  declared the pictures to be a stereo pair. I‘m always amazed how some individuals can dislocate their eyeballs in order tmerge two separate photos into one stereo image. Mr. Maitland must have photographed the scene with a stereo camera then split the negatives to each of his galleries to provide cards for the collector market.”

Read the fully illustrated article from 21-5 (and the rest of this and other issues) on the free members-only DVD. Joining the PHSC is easy – see the menu item MEMBERSHIP above (cheques, etc) or at right (credit cards and PayPal). Please indicate whether the membership is NEW or RENEWAL. Any questions can be answered by Lilianne. Her email is member@phsc.ca.

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