flash … bang …

a safer flash in 1926

Toronto. In the 19th and early 20th century indoor and night photography required flash for a decent exposure. Unfortunately, the magnesium powder that created a bright light when ignited was unstable and unless great care was taken, it would suddenly explode creating both a flash and a loud bang frightening and potentially injuring both subject and photographer alike.

In the 1920s,  a clever German design used a new process to convert the magnesium powder to a ribbon and housed the unused reel of magnesium in a fire-proof box. Only enough ribbon was exposed to give a suitable amount of light. Eventually, the magnesium was contained in a glass bulb and ignited by a small battery when ever a brief burst of light was needed.

This drawing and article was discovered by George Dunbar in the February 1926 edition of the magazine Science and Invention during his research into photographic history. We are very grateful that our friend and fellow PHSC member shared his find with us.

Posted in history | Tagged , , , | Comments Off on flash … bang …

** Our very first OUTDOOR Auction on October 4th is CANCELLED **

Toronto. The PHSC’s first OUTDOOR auction,  planned for October, 4th IS NOW CANCELLED (September 23). Our regrets to all who planned to attend this event for the high end collectible cameras (from an estate) that we intended to auction. COVID-19 permitting, a later date will be set.

Posted in auction | Tagged , , , , | Comments Off on ** Our very first OUTDOOR Auction on October 4th is CANCELLED **

stick a pin in it

1927 drawing of a pinhole camera

Toronto. Just over three years ago I did a post on the simple pinhole camera. This wonderful solution to a camera for all even had a day devoted to photographs taken by pinhole cameras (a day in April).

My friend George Dunbar discovered this sketch in a 1927 magazine’s Q&A column along with some other questions as shown. My thanks to George for sharing this bit of nostalgia turned up during his research into photographic history.

Posted in history | Tagged , , , , | Comments Off on stick a pin in it

pretty as a picture

Portrait by Stewart Maclean in PhotoEd Fall 2020 edition

Toronto. Editor Rita Godlevskis and the gang at PhotoEd have whipped up another tasty edition (Fall 2020), this time featuring fresh Canadian portraiture.

Check out this exciting issue’s articles and photos. Please note that the PHSC is represented with this ad on page 37. Design courtesy of our PHSC News editor.

Check the newsstands and the PhotoEd website and subscribe to this great Canadian photographic magazine.

Posted in magazine | Tagged , , , | Comments Off on pretty as a picture

once upon a time in Canada

Leitz Canada Summicron

Toronto. A few years after the second world war ended, Ernst Leitz established a factory in Midland, Ontario. At this subsidiary factory cameras were assembled from Wetzlar parts, manufactured, and lenses were assembled, manufactured and designed.

In our journal, issue 13-2, the son of the Canadian distributor of Leica and Minox cameras and accessories, David Carveth, wrote an article on the creation of the ELC (Ernst Leitz, Canada) factory. Initially, assembly of Wetzlar parts was done in Midland. Later cameras and lenses were also manufactured there. Few cameras were signed as Leitz Midland. It was necessary to use the serial number to tell whether a camera was assembled in Midland or Wetzlar. From the beginning of manufacture at Leitz, batches of serial numbers were assigned to different models and locales (after multiple factories were in operation) each year.

The head of ELC, Walter Kluck, brought over the equipment to make the M4 camera line when it was discontinued in Wetzlar after the CL and  M5 models arrived. The Canadian versions were the Leica M4-2 and M4-P. Doctor Walter Mandler moved to Midland to help set up the factory and stayed in Canada. His lens designs, such as the summicron 35mm f/2 shown at left, became world famous. Mandler retired in 1990. By the time the M6 was designed, manufacture and design of cameras and lenses had moved back to Germany.

In time, the majority of work and profit at ELC stemmed from American Military contracts such as those for Hughes Aircraft. Leitz discontinued retail equipment manufacture in Midland and in 1990 the Canadian factory was sold to Hughes in Los Angeles ending the storied manufacture of high end cameras and lenses here.

NB. The title is a riff on a movie, “Once Upon a Time in Hollywood“, and a line from the poem, “The Daring Froggie”  which I learned as child many decades ago in grade two and used to recite to my kids to their delight.

Posted in history | Tagged , , , , | Comments Off on once upon a time in Canada

stretching it

can you stretch emulsion?

Toronto. Good friend, PHSC member, and photographic historian George Dunbar shared this bit of whimsey with me. The February 1928 issue of “Science and Invention” included an article titled, “Enlarging Photos by Stretching” attributed to an “A W Herbert”.

Herbert posits that a formula developed by “Dr A Junghahn” of Berlin can separate the emulsion from its glass plate support and make it stretchable. Later, using a water bath the emulsion is stretched and moved to a larger glass plate. Depending on the emulsion thickness and the water bath temperature, he quotes Junghahn as saying the emulsion can be stretched up to 10x saving the aspect ratio and eliminating need for an enlarger. The formula like the doctor cannot be located.

This may be wishful thinking on the part of A W Herbert. A Doctor Alfred Junghahn did exist in Berlin as an assistant to Vogel but the only reference I could find was a paper that referenced an “Alfred Junghaun”as an assistant to Vogel. For a modest $44 US I could get a pdf copy of the paper.

The only photographic media I am aware of that purposely had the emulsion removed for printing was Eastman’s stripping film. This was the earliest film for a Kodak camera. It used an optically impure backing material so the emulsion was “stripped” and placed on a glass table for contact printing. There was never a mention of “stretching” to enlarge the image.

I haven’t seen any other reference to this idea. It is telling that the formula is incomplete in the article. Such magazines depended on these fillers to attract readers so they could attract advertisers. If you have any ideas  just send me a note at info@phsc.ca. For this post I checked out Google, Eder’s 1905 edition, and Jenkins’s “Images and Enterprise”.

Posted in history | Tagged , , , , , | Comments Off on stretching it

take it and show it

Home Movie Camera from MAy 1929 article

Toronto. One of the headaches facing the home movie crowd was the fact so many different gadgets were needed to take and show movies. One idea was to use just one instrument as both the camera, and with added illumination, the projector.

The camera and projector idea was touted in the May 1929 edition of the magazine “Science and Innovation“. The idea of a combined gadget never caught on. Wittnauer (the watch company) promoted this idea again in the 1950s and 60s selling in Jewellery stores, with the same degree of success … (A few years ago, Bob Wilson showed us a Wittnauer camera/projector at one of the Show and Tell sessions.)

It seems a bit like the ill fated Shop Smith – a machine that combined various power tools in one. Great idea; an even greater pain to use.Thanks to my friend George Dunbar for sharing this bit of history from days of old.

Posted in history | Tagged , , , | Comments Off on take it and show it

shudder and stutter -our shutter supplement

All About Shutters

Toronto. This special (Vol 1 No. 3 September 2020) is titled, “ALL ABOUT SHUTTERS”. It was sent out Friday to all current members with an email address. If you did NOT get a copy, please email me at info@phsc.ca and I will send you a copy after verification of your membership. Not YET a member? well, for Pete’s Sake! Grab your plastic and register via PayPal on the upper right of this page!

This is a reprint of a 1993 publication in California. The preamble inside the front cover states, “The advertisements and illustrations in this supplement originally appeared in The Photographist, number 97, the journal of the Western Photographic Collectors Association (WPCA) in 1993. The WPCA was affiliated with the University of California Museum of Photography and stopped publishing circa 1996, going into dissolution in 2001. For the story of the history of the WPCA, see the article in Special Supplement Vol. 1 No. 1.

“In an effort to make this material available to collectors, historians and those interested in the history of photography, this content was digitized by the Photographic Historical Society of Canada (PHSC) and Milan Zahorcak in 2019 and 2020 for distribution to PHSC members as a seven part series. The first two instalments were about magic lanterns. Subsequent issues of the series, forthcoming in the following months, are posing chairs, flash lamps and two parts covering early enlargers. If you have any questions or would like higher resolution scans of any of the images, please contact the PHSC at info@phsc.ca.”

Posted in journal | Tagged , , , | Comments Off on shudder and stutter -our shutter supplement

ZOOMin’ in the SIX

Toronto. We held our sixth COVID-19 inspired exec meeting via ZOOM. A big thanks to Celio for arranging the meeting once again. Key changes are shown below. Toronto has entered stage 3, so we held our trunk show on August 23rd – it was a great success as pent-up demand helped fuel the excitement. Next month, we plan to hold our auction OUTDOORS at the same spot. Stay tuned for details and a poster. PHSC News will go out shortly for September. Remember to sign up at news@phsc.ca for a free pdf copy.

Posted in activities | Tagged , , , , , | Comments Off on ZOOMin’ in the SIX

illuminating and breathless

camera and lighting in 1960 for a scene in the movie “Breathless”

Toronto. This is a photo of a cameraman slowly moving by a wheelie while the lighting and actors stay in place. The lady in the striped dress is none other than the tragic Jean Seberg with her French co-star Jean Paul Belmondo.  The 1960 film was called “A bout de souffle“. Or Breathless as it was known to English audiences. Seberg died a few years later.

The photograph of the cameraman and lighting in 1960 are from an article by Rob Baker in July, 2018 on the website Flashbak titled, “The Life of Jean Seberg in Pictures“.

Posted in history | Tagged , , | Comments Off on illuminating and breathless