FREE ZOOM AGM & show and tell

FREE AGM & Show and Tell (sign in at EVENTBRITE – Click here)

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… the sincerest form ….

Hasselblad

Toronto. A very common expression is, “imitation is the sincerest form of flattery“. And all the makers of high end cameras had it in spades! Manufactures in Russia, Japan, and even fellow German firms aped the design of the Leica, Contax, Rollei, and even the Sweden’s Hasselblad.

In a way, such imitation was helpful to the amateur photographer giving some consistency to cameras and offering lower cost alternatives. To me, the closest copy of a Hasselblad was the Zenza Bronica. The imitations of the Rollei, Leica and Contax are legion – so much so many people collect these imitations. A rare version/model always attracts fakes as well.

The lens on the Hasselblad in  the above photo is remarkably like the Leica lenses of the 1970s and later, especially in markings and outer material.

 

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PHSC News for December 2020

better stick with pen making …

Toronto. Parker Pen decided to branch out to the subminiature camera manufacturing. Never heard of a Parker camera? I’m nor surprised. It’s featured on page 1 of our newsletter this month (top right).

Is this really the last month in 2020 ? The year began with a positive note (in spite of the blustering Mr Trump) but soon became very chilly and ominous with the onslaught of COVID-19. Potential vaccine this month brings a bit of sunshine.

Meantime, our editor extraordinaire, Sonja Pushchak, and her team have composed this latest issue of PHSC News (20-06 – December 2020). Take a moment to read these articles and ease your troubles and cares!

Page 1 riffs on an early Hemingway article with the piece titled.”Canada’s Roof” about the photography of Michelle Valberg. This is followed by a brief tale of the mythical Lilith and the exhibition in the UK in place of the usual PHSC Presents. Page 3 remembers Eaton’s; while page 4 explains the Faraday shield. Page 5 discusses the recent pushback on Toronto’s COVID-19 rules by Adam Skelly in Etobicoke and the potential repercussions. Then David takes a shot at period Nikon SLRs in his Equipment Review, followed by a page with a nickel’s-worth of his web links, this time on WorldPress Photos, animals, and pets.

Page 8 features a poster on the impact of the pandemic and asks for participants to our December S&T via ZOOM. Email me at info@phsc.ca with Virtual Show and Tell 2020 on the subject line, and I’ll pass it on to Celio to include you in his lineup. On page 9, Ivy & Izzy are back, this time to talk about a Mies van der Rohe designed house. And as usual, we wrap up with the ever popular classifieds on page 10. P.S. Every link shown in the newsletter is a hot link just waiting for you to click!

P.P.S. You can visit this issue by clicking here, or by g0ing to the menu item NEWSLETTER at the top of the page. There is a drop down menu that takes you to older issues dating back a couple of decades to the very beginning.

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its show and tell time!

ring a bell?

Toronto. The PHSC has two events at its December 2020 meeting via ZOOM. First is a brief status report at the AGM by our president Clint. This will be followed by a Show and Tell which is traditional for December.

Details are all in our PHSC News newsletter for December. If you aren’t on the list (and just why not?) then we will have it up on this site early Saturday. If you want to join us as an attendee (it’s free) then use this Eventbrite link.

We have some contributors now, but would like to have more. Check out the latest December newsletter for details. I will forward all messages on to Celio who will be organizing the list.

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Bert Hoferichter 1939 – 2020

The late Bert Hoferichter by Robert Lansdale

Toronto. I was sad to hear that Mr Hoferichter of Mississauga died recently in Alliston where he last lived. Bert owned and ran a studio for decades down in Port Credit (Mississauga). He joined Humber College some years ago, teaching our current president amongst others.

Photographer Norbert Bert Hoferichter died this past Sunday, December 6th. You can join in on a ZOOM tribute this coming Saturday. Details are included in his obituary at the Drury Funeral Centre.

Bert was also a member of the PPOC and was the subject of one of the late Marg Lansdale’s columns which was included in her 1997 book. A copy of that column is shown here courtesy of our journal editor, Bob Lansdale. My special thanks to both friends – PHSC president Lewko (Clint) Hryhorijiw and journal editor Bob Lansdale for their contribution to this post.

 

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typewriters and cameras? really?

LIFE magazine ad for a typewriter and camera

Toronto. When I was a kid, a popular saying was that “a picture is worth a thousand words“.  In the late 1960s, there were two big ideas in amateur cameras: Super 8 home movies, and 16mm sub-miniature cameras. By then colour photos were a growing portion of  films and prints. Film resolution had improved to the point that both super 8 for movies and 16mm rolls for stills were both practical and desirable.

To attract a wider clientele for its portable typewriters, Smith-Corona offered a huge discount on a camera when one bought their electric or manual model. This pp18-19 June 27, 1969 ad in LIFE is typical of the strategy manufacturers of the day used to gain market share: link your product to a non competitive but desirable product at a deep discount. In this case, buy a Smith-Corona typewriter for your student and get a cheap (low end) movie or still camera for a few dollars more.

Within two decades, the typewriter was dead or dying – replaced by the ubiquitous computer. In business, the word processing system replaced typing pools. At home, the computers and printers of the day replaced the personal typewriter. Such is history.

Thanks to my old friend George Dunbar for sharing this ad with me. George spotted it while researching photographic history.

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it’s complicated

Ad for Polaroid Colorpak II in Life Magazine

Toronto. Photographic product makers worked hard at besting one another to capture a larger segment of the ever growing amateur photography market. Typical of the strategy was this May 1969 ad in LIFE magazine touting Polaroid.

The ad emphasizes its inexpensive, technically complex, and super easy to use colour camera! While a Polaroid camera may look complex, most cameras of the era – or any era – are just a shutter, an aperture device, a means to focus, a lens, a sensitive media, and a light tight box to keep the sensitive media and the lens the right distance apart.

As Lipinski says in his 1955 book “Miniature and Precision Cameras” about Leitz’s famous camera, “It can safely be said that the Leica mechanism has evolved around its focal plane shutter. There is hardly anything more in it — there is indeed remarkably little inside a Leica anyway.

My thanks to my good friend and fellow photographic history buff, George Dunbar, for showing me this ad from the May 30, 1969 issue of LIFE magazine.

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professional photographer

Daring do of the News Photographer

Toronto. From the very beginning of the art we had studio and landscape photographers. As the art evolved,  becoming faster in exposure, simpler in execution, and growing in popularity, the professional focus rapidly diversified.

An example is this 1913 article from  “Popular Electricity and World’s Advance”, showing a news photographer taking to the air in an aircraft whose technology was barely a decade old. Scary stuff showing the daredevils of news photography who will take great risks to make a photo for their newspaper.

This post is based on an article emailed to me by my good friend and fellow PHSC member, George Dunbar.

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the gang’s all here

Family Photos

Toronto. When Kodak invented their first camera and began marketing it in 1888, for the first time amateurs could take snaps on a roll film and send them elsewhere for processing. In this case sending the exposed film still in the camera and the camera back to Kodak where the roll of film was replaced, the previous roll developed and printed, and prints and camera returned.

By making picture taking easier, the audience for photographic products was expanded and the snapshot phenomenon took hold. Brian Coe wrote a book called “The Snapshot Photograph – The rise of popular photography 1888-1939”. Over time the snaps became more than just a recording of family events and history, but a means to illustrate the evolution of technology, fashion, and even humanity. Today, Facebook considers the most commonly used camera of all is that in the ubiquitous smart phone.

This photograph, thanks to a note from my good friend George Dunbar, is from a 2012 article on the Canada’s History website by Paul Jones titled, “Roots: Understanding Family Photos“. Click on the article link and read what Mr Jones has to say about the family snapshot.

The title of this post is from a 1940s movie of the same name.

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All About Enlargers – Part A

All About Enlargers – Part A

Toronto. What do you do when a photograph negative is too small? Enlarge it! You may be surprised to learn that enlarging apparatus came along well before the minicam revolution of the 1930s. In this special members-only supplement (vol 1-6) Part A shows the various devices available to enlarge the existing sensitive materials.

Vol 1-6 was sent out last Friday afternoon to all current members with an email address. If you did NOT get a copy, please email me at info@phsc.ca and I will send you a copy after verification of your membership. Not YET a member? well, for heaven’s sake! Grab your plastic and register via PayPal on the upper right of this page!

Stated in the supplement, “The advertisements and illustrations in this supplement originally appeared in the The Photographist numbers 109 and 110, the journal of the Western Photographic Collectors Association (WPCA) in 1996. The WPCA was affiliated with the University of California Museum of Photography and stopped publishing circa 1996, going into dissolution in 2001. For the story of the history of the WPCA, see the article in Special Supplement Vol. 1 No. 1.

“In an effort to make this material available to collectors, historians and those interested in the history of photography, this content was digitized by the Photographic Historical Society of Canada (PHSC) and Milan Zahorcak from the U.S. in 2019 and 2020 for distribution to PHSC members as a seven part series. The first instalments were about magic lanterns, posing chairs, flash lamps and the last will finish a two-part presentation on early enlargers. If you have any questions or would like higher resolution scans of any of the images, please contact the PHSC at info@phsc.ca.”

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