Tag Archives: Leitz

the keepers of night

Toronto. Since photography began there was always some means to keep the plates or film protected from the light.  When the Leica and its competitors arrived. Leitz made a very heavy and elaborate reusable cassette that opened only in-camera as … Continue reading

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and to cap it off …

Toronto. Dust and dirt everywhere! How can you keep it out of camera bodies and lenses? Easy, cap the openings! Since the early days of photography, caps have been used to keep out dust and dirt when the camera or … Continue reading

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hardly ever

Toronto. In the late 1950s, I bought my Exakta VX IIa complete with an “ever-ready” case. Like many youths of the day, we called these “never-ready”cases since the camera couldn’t be used until the case was opened. When the box … Continue reading

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up close and personal

Toronto. I took this shot in October 2014 with a century old Zeiss licensed, Krauss made Tessar 35mm f/3.5 at f/22 after looking at the soil sample under a Leitz stereo microscope using 12.5x, 50x, and 100x magnification. The Tessar … Continue reading

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bakelite beauties

Toronto. Leo Baekeland was born in 1863 in the Belgian city of Ghent. As a professor of physics and chemistry, he and his wife visited American universities in 1889 and he joined the photographic firm of E and H T … Continue reading

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plus ça change

Toronto. It is said that the more things change, the more they are the same. Like the Zeiss Sonnar lens for example. Larry Gubas in his massive text “Zeiss and Photography” shows the Sonnar as it was initially sold in … Continue reading

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getting a leg up

Toronto.  Over the years there were many kinds of camera supports. The early studio supports were massive wooden boxes, usually with four legs. When cameras were used outdoors we soon saw the traditional three legs – tripods – first of … Continue reading

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just give me a ring …

Toronto. With the sudden burst of growth in the minicam industry, major players like Leitz and Zeiss produced a large variety of lenses, camera models and attachments to make their little marvels suitable to tackle almost any photography job imaginable. … Continue reading

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stretching it

Toronto. In 1951, Leitz offered a Universal Focussing Bellows (Bellows I). This bellows worked with the 13.5cm lens head and Visoflex mirror box to make photographs from infinity down to 1:1. A 5cm lens head and the focoslide focussed from … Continue reading

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no direction home

Toronto. The c1937 sub miniature camera called the Compass is designed in the UK and made in Switzerland. It uses 35 mm film (cut or roll) in a full frame format. The design is the opposite of the 35mm camera … Continue reading

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