Macro at PhotoEd – Fall 2016

Fly by Paul

Tachinid Fly by Paul Eekhoff

Toronto. The fall 2016 edition of PhotoEd has an article by Paul Eekhoff on macro photography (pp22-25). Since the beginning of photography we have been fascinated with macro photographs.

Even before 1839, microscopes allowed those curious about macro views to see tiny things up close. Cameras and lenses were designed for the most part to be used no closer than 1m from the subject. To get in closer and stay in focus, auxiliary positive elements, close up tubes, or bellows were used.

These devices needed special guides to keep the subject in focus and “in the frame”. Today with modern digital cameras, there is no problem with focus or framing as the camera shows the image the camera sees whether it is a simple “point and shoot” model or a higher quality DSLR. Paul has many insects displayed on his site (sub menu item –  Commissioned Still Life & Product) – gorgeous.

In this article, Paul shows how to use a white backdrop, a DSLR, macro lens, bellows and a stand. The results are simply spectacular. Pick up a copy of this issue of PhotoEd on your newsstand and have a look!

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Papering things

Fine quality paper for halftone pictures

Fine quality paper for halftone pictures

Toronto. George Dunbar seems to find interesting things on the ‘net and asks very insightful questions. George recently suggested that we consider paper manufacturers in our pursuit of Canadian history.

Not the paper we photographers usually think of – the baryta covered, emulsion coated papers used for developing prints in a chemical based darkroom – but fine quality paper used in expensive catalogues and books to reproduce photographs using the half-tone process. The Art Photo Book paper manufactured by the Canada Paper Co. Limited was one such paper.

During the summer of 1985, I bought a large book “Private Realms of Light“. Edited by Lilly Koltun, it was written by members of the Public Archives of Canada (National Photography Collection) and contained reproductions of photographs taken by Canadian amateurs in the period 1839 – 1940. It was printed a year earlier here in Toronto by Fitzhenry & Whiteside. The book reproduced the essence of an exhibition shown in Ottawa at Public Archives Canada from mid July to mid October 1983.

The illustrations are remarkably like photographs. The salesman for F&W told me at the time that it was one of the last books of such a quality to be published in Canada due to the sky-rocketing cost of quality paper needed for such beautiful reproductions. Today with digital printing and print on demand we are once again seeing high quality photographic reproductions in print – like Robert Wilson’s book Secure the Shadow on Benjamin Franklin Baltzly and his photographs.

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Are Kiosk Prints Better?

Kiosk Prints vs.Pro Labs

Kiosk Prints vs.Pro Labs

Toronto. George Dunbar raised an interesting question the other evening.

“What process is used today to reproduce prints at Walmart from digital files?”
“Inkjet printers,” I asked?
“Maybe for large prints,” said George, “Smaller prints use a type of dye sublimation.”
Walmart actually uses two Kiosks: Kodak Kiosks and their own design in collaboration with Fuji. They and others also offer remote online printing which uses a central system and mails the prints out to the consumer.

A blog called “Back Impressions Photography“, while not verifying the process, conducted two analysis. The first called “Print Lab Comparisons: Professional Versus Consumer” compared prints from a few popular American sites with the owner’s professional lab. The second, called “Digital Images Printed: Walmart Versus a Professional Lab” discusses the impact of electing to let Walmart print your prints. Apparently not all Walmart’s are the same when it comes to prints from digital files.

The consumer labs seem to use heavier sharpening and a darker colour than Pro labs. The author suggests which consumer processor is better and how to avoid any added sharpening.

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Art & Storytelling: Photographs and Photobooks

Image to be auctioned today by Swann Galleries

Image to be auctioned today by Swann Galleries – one of 28 photographs in lot 10

Toronto. Daile Kaplan of Swann Galleries sent me a note saying they are hosting their latest photography related auction today beginning at 1:00 pm.

You can view the online catalog here.

 

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Eaton and Photographers

Funeral of Sir John Craig Eaton, Toronto, 1922

Funeral of Sir John Craig Eaton, Toronto, 1922 – Wm James

Toronto. My friend George Dunbar dropped me a note a few days ago regarding a photograph taken by William James back in 1922 at a funeral on St Clair Avenue West in Toronto (fonds 1244, item 1020)  courtesy of the City of Toronto Archives.

Canadians of a certain age remember the famous Eaton’s – Simpson’s competition. The two firms once had large department stores at Yonge St in Toronto on either side of Queen. Both companies published thick – really thick – catalogues each year. Growing up just north of Toronto, I can recall the excitement of going through the catalogues near Christmas time to see what “Santa” would bring. The blog site “Toronto Then and Now” has a wonderful article on Eaton’s. Continue reading

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Analog to Digital

Toronto Island Horses Summer 1978

Toronto Island Horses – Summer 1978 (cropped)

Toronto. It is popular today to describe the old silver-based chemical processes we grew up with as “analog”. Photographer Tony Pickard in the fall 2016 issue of PhotoEd magazine wrote an article on converting and storing old analog photo materials as digital files. His article covers a professional work flow converting 35mm or larger negatives (B&W and colour) to digital files.

Why bother, you may ask? Well, digital processing and printing is much faster than the old cut and try darkroom methods of yesteryear plus the digital files are capable of using key wording so images can be found with a fast computer search. Continue reading

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Archives and the Internet

Available on archive.org

Available on archive.org

Toronto. Last Wednesday, Mike Smith was our speaker and gave a postcard perspective on Goderich photographer Reuben R Sallows who was active in the late 1800s – early 1900s. Mike and co-author Larry Monring are writing a book on Sallows and postcards due out next month.

In the course of his talk, he mentioned the difficulty he had verifying Sallows’s work on postcards. One source of magazines he singled out was a site called archive.org. This site has a wealth of books and videos on a wide variety of subjects from an equally diverse number of libraries.

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Canada and the Great War 1916

Canada and the Great War 1916

Canada and the Great War 1916

Toronto. Lampton House in the west end of Toronto is hosting a talk by John Beram called “Canada and the Great War 1916” on November 10, 2016 from 7:30pm to 9:00pm.

My thanks to Ms Joy Cohnstaedt of the Heritage York group.

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Fort York

Fort York Bock House rebuilt 1813

Fort York Bock House rebuilt 1813

Toronto. Fort York predates Toronto. Burnt in the beginning of the war of 1812, it was rebuilt the following year (1813). Today, the fort, relocated just north of Lakeshore just east of the CNE grounds, is a popular tourist destination.

My friend George Dunbar sent me a note suggesting the Fort York newsletter (The Fife and Drum) might be of interest to members. Have a read of their recent newsletter and learn some history of our city and country.

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Rescued Film Project Redux

Rescued Film Project - Redux

Rescued Film Project – Redux

Toronto. My friend Russ Forfar sent me this follow up to the Rescued Film Project post.

Interesting videos and a purpose to rescuing anonymous photographs is explained in this short article posted by Al Jazeera.

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