Slow speed ahead…

Leitz HEBOO slow speed accessory

Leitz HEBOO slow speed accessory

Toronto. One of the perks of collecting Leicas is the vast array of accessories available – not just additional lenses, but close-up frames, lens elements, extension  tubes, view finders, rangefinders, timers, rings, hoods, bellows, flash guns … and a slow speed device.

Screw-mount Leicas use a tiny focal plane shutter with two horizontal curtains. The gap between them gives an exposure from about 1/20th second to 1/300 or 1/500th second. A “B” setting sends the first curtain across the focal plane when the shutter button is first pressed and the second curtain when the shutter button is released.

At first, customers asking for a slower timed shutter were sold a special model B camera with a leaf shutter in lieu of the focal plane shutter. Later camera models added a timer to the camera so users could set the shutter to slower times up to a one second exposure. Early and less expensive models did not have this slow speed timer built in.

Owners of a less costly Leica could return it to the factory to have a slow speed shutter time installed or from about 1935 they could buy an accessory code named HEBOO to attach to the the shutter release to provide slower shutter speeds (1/8, 1/4, 1/2, 1 sec).

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Schneider Kreuznach Tele-Arton Lens

Schneider Tele-Arton f/5.5 240mm lens

Schneider Tele-Arton f/5.5 240mm lens

Toronto. At one of our mid 1990s fairs held at the Queensway Lion’s Club, I picked up a small f/5.5 240mm telephoto lens in a Leica screw mount. It was sold to me by Jim McKeen. Jim was retired from his hardware store in Hamilton and had attended our fairs for a few years to sell off his camera gear. He was a birder and used this lens for that purpose. It had a 39mm Leica thread mount and a mis-spelt engraving “Arlon” instead of “Arton” – someone in the factory forgot to cross their “t”.

It was a bit unusual since the lens was intended for medium to large format cameras, not 35mm cameras such as the Leica. It was newer (c1950s with factory coated elements), lighter, had a slightly longer focal length and was about a stop slower than the 200mm f/4.5 Telyt I had.

When digital came along, I tried the Tele-Arton out using the Leica bellows, rings and housing  with my Sony Nex-5. It was a good sharp little lens for the Sony giving the equivalent of 360mm focal length. N.B. this post is a repeat of another more detailed post back in March of 2011.

Left - Kodak Timer with Tele-Arton, Centre - Hydro Pole with Tele-Arton, Right Engraving error

Left – Kodak Timer with Tele-Arton, Centre – Hydro Pole with Tele-Arton, Right Engraving error

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Your Photo is in the Mail – Review of October Presentation

Mike Smith by Robert Lansdale

Mike Smith by Robert Lansdale

TorontoThe Postcards of Reuben R Sallows is a talk by Mike Smith on Reuben Sallows of Goderich and the use of his photographs in magazines and on postcards. The short talk preceding Mr Smith is a brief overview of Orillia’s Street Alive summer art featuring columns of cameras (story poles) as described by Mark Singer. After his talk on Reuben, I gave Mike a lift to the Mississauga Bus terminal at Square One. I have a tenuous connection to Reuben Sallows – my eldest daughter contributed code to the designer of the Sallows web site.

Mike explained that he became an authority in postcards after discovering just how inexpensive rare postcards could be. He has written many definitive books on postcards all carefully illustrated. Each postcard is given a valuation not unlike McKeown’s guides for cameras. Mike mentioned that Sallows was an unsung hero with beautiful photographs depicting life in Southern Ontario and Canada in the 1900s. He felt Sallows was an inspiration to many artists including the American, Norman Rockwell. Mike currently lives in Goderich.

Continue reading

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PHSC Image Show Downtown

PHSC Image Show

PHSC Image Show

Toronto. Well you asked us to hold the Image Show downtown and here it is! The show is on Sunday, November 27th, 2016 at the Arts and Letters Club.

SORRY, ALL TABLES NOW SOLD! COME OUT AND SEE THE SHOW.

For full details see our Sonja Pushchak’s creative poster at  left or view our earlier post!

PS. While you are there, Cornelia Persich of the A&L Club invites you to see a show of the club members’ work as well. Click for details.

See you at the show!

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PHSC News 16-6

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c1915 WW I British Aeroplane camera in memory of November 11th.

Toronto. Editor David Bridge has issued another pdf newsletter in the new format. Much of the content was created by Sonja Pushchak and John Morden. The links are thanks to Louise Freyburger and the notes on the Braun Paxette and extinction meters are contributions by editor Bridge.

The lead article announces our speaker for November, Toronto photographer Laureate, Geoffrey James. Page 2 is a brief summary of Mike Smith’s October talk on the postcard and magazine photographs of Reuben R Sallows. Next is the beautiful poster announcing our downtown Image Show later this month followed by a column by David Bridge in which he talks about a Braun Paxette and its extinction meter.

In memory of Remembrance Day, Sonja Pushchak writes of Women at Work during WW II. This is followed by a page of Fall Fair Finds, then Louise Freyburger’s column on web links. We then list the PHSC Talks and Events. The popular column Ask Vicky follows plus the final page covering classified ads and camera shows. In all a colourful ten pages of delightful and informative information.

Click the icon at left or here to read and print this ssue.

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Lest We Forget…

Vimy Monument taken by Toronto photographer Racheal McCaig

Vimy Monument taken by Toronto photographer Racheal McCaig

Toronto. Last April, Tom Bochsler talked about his visit to the European monuments, cemeteries, and battle grounds of the two great wars including Vimy Ridge.

Next year is the centennial of the end of the Great War. To celebrate the event, Canadian photographer Racheal McCaig has been invited to attend a memorial in France. Ms McCaig took the photograph shown at left while on vacation with her children. You can read about Racheal and her invitation in this article from the Saturday, November 5th Globe and Mail.

And be sure to take a moment today to reminisce at 11:00 am with the traditional minute of silence!

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Digital still needs a Pro Photographer

Photoshop and Kurt Isw Image

Photoshop and Kurt Iswarienko “after” adjustment image

Toronto. Kurt Iswarienko in a recent article on PetaPixel discussed the digital darkroom. Basically, the article noted that while moving from chemistry to pixels meant an easier task to transform a shot, it still took a professional photographer to make the results turn out pleasingly as a photograph.

This reminded me that back in January, 2003, after a talk at the PHSC meeting by George Hunter “Tales of a Photographer”, I watched in fascination as Bob Lansdale took a portrait of our speaker using a Kodak digital point-and-shoot – plus over a half century of experience!

 

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IPhone 7 vs. Leica M9-P

Apple iPhone 7 photo by Shin Noguchi

Apple iPhone 7 photo by Shin Noguchi

Toronto. PHSC member and friend George Dunbar sent me an email three days ago about an article on PetaPixel. The article compared the results of two cameras using 35mm lenses or equivalent (iPhone 7). Check out PetaPixel for other interesting articles.

The comparison was done by Japan’s Shin Noguchi. Both Apple and Leica are favourite brands of mine. I have owned Leicas since the early 1970s and Apple gear since 2007. It is surprising how good the Apple photo looks compared to the Leica when you notice the diminutive size of the Apple sensor and the cost of the iPhone 7 – less than a tenth the cost of an M9-P with the Summicron lens.

Interestingly, the comparison is between two digital cameras, not digital vs. film. The M9 is a similar format to my favourite Leica – an M4. My 35mm lens is also an f/2 Summicron all be it decades older and made here in Ontario. My Apple gadget is a two year old iPod Touch,

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We Have a remarkable Editor

Dr Gotlieb by Robert Lansdale

Dr Gotlieb by Robert Lansdale

Toronto. As I ate breakfast last Friday (Nov 4th), I read with interest the Globe’s obituary for Kelly Gotlieb, the father of Canadian computing. Gotlieb earned that title when while  associated with the U of T, he imported Canada’s earliest computer from Ferranti Electric in Britain. The computer was named FERUT – FERranti U of T). This obit interested me for two reasons. Firstly, at Bell we brought in some U of T computer folk to help us expand our facilities. Secondly we heard Dr Norman Ball speak on Niagara at our February, 2011 meeting. Dr Ball had written a detailed book on Ferranti-Packard.

As I glanced at the accompanying portrait of Dr Gotlieb, I sensed something familiar-looking about the portrait. Reading the cut line below the photograph, it leaped out at me: ROBERT LANSDALE /COURTESY OF THE UNIVERSITY OF TORONTO ARCHIVES.

Years earlier Bob had casually mentioned to me that he had donated much of his professional work and negatives to the U of T Archives. We are truly blessed to have this creative photographer as PHSC’s official photographer and editor of our journal Photographic Canadiana.

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Before we had Photography

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Before we had photography – pencil illustrations by Paul Cadden

Toronto. PHSC member and friend George Dunbar came across these remarkable photo-like B&W pencil illustrations by Paul Cadden of Scotland.

Before 1839, only paintings or sketches by very talented artists could record your appearance for posterity – and that took considerable money too! When Daguerre and Fox-Talbot announced their processes that January, it started the world on the way to cheaper accurate renditions of ordinary people culminating in today’s incredible smart phone digital cameras which automatically adjust focus and light balance leaving little to chance.

Paul Cadden does pencil illustrations so detailed and realistic that they appear at first to be photographs. The site Bright Side was the source of these remarkable images.

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