Kine Exakta in 1950

Exakta Varex IIa
from the late 1950s
with an auto-Quinon
58mm f/1.9 lens

Toronto. Many thanks to George Dunbar for the 1950 Popular Photography ad featuring the famous 35mm Exakta V (Exakta Varex here). I bought my Varex IIa  in the late 1950s being impressed by advertisements that promoted the wide range of speeds and lenses offered,  plus the large viewfinder and through the lens viewing.  The scene through the Exakta view finder and lens is breath taking to one who previously used Kodak boxes and folders, or looked through a Leica screw mount camera viewfinder.

Click on the icon for the Varex IIa (Actually named a VXIIa in the States) to see the ad for the vintage Kine Exakta V. The Exakta cameras originally used roll film or small glass plates. Post war, the Kine Exakta was also offered. Ihagee was one of the first if not the first camera maker to offer a single lens reflex model that used 35 mm cine film in standard 24 or 36 exposure cassettes. The designer was left handed hence the placement of the rewind lever to the left side.

I bought a second Exakta in the late 1960s (an older Varex VX) when it became evident that my Varex IIa was suffering a serious mechanical defect. Both models were similar to the model V of 1950. The later Varex IIa used standard pc connectors for flash instead of the unique two pin connectors used earlier. Years later, I learned that the Exakta’s reflex capability came at a significant penalty. Lenses from normal to wide angle had to use retro-focus designs which resulted in serious compromises in resolution and distortion correction.  Surprisingly, the prints from these lenses looked very good indeed.

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Innovations from Graflex in 1949.

December 1949 Graflex Ad inPopular Photography

Toronto. Thanks once again to George Dunbar for this crisp ad about the Graphic/Graflex cameras. It appeared in the December 1949 issue of Popular Photography.

The big deal on the Graflex was twofold: An extra bright viewfinder courtesy of an Ektalite field lens and an auto full aperture lens which closed to a predetermined stop just before taking an exposure.

Nearly a decade later I bought an Exakta 35mm SLR with a beautiful bright viewfinder using the same concept to give a bright image and lenses that could be preset to stop down before the exposure was made –  one lens stopped down automatically and the other two with a special pre-set aperture ring. This was my first experience with such a large and bright viewfinder.

As to the Graphic, it boasted a coated and colour corrected lens with built-in flash capability at all speeds (i.e. it had a leaf shutter in the middle of the lens).

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Seasons Greetings Christmas 2017

Toronto. Merry Christmas and a Happy New Year from all of us at the Photographic Historical Society of Canada (PHSC).

Courtesy of Current Catalog dot Com

This trio of snowmen are one of the many cards you can purchase from Current Catalog.

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Delores Gubasta on Don Newlands Archive – review

Delores Gubasta with some Don Newlands prints

Toronto. Our second speaker at the October 2017 meeting was Ms Delores Gubasta. Delores, owner of the web site Klixpix, spoke and showed examples of photographs taken over a half century earlier by Don Newlands. She spoke tonight about the Don Newlands photographs and how she was introduced to Newlands near the end of his life when he lived in Cobourg. 

The first Newlands photograph she saw was one he took of Pierre Trudeau rowing to Cuba. The 150th anniversary edition of PhotoEd magazine featured an article by Delores and the Trudeau- Cuba-boat photograph. Continue reading

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Sam Schlifer – December 18, 2017

Sam Schlifer
by Robert Lansdale

Toronto. Our good friend and fellow PHSC member Sam Schlifer passed away this past Monday, December 18, 2017. I last saw and spoke with Sam at our fall fair on October 15th.

Sam joined the PHSC back in 1980. Amongst other things, he enjoyed collecting and using Leica gear and 3D photos and accessories. In 1983 he and I swapped a couple of Leica lenses. I got an old VAROB enlarger version of the famous Elmar while I traded Sam an old camera version.

Our membership secretary, Wayne Gilbert, sent me a note. He said, “I’m sorry that I missed the announcement. Sam was one of my very first customers at the Camera Hobby Centre in Crang Plaza in 1957. At that time he was working for Murphin’s Heating and had a huge collection of 2”x 3” photos of wartime stuff which he often brought into my store to discuss.

“We kept our relationship over these 60+ years and, with many other people, I won’t forget him.”

My thanks to Bob Lansdale for this colour image of Sam taken recently. Sam wrote a couple of  articles in the Photographic Canadiana, and was involved for a time in the executive of the PHSC as I recall.

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Nikola (Nick) Njegovan 1944 – 2017

Nike Njegovan
by Robert Lansdale

Toronto. Nick passed away a few months back on July 3, 2017 at McNally House in Grimsby, Ontario. Nick  was a well respected teacher of Photography. He joined our society in 2004 and was a frequent exhibitor at our fairs.

One of the condolences on the funeral home website is this image at a fair taken by long time PHSC member Harold Staats.

We will miss seeing Nick at our fairs.

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Architecture in Photography Exhibitions 1858 – 1861 – review

Natalie Banaszak by
Robert Lansdale

Toronto. We were graced with two excellent speakers in October, 2017. Natalie Banaszak was our Ryerson University thesis winner in 2016. In this presentation, she reviewed the highlights of her thesis and augmented a few items recently reproduced in our Photographic Canadiana. As noted, the photograph she chose are from the collection at the Museum of Fine Arts in Houston, TX. The thesis is summarized beginning on page 6 of issue 43-3 of Photographica Canadiana.

The  talk presented the first time photography was used in a public exhibition (1851 – Crystal Palace in London, England) followed in 1853 by the formation of photographic societies like the Royal Photographic Society. The societies focussed on the art of photography and the sharing of examples.

Continue reading

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September 2017 Show and Tell – Review

Bob Lansdale
Manitoba Land Grant Certificate

Toronto. The past program secretary, Les Jones, arranged to kick off the fall sessions with a Show and Tell meeting devoted to Canadiana in recognition of Canada’s 150th anniversary. While we usually have a show and tell in December, this year we rreserved the year end talk for another speaker. The presentations were co-ordinated by our new program secretary, Yvette Bessels. This year we had a bit fewer speakers than usual (seven).

First up was editor Bob Lansdale who showed a Manitoba land grant document which he bought at a PHSC fair from Darren Dalton. The land grant certificate nicely complemented a recent article in issue 42-1 of Photographic Canadiana on the history of photographer James Penrose who spent his later years in Winnipeg. Continue reading

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Coe’s opus on Colour Photography

Colour Photography – Brian Coe 1978

Toronto. Brian Coe wrote this charming and concise history of Colour Photography in 1978 when he was curator of the Kodak Museum at Harrow, England. Sadly, the museum closed for good in 1985 – a precursor of the effect of the digital era?

The article I linked to above was written in 2009 by Michael Pritchard, who spoke to us back in October of 1997.

While the book is written from the perspective of Kodak, it does cover the key events in the evolution of colour in the first century of photography – lots of illustrations. Covers both additive and subtractive colour processes. Goes from hand coloured prints to special tri-plate cameras to Kodachrome.

 

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Another – more colourful – Louis

Louis Ducos du Hauron
in a 1910 Autochrome
slide.

Toronto. The most popular modern day photographic techniques rely on the tri-colour vision of humans. Using only three colours in various strengths the entire visible spectrum can be seen by the human eye. There were are basic techniques, so called additive (RGB) processes and subtractive (YMCK) processes.

The first was used mainly in transparencies for about 35 years since by its very nature the additive processes reduce the light transmission rendering the method extremely slow. After the mid 1930s the subtractive processes came to the fore and offered prints and faster speed transparencies.

The Frenchman,Ducos, predicted and often patented the colour options well ahead of any capability to commercially create them. Louis Ducos du Hauron lived a long life from late 1837 to the summer of 1920. One again, I am indebted to Brian Coe who wrote on photographic history while the curator of the Kodak Museum in England. His theme in his 1978 soft cover book is Colour Photography.

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