long before digital we had Polaroid!

SX-70 Polaroid Photo c1997

Toronto. George Dunbar sent me a few old photography ads including this July 1950 Popular Photography Polaroid ad. The Polaroid ad brought to mind many old memories.

As a kid in Allandale, I had my first camera – an old Kodak box camera. After I used up the roll of film with about 8 to 12 shots, I ambled down to the local drugstore. My exposed roll was sent off to Chas Abel in Toronto for processing and printing.

Developing the roll cost a dime while any frames worth printing added a few cents per print. A week or so later, my film would come back processed and – hopefully – printed.

Before Polaroid, finding out if your shots were good took days to weeks depending on how fast you finished the roll and where you took it for processing. All this changed in the late 1940s with Polaroid’s revolutionary “picture in a minute” process. But there was a big problem with Polaroid’s very complex and well built cameras and process: cost. The camera and film (and subsequent print) were far more expensive than a Kodak box camera, traditional film, and processing. Which is why so many Polaroid cameras were used briefly then set aside on the shelf. Continue reading

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History of Field View Cameras

E. & H.T. Anthony Phantom
Field View Camera

Toronto. Back around the end of November, Russ Forfar sent me the link to a History of Field View Cameras. Most of the 1800s, once photographic processes where announced in 1839, Camera were generally what we once called field view cameras

. These bulky instruments were mostly mounted on elaborate tripods since most exposures were minutes or sub-minutes in length.

Near the end of the century, when dry plates and then roll film became common, hand held shots in sunlight became possible using slow sub-second exposures. Even then, the larger cameras still needed a tripod for support. Shown is the Anthony Phantom camera patented in 1882 and made in the late 1880s to early 1890s

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Toronto Postcard Show February 25, 2018

TPC Show February 25, 2018
Click icon above for large poster

Toronto. The Toronto Postcard Club is hosting its annual show this coming February. Ed Warner and I have attended on occasion to promote the society. Many booths offer photos as postcards and others allow you to “Pursue your interest in history with vintage postcards”. For example, I found some interesting old postcards of Barrie as well as seeing the odd old photograph and book.

The Toronto Postcard Club says,”Come to our Show! There are sure to be some century old postcards about your subject in the 1,000s offered for sale.

“If you like historical images, this show is for you.

“Accessible by TTC, parking is free at The Japanese Canadian Cultural Centre [JCCC] in Don Mills”.

For details, visit the TPC at www.torontopostcardclub.com or email them at info@torontopostcardclub.com

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Rectaflex – an Italian 35mm SLR

courtesy of Antonio Calossi

Toronto. My thanks once again to my friend and fellow PHSC member George Dunbar for this  vintage July 1950 ad from Popular Photography magazine.

The Rectaflex camera at the time was manufactured in Italy and is relatively rare as it was made in small numbers and soon disappeared from the market in the face of the wave of Japanese cameras that inundated North America a few years later.

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Happy New Year Everyone!

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the power of persuasion

IIIf from LIFE ad 1954

Toronto.

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First CAMERAMA show of 2018

CAMERAMA
January 14, 2018

Toronto. Friend and PHSC member Gary Perry reminds us all that his first CAMERAMA show of 2018 is on JANUARY 14th, 2018.

Click the icon at left for details or email Gary at torontocamerashows@gmail.com.

He is also on Facebook at facebook.com/Toronto Camera Shows

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Grant Munro dead at 94

Grant Munro in 1947

Toronto. Years ago, Grant Munro of  the National Film Board (NFB) made animated films that were Oscar contenders. Ironically,  Grant never owned a computer or cell phone!

Grant created all his animations manually since the NFB of the day was without any computing capacity. (The computers of the 1950s and 1960s were massive room size beasts with puny computing capability. Even high end computers of the 1970s and 1980s were less powerful than a modern smart phone.)

His big event was collaboration with Norm McLaren on the 1953 Oscar winning Neighbours for the NFB in 1952.

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Arriflex turrets build up post war

LIFE photo for Arriflex cameras in early 1947

Toronto. My thanks to George Dunbar for this LIFE photograph in the February 1947 issue and his sharp eye that identified the turrets as those for the famous professional Arriflex cameras. The photograph shows the unintended problems caused by dividing post war Germany into zones controlled by the various victorious countries.

The German Arriflex could not obtain lenses because Zeiss was now in the Russian zone while the alternative lens maker, Schneider had fallen in the French zone, neither of whom could (would?) send lenses to Arri of Munich in the American zone.

Arriflex cameras are well known today as the camera of choice for Hollywood movie making. And of course Zeiss, Schneider and Arriflex are still in business.

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Whittaker Micro 16 camera ad

Whittaker Micro 16.
Click to see
Jan 1947 LIFE ad.

Toronto. On my 25th birthday, my sister, gave me a copy of Cooper’s 1958 ULTRA-miniature photography book as a present, so when George Dunbar sent me a January 1947 LIFE ad for Whittaker’s Micro 16 camera, I tracked down the book in my bookcase.

No luck looking in the book. Cooper did not show the Micro 16 camera. A browse on the web and I discovered why. The Micro 16 was made from 1946/7 to 1950 when it disappeared from the marketplace.

The Whittaker factory was based in Hollywood, California and made aircraft parts during the war. Afterwards the little company branched out. The Micro 16s were machined from small blocks of aluminum and while little more than cheap box cameras, their size made them initially attractive to police and detectives. The Micro 16 could fit into an American cigarette package! Continue reading

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