
Nude 1936 – Print by Cole Weston
Toronto. To paraphrase the Mamas and Papas 1966 song, “California Dreamin” – and it’s not winter yet.
In the days of film, all the magic took place in the darkroom under the dim glow of the ruby or later dirty orange bulb/filter with soft music gently playing in the background.
The camera let you choose the lighting, subject and frame. The film determined if it would be monochrome (B&W), colour negative, or transparency. ISO (ASA), shutter and aperture would generally determine proper formation of the image on the negative. The film could be developed in total darkness using a light-tight rubberized bag or a special day light loading tank. But it was in the gloom of the darkroom where the true artist shone.
The image for this post is the cover of the book “Darkroom 2” by Lustrum press and edited by Jain Kelly. Both Darkroom (1977) and Darkroom 2 (1978) contain essays and illustrations by well-known photographers of the mid 20th century. The post image, Nude 1936, was taken by Edward Weston. Weston’s son Cole printed this version years later and described his process in the Darkroom 2 book. Continue reading →