… and the ugly

Oxen pulling a cart, Castleton – undated, Cramahe Township Public Library, Colborne ON

Toronto. George Dunbar sent me a brief note the other day along with the image shown at left. George noted, “Occasionally, the browsing of a photo-archive will produce an eye-stopper based solely on the very poor condition of the preserved image”.

This undated photo is described only as “Oxen pulling a cart, Castleton,” and certainly captured my attention & imagination.

The image indeed is affected by what looks like a couple of amateur repairs on the back. The glue on the patches migrated to the front of the print giving the two disfiguring rectangles, augmented by finger prints during processing and repair.

But as George mentioned, the image is an eye-stopper. Regardless of the damage, the photograph still conveys a bit of history to us!

Note. The title of this post is a few words from 1966’s ‘spaghetti western’ movie called “The Good, the Bad, and the Ugly“. The movie is the third of a trio that launched Clint Eastwood, to movie stardom.

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duking it out on location

Scene and location match by Thomas Duke courtesy of BBC News (Essex)

Toronto. My good friend George Dunbar, spotted this novel idea in BBC News’s online edition date lined Essex. The article by Katy Lewis is titled, “Stepping Through Film: Man trots globe blending scenes into film locations“.

It tells the story of a young photographer, Thomas Duke, and his method of matching movie frames and actual locations in a single shot.

This is another clever idea to separate one photographer from the herd! The article is an enjoyable read about a inspirational way to do ‘location’ photos.

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did ja ever hear of Fort Mac?

c1855 daguerreotype of Fort Mackinac, Michigan

Toronto. Cindy Motzenbecker  of MiPHS fame, sent me an image the other day of an early Daguerreotype of the Fort on Mackinac Island (where the Great Lakes Michigan and Huron come together). Cindy spoke with us via ZOOM back in April on ‘Vintage Occupational Photography’ illustrated with her personal collection of photos.

The Fort has a storied history of French, British and American ownership predating the formation of Canada as a country. After the American civil war, the area became the second ever American National Park, later to be turned over to the state of Michigan. The Fort, still preserved, is the finest Revolutionary era fort in America. The fort is located on Mackinac Island in Lake Huron near the American shoreline.

The quarter plate daguerreotype (c1855 or later) was sold at the Hindman auction for an astounding sum of about $30,000 USD!

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the why and wherefore

M3 courtesy of Ken Rockwell – please visit his web site

Toronto. Hands down, Leitz had a winner on its hands when they launched the Leica M series with the flagship M3 model in 1954.  The M series covered the issues professionals had with the screw mount Leicas.

Design of the new series began decades earlier before WW2.   Prototypes like the Leica IV are in the Leitz museum. You can see more online at Ken Rockwell’s site or read books like  Dennis Laney’s 1992 opus, “Leica Collectors Guide” published in England by Hove.

Note, the title of this post is borrowed from Gilbert & Sullivan’s operetta, HMS Pinafore. The song, Never mind the Why and Wherefore is sung here by  the English National Opera.

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enlightening

Stan White, author. Stan’s latest book

Toronto. Our past president, programme secretary, etc., Les Jones. sent me a note recently that another past president (Toronto branch), Stan White. Stan recently published another book, this one a book of ‘tall’ short stories.

Those (like me) who know Stan recall his wit, and whimsy at our meetings, especially in the odd poem he wrote for the society and his occasional 3D images shown at our monthly meeting in full colour and 3D. Note: Stan’s recent books will get the eBook treatment as well as hard copy.

A blurb on this book of short stories gives a brief overview of Stan’s life after explaining his general inspiration for the stories.

Stan says, “These stories have been written over the last 40 years. As each idea came to me, I built a short story around it.

“When I was a boy, I was intrigued by stories of various kinds: adventure tales, humorous stories, love stories, science fiction and tales of the absurd. Especially memorable were: Jules Verne’s Journey to the Centre of the Earth; the horror of The Pit and the Pendulum by Edgar Allan Poe, and that of The Monkey’s Paw by W.W. Jacobs; and the humour of Jerome K. Jerome’s Three Men in a Boat.

“The short story, with its brevity, seems to me to be an ideal package for our urgent world. I wrote these stories in memory of the boy who read the great authors. They are tales of adventure, humour, love, science fiction, and the absurd.

A biography gives some background,  “Stan White began life in Birmingham, England. He was an industrial photographer before coming to Canada in 1957 where he married and settled in Toronto working as a commercial and advertising photographer [at one point with our past editor, the late Everett Roseborough]. In 1970, he joined Sheridan College as a teaching master and ran the studio for them for 20 years, teaching lighting and product illustration.

“After he retired in the early 1990s, he continued with a life-long interest in stereo photography, photographing avidly in and around Brantford. These photographs are now in the local archives. In cooperation with the Photographic Historical Society of Canada, he set up a library of information on stereo photography [later] housed in the Art Gallery of Ontario.

“Throughout his life, he has written non-fiction on various aspects of photography. In his 50s he began to write poetry and short stories. He has been published in local anthologies and has published several books of poetry, some in collaboration with other poets. As well he wrote a slim book on tabletop stereo imaging in 1970, Beyond the Third Dimension, published in the Netherlands and illustrated with View Master reels.

“These days, for relaxation, and in the hopes of slowing down the inevitable aging, he plays the musical saw and the theremin, but keeps the windows closed.”

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Swifties

remember Tom Swift books?

Toronto. As a youth, I had a neighbour who had a collection of the old Tom Swift books (original series) which he offered to let me read. I was only allowed one book at a time and had to return it for another. I only read two or three … .

Tom Swift was a juvenile book series that  predated the Nancy Drew series and the Hardy Boys series. Young Tom was an inventor and tinkerer. Many of the books covered recent inventions or things talked about but not yet a reality.

What made the Tom Swift books more interesting were the  puns buried in the text (readers began seeking them out). Many years later a pun phrase in the series became known as a “Tom Swifty” or “Swifty”.

In the books, “Tom” invented many popular devices including a portable movie camera – in this case in the 1912 book titled, “Tom Swift and his Wizard Camera“. Such a gadget wasn’t practical at the time. This seems to be as close as young Tom ever came to any camera as still photography was ‘old hat’ by the beginning of the book series in the early 1900s.

The Wizard Camera book and others can be easily read electronically today. For example, here is a text version of ‘Wizard Camera”readable with most computers or smartphones. When the book was published, movies were rising in popularity in America and books about movies and movie cameras were popular.

Check out the links shown above and enjoy the adventures of young Tom Swift once again against the background of today.

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transition

Unknown photographer – pool at Banff Springs Hotel ca. 1928, The Image Centre

Toronto. Digital photographers – pro or amateur – use a camera with a digital sensor to capture images and a computer to save, adjust (develop), and print the images. In ‘film’ days, a ‘film’ camera used metal plates, glass plates, paper, or film to capture the photograph, then developed the ‘negative’ (sensitive media) and (if not a daguerreotype or tintype, etc.) either contact printed or enlarged the ‘negative’ onto sensitized paper to create a photograph.

For a brief period of time between film and digital (transition), a ‘film’ camera took the negative (digital cameras were low resolution and/or very expensive),  and the negative or a print was scanned into a computer for photoshopping and printing.

Nowadays digital cameras have far higher resolution and are relatively lower in cost. But what about archives full of old negatives, prints and ephemera? Traditional scanning to get the archive content online was rather tedious and slow. New scanners and AI can now scan an image a SECOND making the transfer of archival content to online (with less handling of delicate items) practical.

Canadian photographer, Edward Burtynsky, has helped with an ARKIV360 scanner. One of many articles online at the moment on the scanner and its effect is this one by TMU (Ryerson) gallery called The Image Centre (IMC). Well worth the read.

My thanks to George Dunbar for telling me about this interesting story of how we can move photographic history (film data, prints, etc.) to the modern digital era.

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the 49th

Clearing the boundary – 49th Parallel out west

Toronto.  In school we were taught that the 49th parallel out west forms a boundary between the States and Canada. Do a search for 49th and you can see a rich pile of data on what was really not such a simple decision at all.

Once again we find photography helping record history for us. A decision was made to ‘slice’ a swath of woodland along the 49th and add markers at various points. The Canadian Encyclopedia online has a typical story about the famous ‘unguarded boundary’ from a Canadian perspective.

My thanks to George Dunbar for unearthing this fascinating piece of Canadian and American history including the photograph shown (plus a few more taken more recently).

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oops

painting a clown face – c1979 CNE

Toronto. No clowning around here! Due to an unforeseen situation, our June 21 program has been moved to July with a tentative date of MONDAY July 26th.

The society regrets any inconvenience caused. Please watch this site for confirmation and/or revision to the  speaker, date, time, location, etc.

Note. The post title is a riff on the Brittany Spears 2000 song, “Oops! … I did it again“.

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some thoughts on Portraits

Éva Gauthier, 1906 by Wm Topley

Toronto.  When you look carefully at the portrait of Éva Gauthier, the young patron of M Topley appears to be a three dimensional study with her features carefully modelled.

This is accomplished by careful use of the lighting. Francois Deslauriers wrote a precise and timely article for the LAC blog titled, “Lights on portrait photography“. Whether you are an experienced photographer, an amateur, or simply collect old photographs, this short article is well worth the read.

Collectors know Topley at one time was associated with Notman in Montreal before running a studio in Ottawa.

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