the satisfaction of volunteering

Mar 2017 Auction – all efforts shown, except printing the journal, are performed by PHSC volunteers

Toronto. When I reviewed issue 30-3 of our journal I was reminded that we lost the first of our founders that summer/fall of 2004 (Larry Boccioletti). Bob Lansdale posted a notice on page three asking potential volunteers to contact the late Bob Wilson.

Well, two decades later, we still need volunteers and if you can help, email me at info@phsc.ca and I will pass you on to Clint.  We are always in need and can pop you into any appropriate task/position.

For example, I joined the society in 1975, just after the Charter Member offering closed.  On volunteering a year later, My first task was auditing our first year’s expenses. I later moved to the executive where I held various positions.

My most recent position is that of 2nd Vice President – and Webmaster. I created the web site and it was up April 17, 1996 when few people had personal computers or even knew of the world wide web. Since then, I have done a few major revisions, most recently changing to WordPress to make editing and uploading images and files a much easier process, especially for anyone with no commercial web editor nor any in depth technical experience.

Some of our volunteers hold down day jobs as well, while others are retired and free to contribute their energy and resources. As a not-for-profit society, we rarely pay for the services of our volunteers (speakers are offered a small stipend).

Want to see us in action? Come out to the May 5th auction (you may even find a piece for your collection)!

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a treasure from my collection

A Medalist II as featured in our Journal

Toronto. At some point when the late Bill Belier became editor of Photographic Canadian, he started this column. In issue 30-3 dated November/December 2004, under editor the late Bob Lansdale, Bill has written, “A Short Survey of Some Earlier Medium Format Cameras“.

Included in Bill’s survey is the late Stan White’s  Kodak Medalist II. Stan wrote about the Medalist II, “The Medalist (6×9) is a beautifully constructed camera but somewhat over-designed. In consequence, many have not survived in perfect working condition. But the lens is exceptional, a Heliar type, five elements, designed for Kodak by F.E. Altman, and since Kodak were heavily into rare earth glasses at the time, it is arguably the equivalent of the Apo- Lanthar.”

As I recall, Bill was less enthusiastic about Medalist cameras in general since they looked robust but were very heavy and rather delicate in operation (contrary to Ken Rockwell’s enthusiastic opinion). The original Medalist was marketed in 1941 as an alternative to cameras from Germany. It survived into the 1950s, but never replaced German or other international medium format cameras.

I have spotted the odd Medalist in movies, on TV, and at some of our events. If you relish this or another camera for your own collection visit one of our events this spring – like the auction on May 5th.

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carbon without the tax

An amazingly excellent photograph more than a century old

Toronto.  Image collectors browsing the fairs and shows noticed many mid to late 1800s carded photos were faded and had poor contrast while the odd one was bright and crisp, seemingly printed just recently, belying its century plus age.

Our late journal editor, Bob Lansdale, began collecting these fine prints and researching the process as noted here in Photographic Canadiana 30-3 (November/December 2004) under the title, “The Stigma of Instability – The Carbon Process and Commercial Photography in Britain, 1864 to 1880” written by Audrey Linkman, Visual Resources Manager, The Open University, UK.

Editor Lansdale in his introduction says, “This lengthy thesis was previously published in Photographica World, issue #91, Winter 1999/2000. Its 19 pages of text, 5 pages of notes and single page of “Licensees of the Lambert Patent” has been broken into two parts to fit our publication limitations.

“We heartily suggest accessing a complete copy of the issue through the Photographic Collectors Club of Great Britain to whom we are indebted for permission to reproduce the article as are we equally indebted to the author for permission and assistance.”

The amazing process was licensed and given various names – keep an eye out for these beautiful photographs at our auctions, fairs, and other events. Members will receive/received a DVD with this issue of the journal and other issues (Vol 1 through Vol 40) with part two of this article plus further details of the carbon process. Not a member? Sign up today (see MEMBERSHIP in menu bar above).

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Auction May 5th 2024

May 5 2024 poster

Toronto.  Get ready for our Spring 2024 Auction tomorrow, Sunday, May 5, 2024 in Long Branch (south west Toronto) at the usual venue BUT at the slightly later time (see poster) – free parking [OVERFLOW AT GO TRAIN LOT JUST WEST of HALL] and free admission.

Our Spring 2024 Auction features goodies for both film and digital folk – photographs, cameras, lenses, accessories, books, and more. Come out and enjoy this event. Click on the AUCTION tab here or in the menu bar above for directions. Click on the large icon below and follow the instruction below the icon to see the lot slide show.

Everybody is welcome. There are many  really good items, some rare these days. Just in time to let you augment your collection or user gear [or even for your gifting] !

Click above to see photos in roughly lot order (large photos are in lot order)

LOT SLIDE SHOW: We owe Clint a big thank you for photographing many lots, naming all (by lot number) and tagging the lots. The first batch (shown here as roughly 761 to 800 and 932 to 998) were actually  photographed by the consignor and sent to Clint. The lots added tonight (April 14th) were taken by Clint. Click on the montage above, then on the gorgeous old red bellows field camera (lot 764), and then on any lot icon to see the item  larger. The photos in the slide show are in lot order (there may be some variation in the sequence of the thumbnails). Note: during the auction, the sequence of lots  is the auctioneer’s choice and will vary from the numerical sequence shown.  The photographing alone is a huge undertaking on behalf of the PHSC. This auction is a thrilling event with its wide variety of lots – something for everyone!

LOT LIST: Clint has created a third lot list updated on Tuesday, April 30th. The list shown in the ‘lot list’ link above is in pdf format.

LOT PHOTOS: The slide show of photos will be updated frequently as photos are received. On April 13th photos of the first 99 lots were added. April 14th the second batch of lots were added (lot 201-224 and 999, 1000).  April 22nd I added the third batch (lot 301 – 345). The 4th batch (350-361 plus 936 and 937) were added Friday, April 26th. Batch five (lots 250-264) just added on April 27th – lovely photos by a Google Smartphone camera. Batch six (lots 270-278, 374-380, 500) went up tonight (April 30th). And batch seven (400-437) went up very early on May 2nd. A few more in batch eight (697-700 +704) on May 3rd. and finally on May 4th was batch nine (346, 362, 363, 438-446).

Your left/right arrows will work to move from one enlarged photo to another. The red tags or hand written notations show the lot number.  The photos were adjusted with Affinity Photo, Focus Magic and  Topaz Photo AI as needed – Enjoy!

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another viewer for the Monday 8th eclipse …

an eclipse viewer in Florida (temporarily modified plate camera)

Toronto.  We were fortunate this time that the eclipse was almost a total eclipse of the sun. On the 9th, I showed the inventive side of our journal co-editor. Here we see an equally inventive writer, David Kenny down in Florida where the eclipse path covered about half the sun.

David writes (speaking of his viewer compared to our co-editor’s), “Well… my setup was much, much simpler. I took the now restored 1897 Vive, stuck a pinhole on the front and a piece of cardboard where the plates go and voila, a 3mm image of the 50% coverage we had here in Florida. Nice feature that the Vive had a flip open top. Though the image was clear, the pic I took with my iPhone wasn’t, but I included it as proof of concept…  An engineer and a neurophysiologist went into a bar…”

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the total eclipse a bit to the east (Montreal)

A glimpse of the total eclipse taken by Montreal urban astrophotographer AJ Korkidakis in Montreal on April 8, 2024. (AJ Korkidakis) courtesy of CTV News

Toronto. Well, Monday the 8th was truly a night to remember. PHSC president, Clint Hryhorijiw, sent along  this link to a segment of CTV news titled,”Want to relive the eclipse? Check out this Montreal photographer’s stunning photos“.

In the news clip, we see a Montreal photographer’s shots of the eclipse.  Click on the link and see and read about how Mr Korkidakis took the eclipse shots.

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Executive Meeting No 46 via ZOOM

PHSC President
Clint Hryhorijiw

Toronto. April and hot weather is forecast. Did you all see the eclipse of the sun on the 8th? Eerie … Here is a brief recap (and update).

As our fiscal year end remains April 30th, our treasurer asks that all cheques outstanding be cashed by month end and any outstanding expenses submitted ASAP.

PHSC newsletter editor Katrin Faridani issued the March newsletter and plans to send newsletters off every 5-6 weeks if possible. She has a number of suggestions for content. If you didn’t get your copy, drop me an email at news@phsc.ca and I will add you to the MailChimp list.

Membership Secretary Lilianne Schneider continues to handle the membership records and has offered many new ideas as well. Contact her via info@phsc.ca if you have any questions. Remember, we always need volunteers. If you feel you can help in any capacity, email me at info@phsc.ca.

Our journal is in pdf format with the latest issue available after a MailChimp notification. If  you have UNSUBSCRIBED, you will not receive notification nor Photographic Canadiana nor other info. MailChimp does not permit me to reinstate that specific email address. Renewal by me of such addresses is possible via a form, not yet on our site. And if you change email addresses, please tell us as MailChimp flags such old addresses as CLEANED (they cannot add your new address automatically).

*By the way, note that as of 2022, our membership year ends December 31st.* Also as of 2024, memberships are $35/$100 1 yr/3 yr Canadian regardless of the member location (one of the perks of pdf format for our journal).

The April Toronto meeting is a special seminar chaired by our program director on April 12th. We will notify those on our MailChimp list how to join the event. Further details will be posted closer to the 12th. NOTE: We just heard word on the 8th that this session has been cancelled.

The problem with Eventbrite has been resolved successfully and we will continue using it. If you are not yet on MailChimp, please contact Clint or Celio via info@phsc.ca for connection details. We will forward the message.

Our presence on Instagram continues to grow. Social Media Coordinator, Markovic, suggested some broader advertisement ideas via our newsletter and email blasts (Instagram is already linked on this site).

Co-editor David Bridge and partner Louise Freyburger have issued volume 49-4 of Photographic Canadiana.  They are presently writing issue 50-1 which is scheduled for release around late June, 2024. As 49-4 was a courtesy issue for 2023 members, those who do not renew now may not receive issue 50-1. Please renew or join now if you haven’t already. See the MEMBERSHIP menu above and/or our PayPal button at right.

We notify all members via MailChimp as each journal issue is released. If you are a member but HAVE NOT seen the notification for 49-4 since you registered/renewed, please email me at info@phsc.ca.

Our spring events are starting beginning with our auction on May 5th. We plan to add  details and a ‘lot’ slide show beginning the middle of this month. Meanwhile, enjoy the lovely weather!

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in the dark of the day

safely viewing the eclipse April 8, 2024

Toronto. Well yesterday was a rare day in Toronto! We saw the total eclipse of the sun! Shades of Carly Simon and Nova Scotia decades ago. Last fall I posted the 1912 eclipse in Lisbon. Keep in mind these are literally once in a life time events. While eclipses are frequent over a life time, they seldom block the sun over a major city – especially one in which you happen to reside.

The Toronto event was experienced by many, including some PHSC members. David, our journal co-editor writes, ” In the interest of science, here’s a chart of exposure at f11 with my trusty Sekonic during the eclipse. And here’s our viewer [see image at left] (some might recognize part of this).  We got a brief bit of sun until about 3 PM so got to see a bite out of the disc at the beginning….socked in though, during the crucial hour.”

As for me, I was watching TV as the daylight slowly changed into an afternoon of night then rose again to, by our supper time (8ish), full sunlight.

Note: What could be better for this post than Carly Simon singing her 1970s song, “You’re So Vain“?

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when art and science collide

This media is a faithful reproduction of a portion of the Núcleo de Pesquisa em Estudos de Linguagem em Arquitetura e Cidade (N.ELAC) collection. This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International license.

Toronto. This post is about 3D, not media nor lenses nor cameras, all of which also benefit from scientific analysis.

In the days of film and glass-plates, the angle/distance between our eyes was used to create two images – one for each eye. Various means are used to ensure each eye sees only the desired image. The human brain is then used to merge the images and ‘see’ them in 3D.

In the era of digital photography, another technique became popular – photogrammetry – a concept dating back to c1867. Many thousands of overlapping 2D images are taken  from all sides and levels of the subject. The thousands of images are fed into a software program which creates a 3D model of the subject viewable by virtual reality glasses.

In a 4+ year old episode of “Exploration Unknown” on the Science channel, protagonist Josh Gates visited Normandy to celebrate the 75th anniversary of D-Day (June 6, 2019). Gates has a degree in archeology but claims to be an explorer, adventurer, etc. Near the end of the D-Day anniversary episode, Gates joins a French expert in under water photogrammetry to visit ships lost in the English Channel, never arriving for that iconic battle.

The wrecks are marked on a map of the channel off Normandy. The channel’s closeness to both the British Isles and the continent results in very strong tides with twice a day brief periods of calm. The purpose of the visits to the wrecks – military graves – is two fold: to confirm the map is correct; and to preserve the wrecks as a 3D model for others to see without recourse to immediacy and 100 foot dives. Long term, the incessant tides will delete all evidence of the wrecks; and not everyone is able to visit in person and do a 100 foot dive.

This is another example of how photography enhances history – in this case in conjunction with technology specific to the 3D model. Digital photography allows the necessary  thousands of images to be taken economically, accurately, and rapidly, ready to be read by the specialized software.  Today, our world is enhanced beyond belief by the combination of photography and science!

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it’s twins

Lot 794 at May 5th auction. A Primo Jr TLR

Toronto. Even before the  minicam revolution, many cameras suffered from tiny squinty viewfinders to frame a subject. In 1929, a German company came up with an idea that changed everything – at least once their camera design became popular.

The Rollei Twin Lens Reflex (TLR) as it was known made a few more problems while solving the squinty viewfinder issue.

The TLR used two lenses stacked one on top of the other. The viewing lens was as fast or slightly faster than the taking lens ensuring that carefully focussing the subject through the viewing lens assured the taking lens was in sharp focus as both moved as one.

Great idea, BUT to take a landscape shot meant turning the camera on its side making it very hard to use the viewing lens. The solution was to go with a square negative on a 120 roll film so the negative could be cropped to portrait or landscape size in the enlarger and still have as good or better resolution than the ‘double frame’ 35mm films offered. This way the camera was always held upright (usually at belt level).

A second headache was interchangeable lenses (once the idea became popular with the minicam bunch). A sorta solution was to add removable lens elements to create a medium wide angle or medium telephoto lens.  Cropped negatives always meant ‘telephoto’ images but no amount of cropping would ever give a wide angle view!

Don’t have a TLR in your collection/user gear? No problem! Come out to our auction on May 5th and you might be able to solve the dilemma. If not, there will be many other goodies available for bidders. See the right hand sidebar for location. A post will go up mid month showing details, a poster and a slide show of lots as photos of the lots are received (About 100 so far).

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