store interior c1912 cSaskatchewan

a c1912 General Store interior in the Canadian prairies

Toronto. Issue 15-5 has a few columns including Dr Wilson’s Image of the Month. Bob ‘s text accompanies an interior shot of a retail general store most likely in Saskatchewan. In his article, Bob discusses the various collecting categories favoured by photo collectors.

His article for the early spring of 1990 begins, “Collectors seek out and value early photographs for a number of reasons – for the photographic processes used, for the photographer of the image, for the location (town or country) or for the subject matter.

“Photographic collectors particularly like images showing photographers at work. Other collectors relate to their interest in cars, fire engines, oil lamps, dolls etc. Some collect early photographic images for the way that they document life in earlier times. This image tells a lot about life in a general store in the early twentieth century.

“In the centre is a large stove, with a coal bucket beside it. The image was taken at a time of year when the stove was being used, or the bucket would be stored away until fall.”

Part of the collecting excitement is researching the find whether it is an image or a piece of hardware. Members can read Bob’s article in full in the pdf file version of issue 15-5 on the free ‘members only’ DVD. You can join the society (it’s cheap and easy) by using the ‘MEMBERSHIP’ menu item above (sending a cheque) or the membership material at right (using a credit card or personal PayPal account). Any questions should be addressed to our Membership Secretary, Lilianne Schneider, at member@phsc.ca.

Of course our fall events will feature lots of collectibles. Come and see while meeting friends old and new. The next event is our annual fall fair (October 20th).

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great Scott! an early Zeiss shutter

a c1893 Zeiss shutter from our journal issue 15-4

Toronto. You never know what gems hide in our journals! In issue 15-4 Ev Roseborough wrote an article titled, “An Early Zeiss Shutter“. Early indeed! The box (from Bill Belier’s collection) contains some lenses and the shutter (c1893). Also included is a hand-drawn sketch plus notes hand written in early German.

The shutter photo was nicely enhanced by Topaz Photo AI which has yet to successfully handle text. The photo was reduced to thumbnail size in Affinity Photo which in many ways mimics Photoshop, but not the Adobe monthly fee business plan.

Ev writes in part, “On Nov. 8, 1893 Carl Zeiss patented a shutter of the above description. An ink sketch pasted in the box cover indicates that this timer controlled both aperture and exposure by the diaphragm. Fastened to each lens mount with screws, it engaged a projecting arm, the travel of which detemined the aperture; exposure was by controlled release of the air from the bulb.

“The script has baffled several german scholars; hopefully someone may have a complete unit.”

Of course members can read Ev’s complete text in the pdf version of issue 15-4 on the (free to members) DVD. Not a member? See the notes under menu item ‘MEMBERSHIP’ above or to use a card or PayPal account, the buttons to the right of this page. Any questions or problems, drop a message to our membership secretary, Lilianne Schneider, at member@phsc.ca.

You may come across an early Zeiss shutter/lens at one of our fall events. Certainly, you will discover items that will nicely add to your personal collection. Our next fall event is the fair on October 20, 2024. I will add a poster as we near the event.

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leave it to George

George Bernard Shaw photographed by Violet Keene

Toronto. At left is another fine example of work by Violet Keene, Minna’s daughter. Image collectors may focus their searches on the famous, like Mr Shaw, known for his plays (eg Pygmalion), or a particular studio, image quality, process, age, etc.

This image is the cover photo of issue 15-4 which includes Ev’s article on Violet Keene as well as Andrew Rodger’s article on her mother (see the ‘keen scenes’ post below.

Collectors – visit our events this fall. While we can’t be sure you will spot a photo of a celebrity, we can be sure you will find something for your collection, be it a photo or hardware. The next event is our fall fair on October 20th. A poster and details will go up next month as we approach the October date.

Note: The title of this post is riff on a 1950s TV program, “Leave it to Beaver“.

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fine feathers

two birds of prey mounted for display -photo c1870s

Toronto. Issue 15-4 includes an Image of the Month column by the late Dr Wilson. The photo, featuring a couple birds of prey stuffed and mounted, may attract those folk who collect images of nature (birds being a sub-set).

Bob begin this column as follows, “Henry G. Vennor began studying Canadian Birds of Prey about 1863. As a Geologist with the Geological Survey of Canada from 1865 to 1881, he travelled extensively throughout Southern Ontario and Western Quebec. While the main reason for these travels was to record the geological features of the area, he was always on the lookout for birds, taking notes about those that he observed.

“In 1876, his notes were published in a book which described every species of Falcon, Hawk, Buzzard, Harrier, Eagle and Owl which had been found in Canada up to that time.

“Vennor’s book was illustrated with 30 mounted albumen prints of stuffed specimens of the birds which were described in the book. This photograph shows the Pigeon Hawk and the American Merlin. According to the introduction, the use of photography ‘ . . . attempted even a few years back, could not but have resulted in failure; but, today, to such perfection has this art been brought, that the pictures produced by it are not only beautiful, but truthful to the most minute detail’.”

As usual, members can read all of Bob’s column in the issue 15-4 pdf file on the ‘free to members’ PHSC DVD. Not a member? Details in above menu or to the right. A copy of the DVD will be sent via Canada Post upon your registration. Questions? drop a line to Membership Secretary, Lilianne Schneider, at member@phsc.ca.

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keen scenes

“Nursing Child: c1907. Photo by Minna Keene. (Archivist PA-126629)

Toronto. Image collectors should keep a watchful eye out for photographs taken by known photographers such as the Keenes. Mina and Violet Keene were mother and daughter photographers best known in the Oakville area.

Issue 15-4 has two articles on them. The first (on Minna), by Andrew Roger, originally appeared in the Archivist while the second (on daughter Violet) is by Ev Roseborough  for Photographic Canadiana.

Discussing Violet, Ev begins, “My first acquaintance with Violet Perinchief was sometime in 1932, when I was introduced to a soft-spoken person in a soft dress and large straw hat trimmed with flowers. It was my job to have advertising copy, written by Eleanor Stephens, approved by the new manager of The Portrait Studio, situated in Eaton’s – College Street, adjacent to the Art Gallery, on the second floor. This building had opened two years earlier, in Toronto.

“Soft drapery and flowers were to become a characteristic of her work and a hat was almost always worn in the studio. She lived in a gentle world of her own making and surrounded her sitters with an ambience enhanced by soft lighting and drapery.

“Violet Perinchief was the daughter of Minna Keene about whom Andrew Rodger has written on previous pages. Minna Keene’s position as a photographer of note in several countries had been firmly established. Her father, Caleb Keene, was an antique and art dealer, painter in oils and furniture designer, also widely known for his exquisitely executed Chinese lacquer cabinetry.”

The stories can be read in full in the pdf version of 15-4 which is on the PHSC DVD sent to all members. The DVD has copies of volumes 1-40 of our journal with each issue in pdf format. You can become a member and receive a DVD at no additional cost by following the information above in the ‘MEMBERSHIP’ menu item if you write a cheque or at right for use of a credit card or a PayPal account.

Visit our fall events to see if there is an item for your collection. The next event is our fall fair on October 20th. Details will be posted here next month.

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let it snow! let it snow! let it snow!

Snow-bound train in 1904 – photo taken by Harry Palmer

Toronto. Collectors of photographs are a friendly bunch. Photos tend to be grouped in sub categories like, snow, storm, trains, etc. The photo at left by Harry Palmer hits all three of these sub-categories.

It was selected as the cover photo for issue 15-3 which carries a couple of lengthy articles on both Harry and son John Palmer.

The snow-bound train photo is described by Ev as, “One of Harry Palmer’s 1904 snow blockade photographs from a whole-plate negative.”

Photographers Harry and son John appeared in an earlier post. Read the post to learn how to see the articles about them in issue 15-3. Photography collectors (cameras, photos, ephemera, etc.), you can visit our fall events to see if there are any items suitable for your collection! Our fall fair is up next (October 20th). A poster and details will go up closer to the event.

Note: I used the title of a 1945 song, sung here by Jo Stafford for this post (years ago I had a c1960s recording of this song by Ms Stafford).

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macro stereo shots

An example macro stereo shot – courtesy of Stan White

Toronto. This photo and the accompanying article cover a trio of photo categories. Macro stereo shots; medical photos; and workplace photos. Added to this, the challenge of stereo macros means customized gear.

In issue 15-3 the late Stan White describes just such a challenge to create slides for use by a professor of oral surgery at the U of T.

Stan recounts his work in a lengthy, well illustrated article saying in part, “The problems of making close-up stereo images have long been known . The third dimensional effect is primarily the result of stereopsis – the fusing of two slightly dissimilar images into one cyclopean image. Conventional stereo cameras have their lenses spaced at 70mm about the spacing of the human eyes.

“This is fine for subjects at seven feet and beyond. Such a viewpoint separation when used close-up produces images so dissimilar that they cannot be comfortably fused. The human eyes suffer the same problem; try looking at the end of your nose sometime. The solution would have to come through hypostereo; the reduction of the stereo viewpoints to less than the human eye and for this application the stereo base would have to be about 4mm.

“A number of stereo close-up systems were developed during the stereo boom of the 1950’s. Most suffered from extreme depth distortion due to too wide a stereobase and lenses of too short a focal length. The images were adequate for the photo salons where a daffodil trumpet stretched to twice its normal length could be intriguing and dramatic but the same extreme depth distortion in an image of the human mouth is positively neanderthal.”

You can read all of Stan’s article “A Macro Stereo Camera”, see how he solved the tiny 4mm base, see how he was able to obtain fantastic results for Dr. J. M. Symington of the U of T, in the pdf file for issue 15-3 on the free PHSC DVD. See above or to the right to join or renew. Questions? Contact our Membership Secretary, Lilianne Schneider at member@phsc.ca.

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going to market in stereo

PEI Market Place c1890

Toronto. Stereo cards vary in quality – some are even fakes without stereo at all. The real McCoys give a great insight into the history of an area around the late 1800s/early 1900s. This example is from the late Dr Robert Wilson’s column Image of the Month in issue 15-3 of the journal at the end of 1989.

The image was slightly sharpened and noise removed in Photo AI 3 (the text was slightly compromised by the software).

Bob begins his story, “In the 1890’s, competition was high among a number of large publishers of stereoscopic views. Photographers who worked for these companies travelled far and wide.

“In their travels. they would often take several negatives of a scene so that if one of their glass plate were broken. they would have another negative. Many of these duplicate negatives were eventually published – it is not uncommon to find several stereo views of the same scene with people or moving vehicles being the only things that changed.”

You can read all of Bob’s article on the DVD we send to all members. It has pdf files of all issues of Photographic Canadiana from volume 1 to volume 40.

Image collectors may find stereo views – or other photos — for their collection at our fall events, the first of which is the fair on October 20th. A poster will be on this site closer to the event.

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an interesting issuu

Catalogue Zeiss Ikon 1939

Toronto. While browsing the web recently for the Zeiss Historica Society, I came across the ISSUU web site and its cache of Zeiss/Zeiss Ikon catalogues and Zeiss Historica magazines.

I recognized ISSUU because the editor of PhotoEd once used it to let us view her publication around the time when COVID began restricting in person meetings.

Unfortunately, You cannot read anything on ISSUU without authorization by the account holder for given publications. Collectors of Zeiss Ikon cameras may find the site of potential interest. Unfortunately, I am not sure who the publisher is.

However, all issues of Zeiss Historica shown on ISSUU can be seen and read free on Mike Eckman’s site including an article on the history of the Zeiss Historica Society which closed in 2016. The write up is by Mike Eckman who notes that Larry Gubas was the last president of the ZHS.

At one point the ZHS was based here under one of our members (issue 8-1 summer of 1982), the late Rand Scheid (both as president and as editor). At the time, Zeiss Historica  was printed by Schryer Graphics whose owners were both PHSC members and printers of our journal.

As you will see in the article on the history of ZHS, Larry Gubas down in Las Vegas wrote a (to me) seminal book “Zeiss and Photography”. The book, long out of print, weighs in at around seven pounds. If you can find a copy it gives a great amount of detail on Zeiss Ikon cameras and the significant role Zeiss played in photography.

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food on the hoof

Venison enough for a long winter. Harry Palmer (left) and party.

Toronto. Many impromptu photos were taken over years, some of which found their way into collections. Outdoor scenes like this are of interest, especially when a known professional photographer like Mr Palmer is included. A couple of months earlier I did a post on another Palmer – Eli.

Our fairs and auctions often have old photographs, some outdoors or work related. Have a look at our fair and auction this fall. The fair will be held on October 20th at the Trident Hall. A poster will go up closer to the show. We plan to hold a fall auction a few weeks later on an as yet undetermined date.

The stories of photographer Harry Palmer of Dundalk and his photographer son, John H Palmer were written by Ev Roseborough and published in issue 15-3 (Nov-Dec 1989). The story of Harry begins, “Just south of the original town of Dundalk, situated at the highest point of Ontario’s snow belt, was the site chosen by the first Palmers for their homestead.

“Following marriage in 1875, their son Charles Palmer built a log house across the road from his parents’ cabin, beside what is now #10 Highway, and moved his bride, the former Anne Hastings of Hamilton, into the new domicile.

“Three years later Anne Palmer went to Toronto for the birth of a son, Harry, and promptly returned to Dundalk.

“Within a year the new family moved to the town which was being re-located to an area beside the newly-laid Owen Sound to Toronto railway line.

“Their new home was brick. Charles Palmer established an apiary and earned a reputation as a breeder of fast horses, remaining there until he died at the age of 86. He was the first Justice of the Peace and Town Assessor.”

The stories, with illustrations, continue in 15-3. Members read them in the pdf version on the PHSC DVD sent free to all members (the DVD reproduces volumes 1-40 of the journal in separate searchable issues) No DVD? No problem! Join today and a DVD will be sent off via Canada Post. If you prefer to use a cheque for membership, see the menu item ‘MEMBERSHIP’ above, else see the note at right for use of a credit card or (if you have one) a PayPal account. Any questions, just drop a line to our Membership Secretary, Lilianne Schneider at member@phsc.ca.

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