a collection like no other

1928 ad for a Versare bus. Versare  buses were once used in Montreal

Toronto. Do you know we Canadians have a national collection of papers, photos, and physical objects in Ottawa’s National Museum of Science and Technology (now named Ingenium)? Or that the Museum is a member of the PHSC?

The image at left is courtesy of Ingenium and has the cut-line, “A Versare 6-wheel gasoline-electric bus as seen in an advertisement issued by SKF Industries Incorporated of New York City, New York. Anon., “SKF Industries Incorporated.” Electric Railway Journal, 21 January 1928, between pages 10 and 11.”

In volume 21-1, Ev published a detailed article called “Conserving / Preserving Artifacts ” by then Museum curator of Physical Science and Space, Dr. Randall C. Brooks. Dr Brooks outlines the mandate of the Museum, its holdings, and why possible donations come under a severe scrutiny.

Dr Brooks begins, “A couple of years ago, members of the Historical Microscopical Society [Ev was a member at one time] met at the National Museum of Science & Technology in Ottawa along with Canadian members of the Scientific Instrument Society [of the UK].

“During one of the discussion periods. I described how we deal with artifacts at NMST and there was some surprise as to the degree of control we place on our artifacts. First, you must realize that the collection of the NMST is the ” national” collection of science and technology apparatus that is governed by federal legislation.

“The collection is intended to reflect the transformation of Canada and to be preserved in perpetuity. Thus, we have to place rather stringent controls on the way artifacts are acquired. conserved, used and stored.

“The NMST collection [in 1995] includes some 80,000 photos/drawings and 25,000 objects from transistors to farm combines to locomotives and even ships. About 3,500 of these fall under my control as Curator of Physical Sciences.

“The sheer size of the artifact collection creates problems for storage and preservation and we currently have almost 20,000 m2 [metres squared]  of storage space in 6 warehouses! At any one time, we have only about 6 or 7% of the collection on exhibit in the Museum.

“And the physical limitations of the Museum create problems. Being a converted bakery, without humidity control, means that many artifacts of wood, rubber and/or leather cannot be exhibited because they would crack or split during the desert–like periods during winter. …”

You can read the rest of this informative article in the 21-1 pdf file on our free members-only DVD. Not yet a member? Joining is easy! Check out the MEMBERSHIP sub-menu above (for the Membership Form) and the PayPal article at right. Send your dues (for  one or three years) with the form or send the form after using your credit card/PayPal account. Any questions? Please email Lilianne at member@phsc.ca.

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some deep thoughts

A special lantern side to hold liquids

Toronto. PHSC past president and sports photographer (especially soccer), Les Jones, sent me an interesting email the other day.

Les writes, “In addition to the Kaleidotrope, I had something that I assumed was incomplete. A wider than normal wooden holder with circular glass ‘lenses’ in the middle on either side.

“Just discovered it is a waterproof ‘tank’ for projecting through liquid. You can mix chemicals and show their interaction or you can put bugs or tadpoles etc in water
and project their movements.

“Live action in a lantern show. Amazing!”

Microscopes had a similar means to view tiny “animalcules” as Leeuwenhoek called them. Instead of the vertical trough, there was a shallow depression in the 1 x 3 inch glass slide to hold drops of dirty water.

Collectors seeking old lanterns and lantern slides should visit our 2025 events. If no lanterns or slides are offered, there will be other things to tweak your interest! The events are listed to the right as dates and locations are confirmed. Close to the event, a post here will add further info.

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what the hey?

kids on a horse drawn hay ride in the 1940s-50s

Toronto. By the mid last century, all families had cameras thanks to Kodak and its competitors. Family photographers weren’t that interested in resolution or contrast. A good shot was one that turned out – you could see and recognize people and places in the photograph!

Few of the ‘photographers’ bothered to learn the details of the art – they just followed the makers instructions (if anything was followed). The myriad of snaps became fodder for the photo collectors – especially when the bandwagon of cased images, CDVs, etc. ballooned in price.

The snap at left shows two kids on a hay ride with a farmer. Taken after WW2, it’s hard to imagine who took the photo, the location, how things turned out for the farmer over the years, who the kids are, etc. Did the kids marry? Have children? Someone once cherished this snap shot of days long gone (taken a bit North of Orillia, close to Georgian Bay).

Visit our events this year and take a good look at the offerings – some photos may ‘click’ with you and become a part of your collection!

 

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peck a little talk a little

chickens in southern Ontario c1950

Toronto. When I see this photo, I think of the song from “The Music Man“, a 1957 broadway musical, made into a movie five years later.

Photo collectors have a wide variety of photos in their collection, often a rich source of history especially if thoroughly researched. The photo at left shows typical farm life in rural southern Ontario c1950.

The farmer’s wife raised chickens for ‘pin money’. And here next to the chicken coop (in the larger photo) is the outdoor plumbing, still common place 75 years ago in rural areas.

Collectors, be sure to visit our 2025 events to discover things (photos, hardware, accessories, books and more) to complement your holdings. Dates and times when confirmed will be posted at the right under EVENTS. As the date of an event approaches, a post will be pinned to this site.

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keeping you posted …

43rd Toronto Postcard Show

Toronto. An oft over-looked source of photos is postcards. From time to time I visited a postcard show but skipped the photos and photo postcards. Instead I found some that showed the town I grew up in back years before I was even born. It was fascinating to me that serious collectors spent a long time pouring over postcard to find the one(s) that fit the holes in their collection.

One of the biggest shows in Canada is here in Toronto. On February 23, 2025, the Toronto Postcard Club will be holding their 43rd annual event at the JCCC. Check out the poster for details (click the icon at left). By the way, there is an interesting history on the TPC website (use the link above, or key in the address).

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read all about it! newsletter 25-1 is ready

PHSC Newsletter 25-1

Toronto. Editor Patrick Gunn has released his PHSC newsletter 25-1. Click the icon at left for a copy if you aren’t on our MailChimp list (if you are, you will get a notification via MailChimp and can download a copy from there).

Not listed yet? send me an email at news@phsc.ca with the subject ‘news’ and I will add you to the free list! Now how easy is that?

Editor Gunn will release issue 25-2 in early February, 2025. Note the revised numbering sequence in line with our calendar year – membership year. Go to  the menu bar item above titled ‘NEWSLETTER’ to see all newsletters.

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an illuminating read

A 5 volume reproduced set by Lumiere Press

Toronto. In 1995 we heard a talk by Michael Torosian about his Lumiere Press enterprise which prints fine quality reproductions of old and rare books including volumes about photography from its early days.

In issue 21-1 an anonymous article (likely by Ev) told the story of Lumiere Press and Torosian for all members beginning, “The story of Lumiere Press is really the story of Michael Torosian, a remarkably gifted individual who has mastered the graphic arts and merged them to create his own expressions of beauty and philosophy.

“Example of the recreations are housed in public collections at universities and museums across Canada, the United States, Europe and as far away as New Zealand, a complete list of which occupies several pages, in addition to the private libraries of bibliophiles.

“In October of 1980 a proof press, a small collection of foundry type and the tools of the letterpress trade were acquired. By 1986 an Intertype typecasting machine was added to the growing shop, enabling Torosian to publish the first volume of the Homage series, Dedicated to Simplicity,  a reminiscence of Edward Weston written by his son Cole.”

Like all members, you can read the rest of this fine article in the 21-1 pdf file on the free members-only DVD. Don’t have it? Not a member? Well, joining is easy! Check out the MEMBERSHIP sub-menu above (especially the Membership Form) and the PayPal article at right. Send your cheque and form or just the form after using your credit card/PayPal account. Questions? Email Lilianne at member@phsc.ca. Membership is both rewarding and inexpensive.

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a tip of the capa

Steer Wrestling Close Up by David Laronde, North Vancouver, BC

Toronto. One of our exchange groups, C.A.P.A.,  Focuses on the more modern and artistic aspect of our favourite endeavour. You can read of their latest successes here.

Click on the January 2025 newsletter on the above link. All past newsletter are also available to you.

The group often runs a photo contest (i.e. future historic images). At left is one of the winners – a heart stopping photo of steer wrestling by David Laronde out in BC. Click on the newsletter contest link to see all the winning B&W photos.

Look closely at these winners in the late last year contest. Some old photos may replicate the concepts. Of course, you can do worse than add ‘future historical photos’ to your own collection. Visit our events this year – list of current firm dates in the right hand side bar – each event will be a post closer to the date.

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a Danish treat

Andersen’s model 311 camera

Toronto. When Ev was our editor, one of our exchange journals was the Danish publication “Objektiv”. Ev prided himself in the ability to read other languages, including Danish in this case.

In his Editor’s Notebook for issue 20-5,  Ev recounted the story of Jens Poul Andersen of Nellerød in Denmark. Anderson was a camera maker and inventor. While Andersen made many traditional still and movie cameras, he created a special model 311 around 1923 which used unperforated movie film.

 Ev recounts the tale as follows, “The Danish camera maker and inventor of Nellerød who designed and built many studio, view, motion picture and stereo cameras made a 24 x 60 mm camera for unperforated cine-film about 1923 (N0. 311 ) and a year later model No. 313 in mahogany, for perforated film, measuring 9 x 5 x 23 em with [an f/]6.3 Zeiss Tessar lens in Compur shutter, for Holger Rosenberg.

“Both are in Danmarks Tekniske Museum.”

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Galardo & Miron of Sudbury

Emilio Galardo taken by daylight with blinds and screens

Toronto. The Photographic business of Galardo & Miron thrives today.  The business was founded by Emilio Galardo early last Century. In 1994, His granddaughter  Gloria (Galardo) Miron  and her husband Conrad put up an elaborate display and spoke with enthusiasm at one of our Toronto meetings. The business was well known to future journal editor Bob Lansdale who wrote a fully illustrated article for issue 20-5 of our journal.

Bob begins, “Continuously operated by the same family for more than 90 years [as of 1995], this studio has been a real part of the community since Emilio Galardo first decided to make the mining town of Copper Cliff a place to practice the craft he had learned in his native Italy.

“Born in Migriano (Naples) in 1877,  he trained as photographer before going to Paris to learn retouching. Our immigrant photographer worked in a Montreal studio for two years before heading north in 1902.

“From campsite to campsite he trekked, photographing laborers anxious to send photographs home for “mail order” brides.

“In 1903 he returned to Italy to meet the Rosilla Galardo girl he had seen only in a friend‘s picture. Then, with his new bride Emilio gave up the itinerant life and set up a home and studio “up the hills in little Italy”, a section of Copper Cliff populated by his own people.

“In a photo we see his horse and buggy with the Diroid St. studio in the background. The year was 1 904. Life in the mining town was eventful and on one occasion Emilio settled an argument in the studio by drawing his revolver and uttering the word ‘Out’.

“He became a Canadian citizen in 1912. There were five children, of which Pasquale was the eldest. Emilio was largely self-educated and fluent in English, French and Italian.

“The portrait of Emilio Galardo, made by day light is a fine example of the use of blinds and head screens as well as positioning of figure. …”

Members can read the rest of Bob’s thrilling article in the 20-5 pdf file on our free members-only DVD. What? You aren’t a member? Joining is easy! Just check out the MEMBERSHIP sub-menu above (especially the Membership Form) and the PayPal article at right. Send your dues (one or three years) with the form or send the form after using your credit card/PayPal account. Any questions? Email Lilianne at member@phsc.ca. Membership in our society is  both rewarding and inexpensive.

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