ur a Dorf my dear ….

a c1939 Studio S-11 Deardorff camera (catalogue photo)

Toronto. Issue 18-1, back in 1992, featured a lengthy copyrighted article by Ken Hough called, “Deardorff Designed Cameras, A Short History”.

Ken’s fully illustrated article gives a fine overview of this famous name in photographic history. He begins his article thus, “In any story about a manufacturing firm, one has to realize that there’s always a driving force behind the company. That driving force was a man by the name of Laben F. Deardorff. For the sake of simplicity. since his company’s name was L.F. Deardorff and Sons, we will call him L.F.

“L.F. started out as a camera repairman. He worked on bellows cameras, which in the 1880’s, were the usual type of camera in use. He gained a certain notoriety for interesting modifications of these cameras. Modifying Ansco cameras to have swings and tilts as we know them today, he also designed and built a few of his own; then he went to work for Rochester Optical company in the design department.

“There, he helped design the Premo cameras. LF did not necessarily design the entire line, but was a major contributor to certain features. The rear swings and tilts were his design.

“He then went to Chicago, working at a camera store selling and modifying equipment. He also noticed a certain lack of optical movements in professional cameras. These were the Ansco, Kodak, and various other view cameras. These had the rear movements necessary for architectural correction, but the actual movement of the rear part of the camera was not enough for good perspective control.

“He set about creating a folding field camera that was compact, had long bellows. and all the necessary rear movements for corrective photography; for example, rear swing, left and right, and rear tilt, forward and backwards. In addition to these movements, the camera also would have front tilt, rising and falling lens board, and  rising and falling front base.”

Members went on to read this article to the end in either hard copy or more recently the pdf file of issue 18-1 on the members-only DVD. No DVD? Not a member? It’s easy and inexpensive – see above or at right for details. Questions? Send Lilianne a message at member@phsc.ca.

Like Deardorff cameras? Checkout our fall estate(s) auction November 24th. You may not see a Deardorff but you will see lots of gear to augment your collection or user stuff (and maybe for a Xmas gift or two).

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standing on the corner …

lot 121 at our fall auction on the 24th shows a few studio stands

Toronto. bidding as the lots roll by ….  Our fall estate(s) auction is November 24, 2024. We will have all sorts of goodies in the lots. As soon as we get lots photographed, we will post them online for you to view.

Included in the lots will be studio gear like the stands shown here (lot 121). Come on down and enjoy the ambiance as you meet old friends and place bids to augment your collection or user gear.

The post above gives all the gory details. Free admission. Free parking. Since Christmas is almost here, you could even squeeze in some gift shopping at the auction too … (just saying).

NB. The post title is a 1956 song title. The song is sung here by the four lads – hailing from the big smoke of all places!

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ya feelin’ a bit bookish, matey?

Lot 151 – Kisselbach’s 1st edition (English) with an M3 illustrating the dust cover,

Toronto. Our fall estate(s) auction is coming up fast – Nov 24, 2024 – with many nifty things for your collection and user gear. Details are shown here in this post and poster.

Some lots feature books such as this English edition of Theo Kisselbach’s “The Leica Book” (lot 151). Originally published in German as “Das Leica Buch”, this edition is the first edition as shown by the M3 illustrated on the dust cover (I have the German 1st Edition 1955 (M3) and the English 2nd edition 1971 with an M4 illustrated on the dust cover).

Being the transition period (from screw mount to M-Series cameras) both the latest screw mount cameras (f series) functions and the M3 functions are shown within the book. Also included are the lenses of the time and the most popular accessories. (The book may also include info on the IIIg camera).

Come on out and enjoy the day at the Legion Hall down in the south-west corner of the city. Free admission. Free parking. Chance to by something for yourself or as a gift (Christmas is coming).

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anthotype? what is that?

a sample Anthotype image

Toronto. The PHSNE has a zoom meeting tonight featuring Jesseca Ferguson, ‘JESSECA FERGUSON’S ANTHOTYPES: NEW WORK IN “GREEN PHOTOGRAPHY” – NOVEMBER 3 @ 7:30 PM’.

Until I saw the email from the PHSNE Saturday, I was unaware of the Anthotype images. Checking the internet, I found a wealth of information about the images and even how to make them.

Check out here for the PHSNE and how to sign up for this zoom session tonight and hear in person from an expert who has investigated and used this novel process.

The PHSNE introduce the process as, “The anthotype (ancient Greek for “flower image”) is considered an artistic process today, but the technique was invented in 1842 by the multi-talented British astronomer and chemist Sir John Herschel.

“Like many artists today, Jesseca Ferguson is deeply concerned about the ecological impact of her studio/darkroom. Since summer 2019, she has experimented with the anthotype, an early photographic method which uses only plants and the sun to produce images on artist’s paper.

“Ephemeral and very time-consuming, this process was quickly abandoned after its invention but is currently experiencing a worldwide renaissance with artists seeking “green” ways to make images.”

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hunt for the Nikon in darkest Toronto

Fred discovers a rangefinder Nikon – photos courtesy late Robert McMann

Toronto. The late Fred Hunt was a professional photographer, a college teacher, a member of the PHSC, and a good friend of one of our co-founders, Larry Boccioletti.

In issue 17-5 Fred wrote an interesting article titled, “On an expedition into the wilds of midtown Toronto – Explorer Fred Hunt Discovers Nikon in Canada”. The article is illustrated by the late Bob McMann, once our Nikon authority; and Nikons from his collection. We lost Bob around the time our website was first established. Bob was technically skilled and encouraged the formation of our web site when few were aware of the internet and its power.

Fred begins his article, “I was a single-lens reflex (SLR) chauvinist!

“Pity my poor students at Centennial College who showed up in class with some obscure point-and-shoot or old folder camera! They would approach me at coffee break, offering their camera and remark: ‘This was my father’s camera. He suggested I take a course and learn how to use it.’ And then those fateful words: ‘How does it work?’

“I looked down at some strange beasty and felt like retorting: ‘Well, don’t ask me!’

“It was clear that if I wanted to be effective at Centennial College I would have to realize there was more to photography than SLR cameras. To this end, I would keep an eye open for non SLR cameras that caught my fancy.

“One Saturday in 1974 my friend Bill and I found ourselves on the second floor of the Toronto Camera Exchange. I was absorbed with something at the counter when Bill, several feet further along called: ‘Look, Fred, a Nikon rangefinder!”

Members read the entire story and more of issue 17-5 in the original hard copy. More recent members read the issue 17-5 pdf file on the PHSC members only DVD. It’s easy to join – see above or at right. Questions? Email Lilianne, our membership secretary at member@phsc.ca.

And if you hanker for a Nikon goodie, visit our fall auction this November 24th. Heck, come on down anyway! This post gives details and will be updated as more lots are photographed.

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d…d…d…double t…t…t…take

Montgomery’s Inn c1913 was built in 1830 and stands today at the same corner as an historic site

Toronto.  Shades of George Dunbar and Mike Filey! These gentlemen too shot areas of Toronto matching archival photos for ‘then’ and ‘now’ images of the city as it grew.

In issue 17-5, Randall Reid wrote an illustrated article about his talks and slide shows at Montgomery’s Inn on the south-east corner of Dundas and Bloor in Etobicoke township (now the west end of Toronto).

Randall begins, “‘Double Take, Photographs of Etobicoke Then and Now’ is a slide presentation which I recently assembled at Montgomery’s Inn in co-operation with the local Etobicoke Historical Society. Montgomery’s Inn itself is an historic house museum located at the corner of Dundas Street West and Islington Avenue in Etobicoke.

“The appearance of Etobicoke has changed from a rural landscape of farms, market gardens and cross-roads communities to an industrial and residential urban centre. With that rapid change has come an increase in population from 44,000 in 1951 to in excess of 300,000 today [early 1992]. It is difficult for newer residents to visualize and orientate themselves today with old photographs of Etobicoke.

“As a staff member of Montgomery’s Inn, I have been giving historic slide presentations since 1975. After presenting these shows, I would frequently hear such comments as ‘Where was that? I can’t place it.’ Such comments. therefore, inspired me to prepare a slide presentation in which an historic picture is shown simultaneously beside a modern view of the same location. With this technique, the viewer quickly identifies with the site and develops a sense of the change which has occurred.”

Members read the full article and more in the original journal issue or more recently its pdf version on the members-only DVD. Joining is both easy and inexpensive. See above and/or at right. Questions? Drop Lilianne an email at member@phsc.ca.

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you could shoot a can(n)on down main street …

lot 107 – Canon EF body

Toronto. … at midnight and not hit a soul. This was a common expression when I was a kid. It was used to describe a sleepy little town or village. And speaking of Canons, we will have some great bodies and lenses at our fall auction next month on November 24th.

This is the last special event for 2024. Goodies galore will be offered up for your chance to augment that collection of photographic stuff (or your user gear). Given the date, you should even consider Christmas gifting!

This post and poster give you the details! See you there. Free admission and free parking as usual! The above link will give you a slide show of the lots as lot photos are received and posted.

PS. Don ‘t forget, its Halloween tonight … spooky goings on …

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way before ‘flash’ gordon …

Studio arrangement showing Slingsby’s Flash-Light Stand with four lamps ready to be used. Note the India rubber ball with the tubing on the floor, and the reflecting screen.

Toronto. … in fact many decades before. NB. For those born after say 1990, here is the article on Mr Gordon. Meantime back  in the late 1800s, some enterprising folk came up with ways to compensate for the abysmally slow media of the time allowing studio portraits to be made with a more natural subject positioning. All photos used here were sharpened with TopazPhoto AI 3 using the program’s latest sharpening tool.

In the spring of 1992, Bob Wilson wrote an illustrated article on an 1890 book by Robert Slingsby titled, ” A Treatise on Magnesium Flash – Light Photography For Various Subjects”, published by Marion & Co., London.

The portrait shown here used four of Slingsby’s  lamps plus reflecting screens.  Part of Bob’s article  uses his own words along with quotes on how the portrait at left was taken. “Slingsby’s first attempts at using the very bright [and dangerous] magnesium powder resulted in photographs with very strong [high]lights and black shadows. To overcome this, he began to use more than one lamp, and mounted the lamps on a tall Flash-Light Stand which he developed.

“This stand is illustrated in one of the photographs in the book. It shows a studio arrangement for the portrait of a young girl. High on the stand Slingsby has mounted four Flash Lamps, two against the wall, and two extending into the room. Attached t0 each of the lamps is a long tube and these are attached to a three inch India rubber ball.

“This ball is shown in the [enlarged] photograph. To use the lamps to take a photograph, the magnesium powder is placed in the lamp by the end of the tube and the spirit in the lamp is lit. Slingsby used two to five grains of magnesium powder in each lamp, an amount that gives more perfect combustion and less smoke and fumes in the room than when more powder is used.

“When the lens of the camera has been uncovered to take the photograph, the magnesium is forced into the flame of the lamp by squeezing the rubber ball.”

Of course members could read the full article in hard copy, or more recently in the issue 17-5 pdf file on our members-only DVD. Not a member? Join today and get a personal copy of the DVD featuring the first 40 volumes of the journal. See the menu item above or the article at right. Questions? Drop Lilianne an email at member@phsc.ca.

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doing the things we had to do …

One of a series. “Life on the Farm” commissioned by RB&W. Owen Sound. Photo by John Crawford

Toronto. In issue 17-4, Ev wrote an article about a Toronto photographer, John Crawford, and his boss Nelson Hutchinson (Hitch).

In part Ev writes, “Digressing for a moment, John related a humorous occurrence during his time with Hitch. Previously mentioned was his employer’s fondness for ‘a drop’ which he enjoyed sharing with his friends. These included a number of members of ‘Toronto’s finest’ who found solace in the warm studio during police duties on freezing days. Hitch’s car was known by sight.

“One day John was driving a client near the Flatiron building at Wellington and Church Sts. when a traffic jam developed. One of ‘the finest’ who was directing traffic, waved John through a red light, past all the others. ‘Gosh’, said the client, ‘how do you rate that?’ to which the driver replied, ‘I’m not sure,’ and mumbled something about Hitch having something to do with the Police Department.”

Members read the entire story and more in a pdf file for issue 17-4 recorded on the member-only DVD. Membership is both inexpensive and easy. See the menu item ‘MEMBERSHIP’ above or the “Membership – Join or Renew!” article at the far right. Questions? Email Lilianne, our Membership Secretary, at member@phsc.ca.

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daddy, daddy, come and see …

lot 116 is a Goerz Dogmar 15cm f/4.5 lens in a Compur shutter mounted on a lens board

Toronto. … lots and lots of lots for you and me (apologies to Hellerman and Minkof). I first heard this song in the mid 1960s sung hauntingly by Harry Belafonte.

Next month, November 24th, we will host our fall Estates auction. Come on out and join in the excitement.

The attached post featuring John Morden’s fabulous poster gives the details. Free parking, free admission, and a great chance to meeting friends once again (and add to your collection/user gear too)!

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