1995 was not nice to us in the big smoke

Cavouk at his studio on Bloor Street in the Colonnade c1974 – courtesy of Toronto Star

Toronto. In 1995 we lost three from the photographic community: a collector, a store owner, and a professional photographer. The ‘in memoriam’ for Harold McNutt (Bill  Belier) and Erik Olesen (Ev Roseborough) are already posted. The third loss that year was Photographer Artin Cavoukian (Ev Roseborough).

While the writer of Artin’s notice remains anonymous, it is most likely our modest editor of the day who tried to avoid having too many articles attributed to himself. As to ‘Cavouk’ as he was known, Ev writes, “Operating from an extremely small studio in the Colonnades in mid-Toronto, Artin Cavoukian, otherwise known as Cavouk. practised his art following an exodus from Egypt with his wife and family in 1958.

“The tiny studio, resplendent with fine furniture and drapery, which also became his properties, displayed magnificent colour prints of the Queen, Pearson, Gandhi, de Gaulle and other dignitaries, and citizens, all of which bore evidence of his artistic and technical expertise.

“His Linhof, brought from Egypt, stood significantly in a corner, draped in its focussing cloth. A pioneer in colour portraiture, he opened the first colour lab in the Middle East in 1953 but left everything behind in the flight to Canada.

His wife and assistant, Lucie. died at the age of 72 on October 26, 1995, twelve hours  before her husband, who was 80.

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Queen St King

Erik Olesen 1942 – 1995

Toronto. I remember Erik since my user camera at the time was a Leica M4. As a Leic a rep for Walter Carveth, I often saw him in camera shops buying used cameras in good condition. Erik (briefly a member of the PHSC) attended our fairs both as a buyer and a table holder.

The photo at left is from the Journal, upscaled in Topaz Photo AI and adjusted with both Topaz AI and Focus Magic.

In 1979, Erik opened his own shop, Queen Street Camera Exchange, saying it was time Toronto had a true camera exchange store once again. I first visited the recently opened shop in May of that year.

A few years after the tremendously successful opening, the shop expanded to encompass a facility just east of the store. Later, it began to struggle, and  later still disappeared.  Erik opened another store called Hayden Camera.

Erik himself was in poor shape after the Queen Street facility closed and died a short time later. Ev wrote a brief memoriam for issue 21-4 as follows, “Always to be seen at our Fairs with interesting items, Erik Olesen was well known across Canada to both amateur and professional photographers. Born in Bowmanville, ON, he became associated with Walter Carveth when the Leica was introduced [to Carveth], later becoming Sales Manager for Leitz.

Seeing a wider market, he opened the well known Queen Street Camera Exchange, a professional and amateur supply house, and later, Hayden Camera. There was always a large historical display in addition to a vast Leica case and the latest items on the market, about which he displayed encyclopedic knowledge.

Erik died at the age of 53, leaving his wife, Kelly, and their children, Colleen, Philip and Erin.

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P is for permanent

artisan Robert Aguilar courtesy of the Guardian UK

Toronto. Past president of the PHSC, sports photographer, and author, Les Jones,  dropped me an email the other day. As an ex-pat from England, Les enjoys reading British papers.

A recent article in the Guardian by titled “‘Prints don’t lie’: a platinum printer’s craft – in pictures” captured his eye. The article’s preview says, “Photographer Christopher Thomond joins artisan printer Robert Aguilar to find out how he creates platinum palladium prints as he makes one of Alford Gardner, the Windrush pioneer who died in 2024, aged 98″.

Collectors of vintage prints as well as folks (a great many) still using film will enjoy the story of how one can make platinum photographic paper since the store bought variety hasn’t been around for decades now.

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member number 5

Harol McNutt 1907 – 1995

Toronto. In the late 1960s/early 1970s, camera collecting and photo history became the rage. Societies were being formed, fairs held, books written, etc. Our society and its Toronto branch were founded in the fall of 1974. Amongst other things members were needed. Harold was one of the founding members and the first treasurer. His image at left was upscaled and cleaned up with Topaz AI and Focus Magic from a small image in the journal.

I lived in Montreal at the time. When I joined the PHSC in 1975, it had less than 100 members. My introduction to Harold came when I was asked to audit the Society books. The bills were very few and well organized. The whole task took about an hour. Harold once offered me a Leica and four lenses plus some filters, etc. in a camera case for $100. I declined at the time, only to catch the collecting bug a few years later and buy similar items for many times more.

On his death, the late Bill Belier wrote the following ‘in memoriam’ to Harold in issue 21-4: “Harold McNutt, one of the founding members of the P.H.S.C. (membership No. 5) died peacefully in Toronto on November 12th [1995]. in his 89th year. It would be almost impossible to attempt to chronicle Harold‘s contributions and accomplishments as a member of our Society.

“We are fortunate, indeed. that Bob Lansdale interviewed Harold only six years ago [1990] and produced an excellent article entitled ‘Portrait of a Collector’ [issue 15-2] in which Harold reminisces about his early days in Nova Scotia, his career with Imperial Oil, and his fascination with photography in general and with cameras in particular. 

“He was born in Truro N.S. and prior to joining Imperial Oil, about 1927, had taught in one room school houses in remote Nova Scotia fishing ports. His career with Imperial Oil, not surprisingly, would lead him into management. Harold was very proud of having served the war effort by supervising the highly secret loading of Allied tankers at Dartmouth that were scheduled to sail with the Atlantic convoys to Britain during WW2.

” By 1948 he was transferred to Imperial‘s Toronto operation and was instrumental in encouraging the Company, as early as the mid 1950‘s, to enter the ‘computer age’ when electronic record keeping was still in its infancy. After 42 years service with Imperial, Harold retired in 1970. Harold will be remembered as one of our most avid collectors of photographica and for his painstaking restoration projects.

“Harold had other pursuits. He was an avid gardener and took pride in his flower gardens and shrubs. He was an award winning amateur still-life painter, he travelled extensively after retirement and produced slide travelogue programs for the enjoyment of shut-ins. He read extensively and enjoyed handyman projects around his home. Harold simply did not  have the time to grow old.

“Although he continued to reside in Toronto after retirement he never lost touch with Nova Scotia. The McNutts were frequent visitors to the Maritime provinces and were justly proud of their heritage.

“Those of us who knew Harold well are richer for the experience. It was my privilege to be numbered amongst his friends. He will be missed, but long remembered. Harold is survived by his wife. Hilda, his daughter Barbara, and his two grandchildren, Allison and David Booz.”

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lets go to the parade …

a 1935 parade – cover photo
issue 21-4 (Jan 1996)

Toronto. Ev Roseborough used this photograph as his cover shot on issue 21-4. Unfortunately he makes no other mention of the photograph in this issue ( eg. photographer (himself?), location, situation, etc.).

Such a puzzle is common to Photograph Collectors if the photograph’s subject is not recognized as famous, there is no studio or photographer identification,  or no one has chosen to write details on the photo’s back.

The details of this particular photo are lost in the mists of time (unless a reader recognizes the scene or impact of the date). Speaking of a date, be sure to visit our events this year – you may find something interesting!

Once confirmed, the dates and venues are posted to the right under PHSC EVENTS and a dedicated post will go up as the date grows closer. Meantime, enjoy the snow 🙂

 

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a naughty portrait …

Portrait of Mary Ellen Crysler, albumen print (tinted)- original print is 45 x 36cm. William Notman & Son Studio, 1895

Toronto. We have the Black Creek Pioneer Village here while similar attractions exist elsewhere in our province like the village near Morrisburg.

So what has this to do with photography? Well, some works of photographer and studio owner, William Notman, (famous around Montreal and beyond) are housed in the Upper Canada Village (UCV). The UCV with its archives has some photographic items, like the one at left of Ms Crysler.

In issue 21-4, Ev published an article by Jack Schecter titled, “Upper Canada Village Reference Library and Archives Photograph Collection”. Jack begins his article, “The Upper Canada Village Reference library and Archives near Morrisburg, Ont. is a little-known resource centre which contains modern and antiquarian books. manuscripts and photographs from the 19th and 20th century.

“It is part of Upper Canada Village, a living history site containing about 40 buildings representing a typical small rural community of eastern Ontario in the 1860’s. The library is used by our staff of costumed interpreters to research primary and secondary sources to answer questions from the public and ensure absolute authenticity on our site.

“The inquiries received by the library are varied- what goods were sold in the general store, what type of clothing did women wear in the 1860’s, details on the Battle of Crysler’s Farm and many others.

“The library is also used by historical researchers. museum workers, authors, students. genealogists and others interested in the social and economic history of eastern Ontario.

“One of the distinctive sights in the library is an interpreter in historic costume with a researcher in modern clothing examining documents or using the library computer.

To read the rest of this article and more, go to the member-free DVD. The issue 21-4 pdf has this and the other articles from January 1996. To join, see the menu item ‘MEMBERSHIP’ above (cheque) and at right (credit card and PayPal). Email Lilianne (member@phsc.ca) if you have questions. Please indicate if your membership is NEW or a RENEWAL. Thanks.

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dog days

Dog days of summer in Southern Ontario c1985

Toronto. One logical category for photo collectors is pets. Another is children.

The photo at left is likely too modern for most collectors but it illustrates the categories nicely.

We all know about the dog days of summer when it is too warm to be very active. The little girl at left with her dog is sitting in the shade, carefully tying her laces.

Those wishing to add to their collections, or other curious folk, should visit our events this year. As dates and venues are firmed up, the event is listed here to the right under “PHSC EVENTS”. As the date of each event approaches, a post will be pinned to page one of this site.

Come out and enjoy the fun – usually we have free parking and good food for all. Admission is modest (or even free for some events).

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a weird little camera …

a strange little camera using unperforated 35mm (?) film – seen at the fall 1995 fair

Toronto. … from a fair nearly three decades ago. The photographs and text by Bob Lnsdale appear in issue 21-4.

The writing for this camera says, “Mystery ‘Argus’ camera which has brevittato stamped on the front (Italian for patented). With an Equator anastigmat f/6.3 50 mm Koristka lens, used unperforated film. Chris Hale thinks it might have been made by Kraus.”

Unfortunately, McKeowns do not list the little camera as an Argus model. Since Koristka is an Italian lens, the cameras is likely Italian as the patent stamp suggests. the small image is from issue 21-4 while the large image is the journal photo upscaled in Topaz Photo AI which has a ways to go. It’s getting there … slowly (some upscales are extraordinarily well done).

Check out our events for this or other unusual cameras. Dates and locations are posted at right. Closer to each date I will pin a special post to the front page of this site.

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horse sense

farm horses on a Kodak autographic print (early 20th century)

Toronto.  Photo collectors sometimes choose pet/animal photos like these farm horses.

Others may collect special prints like this Kodak Autographic print marked “dinner time”.

A little ‘horse sense’ goes a long way in deciding if a particular photo would close a gap in a collection. This photo may be too new or poorly exposed for some, but the fact it is Autographic, outdoors, work related, etc. may make the print desirable. Perhaps it could be a filler, ready for trade if a better photo is found.

Visit our events this year and see what you can pick up to augment your cache of prints, cameras, accessories, etc. Check the right sidebar for dates and venues. I will pin a post closer to each event. Sensible?

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photos and postcards down south

Photo and Postcard show on March 9, 2025 in Washington DC

Toronto. The Daguerreian Society sells ads for products of interest to members. In this recent case, photos and postcards are on offer at the Marriot Hotel, Dulles Airport, Washington DC.

The write-up states, “Presented by Mary Martin Ltd., this highly anticipated event brings together collectors, enthusiasts and photographers who share a profound passion for preserving and appreciating vintage photography.

Highlights:

  • Explore an impressive selection of timeless, vintage photographs, postcards and Civil War collectables
  • Engage with leading exhibitors from around the world, each presenting their curated collection of antiques
  • Free appraisals

Show Schedule:

Postcard Room: 8:30am – 4pm. Tickets $7
Photo and Civil War Room: 10am – 4pm

Early admission to Photo & Civil War Room, $25 – 8:30am

Students with a valid school ID enjoy free general admission

For general information and Photo show questions, please contact:

Mary L. Martin Ltd.
410-939-0999″

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